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Vous avez sélectionné:
Oriental
ORCHESTRE
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Partitions à imprimer
15 partitions trouvées
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1
PULVER Lev: "Oriental Dance" from "The Sorceress" for Symphony Orchestra (Full score + set of parts)
PULVER Lev: "Oriental Dance" from "The Sorceress" for Symphony Orchestra (Full score + set of parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: "Oriental Dan
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868919 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score an...
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Full Orchestra - Level 4 - SKU: A0.868919 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 58 pages. Really Good Music, LLC. #4836055. Published by Really Good Music, LLC. (A0.868919). The full score of Oriental Dance by Lev PULVER (1883 – 1970) has been realized from the autograph manuscript and edited by Sergei PICHUGIN. This music, portraying the scene in the palace of an oriental sovereign, most likely is a ballet episode from the first production of the Moscow State Yiddish Theater (GOSET) The Sorceress (1922). Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Oriental Dance.
$70.00 ≈
65.43€
Oriental Adventure (Orchestra)
Oriental Adventure (Orchestra)
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Orchestre
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DÉBUTANT
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Andrew Will
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Oriental Adventure
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Willscore Publishing
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SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.1002946 Composed by Andrew Will. Contemporary,Instructional,Standards. Score and parts. 34 pages. Willscore Publishin...
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Full Orchestra - Level 1 - SKU: A0.1002946 Composed by Andrew Will. Contemporary,Instructional,Standards. Score and parts. 34 pages. Willscore Publishing #6696367. Published by Willscore Publishing (A0.1002946). Listed pricing includes Score and all Parts. Oriental Adventure is an Elementary level Orchestral piece for developing bands. It would make a great addition to your Orchestral repertoire. A fun piece to play for your junior musicians. You can combine your wind program with your string program. Your audience will love this piece. Enjoy!
$30.00 ≈
28.04€
Korean Simple Suite No.1 (For Orchestra)
Korean Simple Suite No.1 (For Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.511791 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Standards,World. Score and parts. 162 pages. Han-...
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Full Orchestra - Level 4 - SKU: A0.511791 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Standards,World. Score and parts. 162 pages. Han-Ki Kim #6223697. Published by Han-Ki Kim (A0.511791). This Korean Simple Suite is consist of 5 movements. All piece's main theme is generally based on Korean(Oriental) pentatonic tone, and adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. And for some movement, there is especially natural harmonics is used for special tone effect to express oriental flute sound. Especially Finale is written rondo form, with Korean Traditional Children's song adapted. Attached music file is 1st movement only, Just for a reference.1. Prologue - Greeting2. Oriental Flute3. Cheerfulness4. Sorrow5. Finale - Festival
$39.90 ≈
37.30€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy â Estampes
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
23.37€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy â Estampes
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Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
23.37€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
#
Claude Debussy
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Arkady Leytush
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Claude Debussy â Estampes
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
23.37€
In A Minor Mood - Orchestra v2 Score and Parts PDF
In A Minor Mood - Orchestra v2 Score and Parts PDF
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Brendan Elliget MAGA 537
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In A Minor Mood - Orchestra v2
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750955 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Music #5223193. Published b...
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Full Orchestra - Level 3 - SKU: A0.750955 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Music #5223193. Published by BJE Music (A0.750955). This is an original composition for orchestra in D minor with a slightly oriental flavor. There are sections of pizzicato for the strings as well as dramatic lines for the brass especially the horns - Percussion parts include Tambourine, Woodblock, Timpani, and Drums Set. There is a Violin 3 part which is a sub for Viola.The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 3:03 mins.
$20.00 ≈
18.70€
C. Debussy - 3 Preludes,
C. Debussy - 3 Preludes,
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Orchestre
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Classique
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means of the orchestra, as in
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Claude Debussy
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A
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C. Debussy - 3 Preludes,
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008416 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and Parts. 60 pages. Arkady Leytush #6417961. P...
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Full Orchestra - SKU: A0.1008416 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and Parts. 60 pages. Arkady Leytush #6417961. Published by Arkady Leytush (A0.1008416). “La Sérénade Interrompue”,#9(I)Sometimes an orchestral transcription of a program piece like this “Interrupted Serenade” turns into a kind of theatrical performance on the stage of the theater. By means of the orchestra, as in painting, you can try to reproduce the whole mysterious picture of such an episode full of passion, nocturnal rustles, fear of being discovered by the family of your beloved and even the sudden opening of the window, but in the end, a hasty escape by flight, without finishing the serenade to the end.La puerta del Vino,#3(II)While creating the orchestral version of this Debussy prelude, two things stood before my eyes -the seductive Habanera performed by an oriental beauty and the unforgettable beauty of Alhambra. General Lavine - eccentric,#6(II)Debussy creates the effect of three hands playing. Lavine’s clown acts were accompanied by trumpets and drums, often backstage. “Strident,” “spiritual and discreet”: tongue-in-cheek. ”Sec,” a dry sound for staccato chords. Debussy’s transformation of the American popular tune, “Camp town Races.” Sudden dynamic changes suggest the juggling act of “General” Lavine, tossing large and small items at the same time.
$60.00 ≈
56.09€
Enrique Granados - Six pieces on Spanish folk songs, Orchestrated by Arkady Leytush
Enrique Granados - Six pieces on Spanish folk songs, Orchestrated by Arkady Leytush
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Orchestre
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Classique
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Enrique Granados
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Arkady Leytush
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Enrique Granados - Six pieces
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008379 Composed by Enrique Granados. Arranged by Arkady Leytush. 20th Century. Score and parts. 176 pages. Arkady Leytush #574...
