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Vous avez sélectionné:
That Syncopated Harp
Partitions à imprimer
33 partitions trouvées
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Learn How to Play Blues on the Harp
Learn How to Play Blues on the Harp
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Harpe
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INTERMÉDIAIRE
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Methodes
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Mac Perry
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Learn How to Play Blues on the
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Intermediate - Digital Download Composed by Mac Perry. 20th Century, Jazz, Blues, Method, General Instructional. 111 pages. Published by Afghan ...
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Harp - Intermediate - Digital Download Composed by Mac Perry. 20th Century, Jazz, Blues, Method, General Instructional. 111 pages. Published by Afghan Press Music for the Harp
Everything you ever wanted to know about how to play the Blues on your PEDAL or LEVER HARP! Beginner to intermediate level. Five new tunes, blues history, improvisation, wonderful and clever illustrations, hands on training, the four special scales! Everything you ever wanted to know about how to play the Blues on your PEDAL or LEVER HARP!
The Four Special Scales used by blues players
How to improvise your own solo
Special exercises to "see" the Blues Strings
Lots of blues licks to use in your improv
How to comp using shuffle, syncopation, riffs
Learn the secret BLUES TUNING
From Carol Robbins, jazz harpist with many TV credits: "Congratulations on a book that is creative, well researched, and beautifully illustrated"
From Louise Trotter, "A book on blues for harpists is long overdue, since the subject has been sorely neglected. I. Mac Perry has given us a practical workbook to appeal to classical and pop harpists alike. A valuable contribution."
$30.00 ≈
27.64€
That Syncopated Harp
That Syncopated Harp
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Piano, Voix
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Earl Carroll
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That Syncopated Harp
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.8574 Composed by Earl Carroll. Birds, Dwellings, Flowers, Country life, Immigrants, Dialects, Musicians, Travel, Ships. Lester...
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Piano and voice - SKU: LV.8574 Composed by Earl Carroll. Birds, Dwellings, Flowers, Country life, Immigrants, Dialects, Musicians, Travel, Ships. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8574). That Syncopated Harp. Lyrics and Music by Earl Carroll. Published 1916 by Leo Feist in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Birds, Dwellings, Flowers, Country life, Immigrants, Dialects, Musicians, Travel, Ships. First line reads An Irish lad whose music had a tempo quick and sharp.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.52€
Negotiations for Trombone and Harp
Negotiations for Trombone and Harp
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Harpe, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Negotiations for Trombone and
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Sy Brandon
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Trombone - Level 4 - SKU: A0.755284 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 32 page...
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Instrumental Duet Harp,Instrumental Duet,Trombone - Level 4 - SKU: A0.755284 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 32 pages. Sy Brandon #5287559. Published by Sy Brandon (A0.755284). Negotiations was inspired by the Kim/Trump summit in June 2018. It is not a political commentary, but rather a reflection on the three stages that often take place during the negotiation process. The first movement Bombastic is filled with syncopation, loud dynamics, and strong articulation. It is at a fast tempo. Each instrument presents its point of view with different motivic material. The trombone hammers away at making its point through fast repeated notes and both instruments repeat their motives frequently in an argumentative manner. The second movement Compromise is at a slow tempo and is imitative. The imitation varies in some degree as each side makes small adjustments to what the other side has said. Sometimes the imitation is through alternating phrases and other times it is more canonic. Accord is the title of the third movement. This movement proceeds as if the two instruments are one with the trombone stating the agreement and the harp supporting the trombone. Tweaks are still being made as slight variations occur as the material repeats, but the sense of accord is present throughout and the movement and composition end triumphantly.
$14.99 ≈
13.81€
Don't Stop Believin' (Journey) for Double-strung Harp
Don't Stop Believin' (Journey) for Double-strung Harp
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Harpe
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INTERMÉDIAIRE
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Rock
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson ...
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience?s memory of this Eighties rock anthem by Journey will be playing along in their head?from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they?ve never heard it before on a harp.
This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.
Range and key: F major (one flat). 23x2 strings. C below middle C through D.
Lever changes: None.
Good for: Weddings, parties, performance, therapeutic settings.
Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it?s a great piece to learn this technique on.
Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.
Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with ?R? or ?R#? when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with ?L? or ?L#? when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in ?Don?t Stop Believin?: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf
Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what?s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don?t worry: it?s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.
Length: 6 pages. 106 measures. 4:00?5:00 minutes, depending on tempo.
Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.
Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99 ≈
6.44€
The Sound Of Silence
The Sound Of Silence
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Harpe
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FACILE
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Rock
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Simon And Garfunkel
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Christy-Lyn Dosé
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The Sound Of Silence
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Learning the Harp
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SheetMusicPlus
Harp - Level 2 - Digital Download By Simon And Garfunkel. By Paul Simon. Arranged by Christy-Lyn Dosé. 20th Century, Contemporary, Rock. Score. 4 pages. L...
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Harp - Level 2 - Digital Download By Simon And Garfunkel. By Paul Simon. Arranged by Christy-Lyn Dosé. 20th Century, Contemporary, Rock. Score. 4 pages. Learning the Harp #647095. Published by Learning the Harp
Early-intermediate for big and small harps. The song was written by Simon and Garfunkel in 1964, but it's become a meme in recent years, so it?s still very relevant today! Christy-Lyn?s intermediate arrangement is reminiscent of the finger-picking guitar in the original version of the song, with broken chords and some harmonies in the left hand and a right hand melody that's been adapted to sound best on the harp. If you learn this piece from the Video Course, you?ll get essential practice tips on how to make the piece flow and sound musical, much faster than learning on your own!..........DIFFICULTY LEVEL and SKILLS REQUIRED: Early-intermediate. This piece has a simple melody in the right hand, with a left hand accompaniment that is a step up in complexity and variation from late-beginner pieces. There are parts of the piece where the two hands play the same notes straight after each other, which can be a challenge for placing without buzzing. There is quite a lot of syncopation ? a rhythmic challenge! The left hand jumps around a fair bit, and the right hand has to place some tricky 4 finger chords. ..........TYPE OF HARP: Big and small harps, including 22 string (C to C) and bigger. ..........RANGE: Lowest note is C an octave below middle C, highest note is B almost 2 octaves above middle C...........LEVERS/PEDALS: It is in the key of G major, with no lever changes. Harps without levers can tune their F strings to F sharps. ..........WHAT'S INCLUDED: PDF download of 4 pages. Fingering and bracketing are included.
This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$5.00 ≈
4.61€
Dance of the Lambs
Dance of the Lambs
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Kim Robertson
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Dance of the Lambs
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Advanced Intermediate - Composed by Kim Robertson. TV, World, Recital, New Age. 7 pages. Published by Afghan Press Music for the Harp ...
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Harp - Advanced Intermediate - Composed by Kim Robertson. TV, World, Recital, New Age. 7 pages. Published by Afghan Press Music for the Harp
This original composition was made famous when Kim played it on an episode of TV's Beverly Hills 90210. It's a beautiful, lilting lever harp solo with a memorable melody that really stays with you. The quick tempo, grace notes, and syncopation make this piece suitable for advanced harpists. This solo has been recorded by Kim on Wood, Fire, and Gold.
$6.00 ≈
5.53€
Alla Turca Jazz
Alla Turca Jazz
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Harpe
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Jazz
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Contemporain
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Fazil Say
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Ekaterina Afanasieva
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Alla Turca Jazz
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Schott Music - Digital
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SheetMusicPlus
Harp - Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Compose...
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Harp - Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: single sheet. Eingangsmelodie, Handy- Klingelton, Mozart. Downloadable. Op. 5b. Duration 4 minutes. Schott Music - Digital #Q46259. Published by Schott Music - Digital
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone.
Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra.
It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation.
The very popular piece was now arranged for harp by Ekaterina Afanasieva.
$6.99 ≈
6.44€
Home
Home
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Violoncelle (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Edward Sharpe and the Magnetic
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Sarah Cellobat Chaffee
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Home
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.555409 By Edward Sharpe and the Magnetic Zeros. By Alex Ebert and Jade Castrinos. Arranged by Sarah Cellobat Chaffee. Cou...
