Partitions Numériques de TROMBONE pour Piccolo, Piano

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TROMBONE
Non classifié 22 512

Piano & claviers
Accompagnement Piano 341
Piano seul 187
Piano (partie séparée) 116
Piano Facile 107
Piano, Voix et Guitare 93

Instruments en Do 59
Piano, Voix 45
Orgue 34
Orgue, Trompette (duo) 5
1 Piano, 4 mains 2
Orgue, Piano (duo) 2
Accordéon et Orchestre 2
Piano grosses notes 2

+ 8 instrumentations

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Guitares
Guitare (partie séparée) 232
Ligne De Mélodie, (Paroles) et Accords 29
Basse electrique 5
Guitare 4
Guitare notes et tablatures 3

2 Guitares (duo) 3
Paroles et Accords 2
Ukulele 2
Mandoline 1
Piano, Guitare (duo) 1
Basse électrique (partie séparée) 1
Banjo 1
Ensemble de Ukulélés 1

+ 8 instrumentations

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Voix
Chorale SATB 521
Chorale 3 parties 72
Chorale TTBB 55
Chorale 2 parties 33
Chorale Unison 21

Chorale 7
Chorale SSATB 5
Chorale SSAA 4
Voix d'Enfants 3
Voix Tenor, Piano 2
Chorale SSAATTBB 1
Voix seule 1
Voix Soprano, Piano 1
Voix Alto, Piano 1
Voix duo, Piano 1
Soli, choeur mixte et accompagnement 1

+ 11 instrumentations

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Vents
Flûte, Hautbois, Clarinette, Basson 696
Saxophone (partie séparée) 672
Flûte, Trombone (duo) 121
Saxophone Tenor et Piano 108
Saxophone Alto et Piano 87

Flute (partie séparée) 76
Clarinette, Trombone (duo) 68
Flûte traversière et Piano 64
2 Saxophones (duo) 61
Hautbois, Piano (duo) 59
Hautbois, trombone (duo) 48
Clarinette et Piano 48
Clarinette (partie séparée) 48
Quatuor de Saxophones: 4 saxophones 47
2 Clarinettes (duo) 41
Clarinette 39
Quatuor de Clarinettes: 4 clarinettes 30
2 Flûtes traversières (duo) 25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 24
Hautbois (partie séparée) 23
Saxophone Baryton, Piano 21
Clarinette Basse, Piano 18
2 Hautbois (duo) 17
Quintette de Saxophone: 5 saxophones 16
Flûte traversière 16
3 Clarinettes (trio) 15
3 Saxophones (trio) 14
Saxophone Alto 14
Quatuor de Flûtes : 4 flûtes 11
Trio de Flûtes: 3 flûtes 9
4 Hautbois 7
3 Hautbois 7
Quintette de Clarinettes: 5 clarinettes 7
Ensemble de Clarinettes 5
Ensemble de Flûtes 3
Saxophone Tenor 3
Flûte, Clarinette (duo) 2
Piccolo 2
Saxophone Soprano et Piano 2
Ensemble de saxophones 2
Cor Anglais 2
2 Saxophones, Piano 2
Hautbois, Flûte 1
Flûte et Guitare 1
Cor anglais, Piano 1
Piccolo, Piano 1

Hautbois, Basson (duo) 1
Flûte, Violoncelle, Piano (trio) 1
Quatuor de Flûtes à bec 1
2 Clarinettes, Piano 1
Ensemble à vent 1
Clarinette, Basson (duo) 1

+ 47 instrumentations

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Cuivres
Trombone (partie séparée) 19 817
Trombone 14 226
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 9 008
Trombone et Piano 5 601
Quatuor de Cuivres : 2 trompettes, trombone, tuba 4 277