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Full Orchestra - SKU: A0.1008379 Composed by Enrique Granados. Arranged by Arkady Leytush. 20th Century. Score and parts. 176 pages. Arkady Leytush #5741673. Published by Arkady Leytush (A0.1008379). Preludio, Añoranza, Ecos de la parranda, Vascongada, Marcha oriental, Zambra, ZapateadoThe total duration of the entire cycle is 25 minutes.This suite could perfectly diversify and decorate a number of symphonic programs, which certainly expands the existing standard repertoire of academic music. I also hope to find the interest and empathy of choreographers/directors to create a new ballet divertisment.
$60.00 ≈
56.09€
Symphony No.1
Symphony No.1
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Symphony No.1
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Han-Ki Kim
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-...
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Full Orchestra - Level 4 - SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-Ki Kim #6440929. Published by Han-Ki Kim (A0.511812). Symphony No.1 “KangKangSullae” Symphony No. 1 has the name “KangKangSullae”, and the composer is like any other korean composer. “What does it mean to be Korean?” With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae” has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae” was cited in the 4th movement, and it was named as a representative name for the Symphony as an element that forms the basic character of this movement.For reference, the origin of “KangKangSullae” is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest.The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form.The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, expressing oriental excellence and emotion.The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time.The fourth movement quoted the theme of “Ganggangsullae” in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes majestic, sometimes sobbing, calmly, etc.Attached Music file is only 1st. movement, it's just for a reference.
$45.00 ≈
42.06€
Camille Saint-Saens - "Caprice Arabe", Op. 96, Orchestrated by Arkady Leytush
Camille Saint-Saens - "Caprice Arabe", Op. 96, Orchestrated by Arkady Leytush
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Classique
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Camille Saint-Saens
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Arkady Leytush
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Camille Saint-Saens - "Ca
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008422 Composed by Camille Saint-Saens. Arranged by Arkady Leytush. 20th Century. Score and parts. 57 pages. Arkady Leytush #6...
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Full Orchestra - SKU: A0.1008422 Composed by Camille Saint-Saens. Arranged by Arkady Leytush. 20th Century. Score and parts. 57 pages. Arkady Leytush #6535793. Published by Arkady Leytush (A0.1008422). I would rather call this opus by Saint-Saens The Frenchman in Morocco.It is known that composer S-S traveled a lot during his rather long and productive life. Despite the obvious oriental flavor of the thematic material in this work, one can clearly feel the western cut, the clarity of the form and the recognizability of the techniques characteristic of classical music. In my transcription, I have not tried to imitate his transparent and always convincing orchestrations. This music itself led me on the path of creating a picture from the Arab world.
$40.00 ≈
37.39€
Mass for choir and orchestra (Score and parts)
Mass for choir and orchestra (Score and parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Mass for choir and orchestra
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David Warin Solomons
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.576914 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts. 70 pages. David...
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Full Orchestra - Level 4 - SKU: A0.576914 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts. 70 pages. David Warin Solomons #519335. Published by David Warin Solomons (A0.576914). Setting of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei for SATB choir and full orchestra based on my mass for men's voices and organ (which can be found on: http://www.dwsolo.com/serif/massformensvoices.html ) The style is lyrical and neo-classical with a few hints of oriental modes (full of Eastern promise as a member of the congregation said when the original version was performed in Manchester). The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains score and parts (with the Choir part as a complete SATB score). The score on its own is also available on this site. The optional orchestral finale Ite Missa Est and the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$25.00 ≈
23.37€
In A Minor Mood - Orchestra Score and Parts PDF
In A Minor Mood - Orchestra Score and Parts PDF
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Brendan Elliget MAGA 537
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In A Minor Mood - Orchestra Sc
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750943 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 38 pages. BJE Music #5032459. Published b...
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Full Orchestra - Level 3 - SKU: A0.750943 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 38 pages. BJE Music #5032459. Published by BJE Music (A0.750943). This is an original composition for orchestra in D minor with a slightly oriental flavour. There are sections of pizzicato for the strings as well as dramatic lines for the brass especially the horns - Percussion parts include Tambourine, Woodblock, Timpani, and Drums Set.The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 2:45 mins.
$25.00 ≈
23.37€
Mass for choir and orchestra (Score only)
Mass for choir and orchestra (Score only)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Mass for choir and orchestra
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David Warin Solomons
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.576913 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts. 20 pages. David...
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Full Orchestra - Level 4 - SKU: A0.576913 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts. 20 pages. David Warin Solomons #519333. Published by David Warin Solomons (A0.576913). Setting of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei for SATB choir and full orchestra based on my mass for men's voices and organ (which can be found on: http://www.dwsolo.com/serif/massformensvoices.html ) The style is lyrical and neo-classical with a few hints of oriental modes (full of Eastern promise as a member of the congregation said when the original version was performed in Manchester). The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains just the score. The score with parts is also available on this site. The optional orchestral finale Ite Missa Est and the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$10.00 ≈
9.35€
Elliot Del Borgo: Marche Oriental (COMPLETE) - orchestra
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Orchestre
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INTERMÉDIAIRE
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Elliot Del Borgo
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Virtualsheetmusic
Instantly printable sheet music by Elliot Del Borgo for orchestra of MEDIUM skill level. /
Instantly printable sheet music by Elliot Del Borgo for orchestra of MEDIUM skill level. /
$52.99 