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Cello Solo - Level 4 - SKU: A0.555409 By Edward Sharpe and the Magnetic Zeros. By Alex Ebert and Jade Castrinos. Arranged by Sarah Cellobat Chaffee. Country,Folk,Pop,Rock,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #165023. Published by Sarah Cellobat Chaffee (A0.555409). Home was released in 2010 by Edward Sharpe and the Magnetic Zeros, and it quickly became one of their biggest hits; in addition to gaining critical and popular acclaim, it has been featured in numerous movies, TV shows, and commercials. Now a pop culture staple, the song is often requested for weddings and events -- so you can't go wrong having this one in your gig books! Originally written for a wedding ceremony, this Cellobat arrangement for solo cello will also be perfect for cocktail hour, receptions, proposals, or any other occasion that needs a fun upbeat melody. No accompaniment part -- it stands alone! Rated advanced-intermediate for notes up to 4th position and a number of tricky syncopated rhythms throughout; this will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$7.99 ≈
7.36€
Goodness of God (Split Track MP3)
Goodness of God (Split Track MP3)
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Chorale SATB
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Musique Sacrée
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Ben Field, Brian Johnson, Ed C
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James Koerts
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Goodness of God
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Celebrating Grace - Digital
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SheetMusicPlus
SATB Chorus - SKU: C6.841094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. Split Tra...
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SATB Chorus - SKU: C6.841094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. Split Track MP3. Celebrating Grace - Digital #841094. Published by Celebrating Grace - Digital (C6.841094). James Koerts has expressively arranged this popular worship song for SATB voices. The choral writing is intuitive, with harmonies that are easy to master. Several sections of unison and 2-part singing will make rehearsals a breeze. A simple accompaniment allows the syncopated rhythms to fall into place, creating immediate success. This piece would be a great way to introduce this new worship song to your congregation. Available separately: Score and parts for Flute, Oboe, Bb Clarinet, Bb Trumpets 1 & 2, Horns in F 1 & 2, Trombones 1 & 2, Percussion, Harp, Violins 1 & 2, Viola, Cello, String Bass, and Rhythm Piano.
$9.99 ≈
9.21€
Goodness of God (Demonstration MP3)
Goodness of God (Demonstration MP3)
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Chorale SATB
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Musique Sacrée
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Ben Field, Brian Johnson, Ed C
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James Koerts
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Goodness of God
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Celebrating Grace - Digital
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SheetMusicPlus
SATB Chorus - SKU: C6.836094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. Demo MP3....
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SATB Chorus - SKU: C6.836094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. Demo MP3. Celebrating Grace - Digital #836094. Published by Celebrating Grace - Digital (C6.836094). James Koerts has expressively arranged this popular worship song for SATB voices. The choral writing is intuitive, with harmonies that are easy to master. Several sections of unison and 2-part singing will make rehearsals a breeze. A simple accompaniment allows the syncopated rhythms to fall into place, creating immediate success. This piece would be a great way to introduce this new worship song to your congregation. Available separately: Score and parts for Flute, Oboe, Bb Clarinet, Bb Trumpets 1 & 2, Horns in F 1 & 2, Trombones 1 & 2, Percussion, Harp, Violins 1 & 2, Viola, Cello, String Bass, and Rhythm Piano.
$1.99 ≈
1.83€
Goodness of God (Soprano Rehearsal MP3)
Goodness of God (Soprano Rehearsal MP3)
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Chorale SATB
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Musique Sacrée
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Ben Field, Brian Johnson, Ed C
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James Koerts
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Goodness of God
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Celebrating Grace - Digital
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SheetMusicPlus
SATB Chorus - SKU: C6.831094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. MP3. Cele...
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SATB Chorus - SKU: C6.831094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. MP3. Celebrating Grace - Digital #831094. Published by Celebrating Grace - Digital (C6.831094). James Koerts has expressively arranged this popular worship song for SATB voices. The choral writing is intuitive, with harmonies that are easy to master. Several sections of unison and 2-part singing will make rehearsals a breeze. A simple accompaniment allows the syncopated rhythms to fall into place, creating immediate success. This piece would be a great way to introduce this new worship song to your congregation. Available separately: Score and parts for Flute, Oboe, Bb Clarinet, Bb Trumpets 1 & 2, Horns in F 1 & 2, Trombones 1 & 2, Percussion, Harp, Violins 1 & 2, Viola, Cello, String Bass, and Rhythm Piano.