2 Trombones (duo) 2 459
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1 778
Quatuor de cuivres: 4 trombones 1 431
Quatuor de Cuivres 1 272
Trompette, Trombone (duo) 1 203
Trio de Cuivres 583
Ensemble de Trombones 485
Bass Clef Instruments 477
Trompette (partie séparée) 452
3 Trombones (trio) 378
Trombone basse et Piano 271
Trombone, Tuba (duo) 230
Quatuor de cuivres: 2 trompettes, 2 trombones 107
Trombone, Cor (duo) 99
Trombone, Violon (duo) 92
Trompette, Saxophone (duo) 89
Cor (partie séparée) 76
Tuba et Piano 74
Cor et Piano 72
Tuba (partie séparée) 71
Trombone basse 70
Trombone, Orgue 62
Trompette, Piano 60
Trompette 55
Trompette, Trombone, Piano 49
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib 43
Euphonium, Piano (duo) 38
2 Trompettes (duo) 37
2 Trombones, Piano 35
Tuba 30
Ensemble de Trompettes 29
2 Cors (duo) 29
Trombone, Alto (duo) 27
Cor 26
2 Tubas (duo) 21
Cor, Trompette, Trombone (trio) 20
Euphonium 16
4 Tubas 15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 14
2 Euphoniums et 2 Tubas 13
Quatuor de cuivres: 4 cors 13
Euphonium, Tuba (duo) 11
Trompette, Euphonium (duo) 8
Trombone et orchestre 8
Tuba et Orgue 7
Trompette, Cor (duo) 6
Ensemble de Cors 5
3 Trompettes (trio) 4
Trompette, Tuba (duo) 3
2 Euphoniums (duo) 3
Saxhorn basse ou Euphonium ou Tuba et Piano 2
Quatuor de cuivres: 4 trompettes 2
Cor Anglais 2
3 Euphoniums 2
Instruments en Sib 2
2 Trompettes, Clavier (piano ou orgue) 2
Cor anglais, Piano 1
Cornet et orchestre 1
Cor et Orgue 1

+ 59 instrumentations

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Cordes
Contrebasse (partie séparée) 218
Violoncelle, Piano 102
Violon et Piano 88
Alto, Piano 73
Quatuor à cordes: 2 violons, alto, violoncelle 63

Violon 59
2 Violoncelles (duo) 29
Violoncelle (partie séparée) 24
2 Violons (duo) 22
Contrebasse, Piano (duo) 18
2 Altos (duo) 17
2 Contrebasses (duo) 17
Alto et Harpe 15
Harpe, Violon (duo) 15
Harpe, Violoncelle (duo) 14
Harpe, Flûte (duo) 14
Contre Basse 12
Alto seul 11
Quintette à cordes: 2 violons, alto, violoncelle, basse 9
Harpe, Trombone (duo) 9
Trio à Cordes: 3 violoncelles 7
Violon (partie séparée) 5
Harpe 5
Violoncelle 5
Alto (partie séparée) 4
4 Violoncelles 3
Alto, Violoncelle (duo) 2
Harpe, Voix 2
Violon, Orgue 2

+ 24 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 5 695
Ensemble Jazz 1 992
Ensemble de cuivres 1 627
Orchestre 936
Jazz combo 389

Fanfare 161
Orchestre de chambre 159
Batterie (partie séparée) 116
Ensemble de Percussions 42
Orchestre à Cordes 33
Cloches 30
Batterie 27
Percussion (partie séparée) 23
Big band 12
Xylophone, Piano 11
Piano et Orchestre 10
Quintette de Cuivres: autres combinaisons 8
Ensemble d'École 7
Marimba 3
Timbales (partie séparée) 2
Instrumentation Flexible 1
Vibraphone 1

+ 17 instrumentations

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TROMBONE

Piccolo, Piano

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Sullivan: The Lost Chord for Piccolo & Piano

Sullivan: The Lost Chord for Piccolo & Piano #Piccolo, Piano #INTERMÉDIAIRE/AVANCÉ #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for P #jmsgu3 #SheetMusicPlus

Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...(+)

Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.

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