$2.99 ≈
2.76€
Goodness of God (Alto Rehearsal MP3)
Goodness of God (Alto Rehearsal MP3)
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Chorale SATB
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Musique Sacrée
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Ben Field, Brian Johnson, Ed C
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James Koerts
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Goodness of God
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Celebrating Grace - Digital
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SheetMusicPlus
SATB Chorus - SKU: C6.832094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. MP3. Cele...
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SATB Chorus - SKU: C6.832094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. MP3. Celebrating Grace - Digital #832094. Published by Celebrating Grace - Digital (C6.832094). James Koerts has expressively arranged this popular worship song for SATB voices. The choral writing is intuitive, with harmonies that are easy to master. Several sections of unison and 2-part singing will make rehearsals a breeze. A simple accompaniment allows the syncopated rhythms to fall into place, creating immediate success. This piece would be a great way to introduce this new worship song to your congregation. Available separately: Score and parts for Flute, Oboe, Bb Clarinet, Bb Trumpets 1 & 2, Horns in F 1 & 2, Trombones 1 & 2, Percussion, Harp, Violins 1 & 2, Viola, Cello, String Bass, and Rhythm Piano.
$2.99 ≈
2.76€
Goodness of God
Goodness of God
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Chorale SATB
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Musique Sacrée
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Ben Field, Brian Johnson, Ed C
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James Koerts
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Goodness of God
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Celebrating Grace - Digital
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SheetMusicPlus
SATB Chorus - SKU: C6.811094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. Octavo. 1...
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SATB Chorus - SKU: C6.811094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. Octavo. 14 pages. Celebrating Grace - Digital #811094. Published by Celebrating Grace - Digital (C6.811094). 6.75 x 10.5 inches.James Koerts has expressively arranged this popular worship song for SATB voices. The choral writing is intuitive, with harmonies that are easy to master. Several sections of unison and 2-part singing will make rehearsals a breeze. A simple accompaniment allows the syncopated rhythms to fall into place, creating immediate success. This piece would be a great way to introduce this new worship song to your congregation. Available separately: Score and parts for Flute, Oboe, Bb Clarinet, Bb Trumpets 1 & 2, Horns in F 1 & 2, Trombones 1 & 2, Percussion, Harp, Violins 1 & 2, Viola, Cello, String Bass, and Rhythm Piano.
$2.55 ≈
2.35€
Goodness of God (Tenor Rehearsal MP3)
Goodness of God (Tenor Rehearsal MP3)
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Chorale SATB
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Musique Sacrée
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Ben Field, Brian Johnson, Ed C
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James Koerts
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Goodness of God
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Celebrating Grace - Digital
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SheetMusicPlus
SATB Chorus - SKU: C6.833094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. MP3. Cele...
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SATB Chorus - SKU: C6.833094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. MP3. Celebrating Grace - Digital #833094. Published by Celebrating Grace - Digital (C6.833094). James Koerts has expressively arranged this popular worship song for SATB voices. The choral writing is intuitive, with harmonies that are easy to master. Several sections of unison and 2-part singing will make rehearsals a breeze. A simple accompaniment allows the syncopated rhythms to fall into place, creating immediate success. This piece would be a great way to introduce this new worship song to your congregation. Available separately: Score and parts for Flute, Oboe, Bb Clarinet, Bb Trumpets 1 & 2, Horns in F 1 & 2, Trombones 1 & 2, Percussion, Harp, Violins 1 & 2, Viola, Cello, String Bass, and Rhythm Piano.
$2.99 ≈
2.76€
Goodness of God (Bass Rehearsal MP3)
Goodness of God (Bass Rehearsal MP3)
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Chorale SATB
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Musique Sacrée
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Ben Field, Brian Johnson, Ed C
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James Koerts
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Goodness of God
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Celebrating Grace - Digital
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SheetMusicPlus
SATB Chorus - SKU: C6.834094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. MP3. Cele...
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SATB Chorus - SKU: C6.834094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. MP3. Celebrating Grace - Digital #834094. Published by Celebrating Grace - Digital (C6.834094). James Koerts has expressively arranged this popular worship song for SATB voices. The choral writing is intuitive, with harmonies that are easy to master. Several sections of unison and 2-part singing will make rehearsals a breeze. A simple accompaniment allows the syncopated rhythms to fall into place, creating immediate success. This piece would be a great way to introduce this new worship song to your congregation. Available separately: Score and parts for Flute, Oboe, Bb Clarinet, Bb Trumpets 1 & 2, Horns in F 1 & 2, Trombones 1 & 2, Percussion, Harp, Violins 1 & 2, Viola, Cello, String Bass, and Rhythm Piano.
$2.99 ≈
2.76€
Concerto for Trombone and Piano
Concerto for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50 ≈
25.34€
Come, Thou Fount of Every Blessing
Come, Thou Fount of Every Blessing
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Piano seul
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INTERMÉDIAIRE
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Anonymous
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c
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Come, Thou Fount of Every Bles
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C.E. Walz
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.767647 Composed by Anonymous. Arranged by c.e. walz. Christian,Holiday,Sacred. Score. 4 pages. C.E. Walz #3573687. Publis...
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Piano Solo - Level 3 - SKU: A0.767647 Composed by Anonymous. Arranged by c.e. walz. Christian,Holiday,Sacred. Score. 4 pages. C.E. Walz #3573687. Published by C.E. Walz (A0.767647). This hymn is a favorite among both young and old members at my church. (Grandma puts herself on the young list!) Its happy, lyrical tune has everyone humming along, and the piece may be played at 120 bpm or a little slower. There are many tunes that incorporate the Sacred Harp text of Come, thou Fount, but the Nettleton tune is the most popular. In this arrangement, the 3/4 timing has been changed to 4/4, which gives the melody an upbeat, syncopated feel.My rendition is four pages long and runs about 2:00 minutes. Key of Eb modulates to F on page three. The dynamics change on every page so be mindful of the dynamic markings. Intermediate level and perfect for church offertory, prelude or postlude.
$3.99 ≈
3.68€
Goodness of God (Accompaniment MP3)
Goodness of God (Accompaniment MP3)
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Chorale SATB
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Musique Sacrée
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Ben Field, Brian Johnson, Ed C
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James Koerts
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Goodness of God
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Celebrating Grace - Digital
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SheetMusicPlus
SATB Chorus - SKU: C6.846094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. Accompani...
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SATB Chorus - SKU: C6.846094 Composed by Ben Field, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by James Koerts. General. Accompaniment MP3. Celebrating Grace - Digital #846094. Published by Celebrating Grace - Digital (C6.846094). James Koerts has expressively arranged this popular worship song for SATB voices. The choral writing is intuitive, with harmonies that are easy to master. Several sections of unison and 2-part singing will make rehearsals a breeze. A simple accompaniment allows the syncopated rhythms to fall into place, creating immediate success. This piece would be a great way to introduce this new worship song to your congregation. Available separately: Score and parts for Flute, Oboe, Bb Clarinet, Bb Trumpets 1 & 2, Horns in F 1 & 2, Trombones 1 & 2, Percussion, Harp, Violins 1 & 2, Viola, Cello, String Bass, and Rhythm Piano.
$9.99 ≈
9.21€
I've Got My Love To Keep Me Warm
I've Got My Love To Keep Me Warm
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Benny Goodman
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Paul Hemmer
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I've Got My Love To Keep Me Wa
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PJMS MUSIC
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1226889 By Benny Goodman. By Irving Berlin. Arranged by Paul Hemmer. Christmas,Film/TV,Holiday,Jazz,Pop. Score and Part...
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Concert Band - Level 3 - SKU: A0.1226889 By Benny Goodman. By Irving Berlin. Arranged by Paul Hemmer. Christmas,Film/TV,Holiday,Jazz,Pop. Score and Parts. 56 pages. PJMS MUSIC #822901. Published by PJMS MUSIC (A0.1226889). This winter holiday favorite is scored for Concert Band with optional Harp/Piano. This arrangement is in a society band tempo with several nice solos for muted trumpet, oboe, and trombone. The opening imitates a winter wind and snowstorm followed by a syncopated riff that returns several times within the chart.A full orchestra arrangement is also available.Â
$70.00 ≈
64.50€
Kings & Queens
Kings & Queens
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Piano Facile
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FACILE
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Ava Max
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Jim Lansing
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Kings & Queens
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Jim Lansing
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.896090 By Ava Max. By Amanda Koci, Brett Leland McLaughlin, Brett McLaughlin, Desmond Child, Henry Walter, Hillary Bernst...
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Easy Piano - Level 2 - SKU: A0.896090 By Ava Max. By Amanda Koci, Brett Leland McLaughlin, Brett McLaughlin, Desmond Child, Henry Walter, Hillary Bernstein, Jakke Erixon, Jakke Erixson, Jakob Erixon, Jakob Erixson, Madison Love, Mimosa Blinson, Mimoza Blinson, Mimoza Blinsson, Mimoza Flinsson, and Nadir Khayat. Arranged by Jim Lansing. Instructional,Pop,Rock. Score. 4 pages. Jim Lansing #6462373. Published by Jim Lansing (A0.896090). Early Intermediate level arrangement of 2020 Ava Max release transposed to Em for less sharps (original in C#m). Â Most syncopation and 16th notes are simplified; once notes are learned, encourage player to use their ear to fix the rhythms to match the artist's recording. Â One syncopated pattern (m.13) and a few RH off-beat entrances are preceeded by LH playing on the beat to help player maintaint the pulse.LH has 4 mm ostinato (with minimal rhythmic change) that repeats the entire song. Â RH has significant movement as melody has leaps and range of octave and a third. Â RH moves accomplished by numerous finger substitutions on repeated 8th notes, finger crossovers (2 over 1, 3 over 1), and opening up thumb to reach 5th (1-3) and 6th (1-4).
$4.99 ≈
4.60€
Planxty Irwin
Planxty Irwin
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Mandoline, Guitare (duo)
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Turlough Ó Carolan
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Gordon Jackson
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Planxty Irwin
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Gordon Jackson
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Mandolin - SKU: A0.1017673 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Cla...
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Instrumental Duet Guitar,Instrumental Duet,Mandolin - SKU: A0.1017673 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,World. Score and parts. 1 pages. Gordon Jackson #6434557. Published by Gordon Jackson (A0.1017673). Planxty IrwinTurlough Ó Carolan (1670-1738) was an Irish harper and composer. Carolan’s music does not sit comfortably in any one particular musical tradition. He was the product of a long line of Irish harpers dating from medieval times or before. He was also aware of Irish folk music, with many of his tunes having a ‘trad’ quality, particularly in his jig-like compositions. Finally, Carolan was influenced by the music of Italian Baroque composers that he would have heard played at the great houses he visited. Carolan’s Draught is an example of the latter.This pleasant little tune is actually titled ‘Colonel John Irwin’ (Carolan’s modus operandi was to compose tunes, often with lyrics, in honour of his wealthy patrons and their various family members). However, this one has become much more widely known as ‘Planxty Irwin’. A planxty is a tune, usually lively, composed in honour of a patron, although the actual etymology of the word is unknown, and may even have been coined by Carolan himself.For my arrangement of the tune I have written a counterpoint, which comes in second time around. Whilst the basic melody is mostly ‘swung’, i.e. with beats comprising dotted quaver-semiquaver-quaver (dotted 16th-32nd-16th), the counterpoint is ‘straight’, i.e. a quaver-quaver-quaver beat (16th-16th-16th). This creates a pleasant (I hope!) syncopation throughout.
$4.99 ≈
4.60€
Hommages and Prelude No. 1
Hommages and Prelude No. 1
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #96...
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Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99 ≈
27.64€
Wait (Verbs 1)
Wait (Verbs 1)
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Piano seul
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AVANCÉ
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Contemporain
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Kathleen Ryan
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Wait
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by...
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Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by Indigo Mesa Music LLC (A0.995799). Verbs is a set of 24 impressionistic preludes for piano left hand alone, composed by Kathleen RyanEach prelude evokes the energy and mood of its title verb. Thus, the preludes utilize a wide range of modern styles and harmonic languages.Wait - to be in readiness or expectation. These preludes hark back to earlier antecedents by Debussy, Rachmaninov, Chopin and J S Bach in their variety and appeal, creating an album rich in contrasts. Ryan’s composing style is eclectic, referencing jazz, contemporary classical, traditional classical, and American folk songs and hymns: Play, for example, is a vibrant anthem, redolent of sacred harp singing, while other Preludes are more contemplative, tender and wistful (Forgive, Bloom). Push is energetic and rumbling, suggesting bustling city life, Bounce scampers playfully around the keyboard with jazzy syncopations and colourful harmonies, and Tangle is redolent of some of Prokofiev’s more introspective ‘Visions Fugitives’. The album closes with the meditative Bless. Frances Wilson, The Cross-Eyed PianistVerbs: 24 Preludes for Piano Left Hand is a fascinating collection of pieces composed by Kathleen Ryan. The project originated in 2006 when [Keith] Porter-Snell asked Ryan to create a set of twenty-four piano preludes for left hand only, one in each key. In her search for a unifying theme, Ryan settled on the idea of verbs, one for each prelude, because a verb conveys a distinct quality of energy and motion. ... Ryan’s eclectic composing style contains elements of jazz, contemporary classical, traditional classical, and her own vision that includes making the piano sing. ... It is hard to believe that these preludes are played with only one hand, as they are full, rich, and sound like they move all over the piano keyboard. All of the titles are one-word verbs and the preludes range in duration from 34 seconds to a little more than four minutes. Some are light and playful and some are more complex and dramatic. All are very different from each other and specific to their individual ‘verbs.’ Kathy Parsons, MainlyPiano.com
$5.25 ≈
4.84€
Merry Xmas Everybody
Merry Xmas Everybody
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Slade
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HELEN MARPLE-HORVAT
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Merry Xmas Everybody
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contempor...
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String Quartet String Quartet - Level 4 - SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 15 pages. Helen Marple-Horvat #6134105. Published by Helen Marple-Horvat (A0.749235). youtube.com/watch?v=b74tCHtcmFM‘Merry Christmas Everybody' is a major hit in the UK, and the familiar song heralds the festive season with all the ‘feel good’ emotions that come with it. We hear it in shops, supermarkets, and radio stations all over the country for the weeks in the run up to the celebrations, as it is part of a popular compilation of hits. It was a Christmas number one in 1973 and stayed there for nine weeks. Although it was recorded in New York it is not so well known in the USA which is a surprise to me. I have always loved it because of the unusual chord progressions at the end of the Chorus, and because Noddy Holder is from the West Midlands where I was born and bred. We don’t have too many famous people from around there!It is important to keep a steady tempo but it doesn’t need to be as fast as the original (120 bpm) However It *is* in the same key as the original and follows the structure exactly, so it may be possible to play along with it before coming to rehearsal, which is always helpful. It is useful to feel the syncopation that way. We planned to record this last March but that was before Lockdown!The tune is shared between first violin, viola and cello. The second violinist needs to keep a rock steady pulse. Although it is suitable for a professional quartet to play, and the first violinist often plays the tune up an octave, I feel that it is easy enough for a quartet of Grade 5 ABRSM to play with a few modifications such as playing open strings. The cellist will need to be able to play in fourth position and to stretch for the F sharps on the C string, but feel free to change the octaves or use pizzicato in the bass part if it makes things easier.The bowing is a guide only, based on the rehearsal with Capriccio Quartet, so all players should take as many bows as they need in order to feel comfortable. Enjoy playing the piece and send me any recordings on Facebook. I love to hear from people who have played my arrangements.You can hear Capriccio Quartet play my other arrangements at the Youtube Channel, Helen Marple-Horvat Songwriter, Arranger, Composer, Capriccio Quartet. All but two are available from Sheet Music Plus.
$15.00 ≈
13.82€
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That Syncopated Harp
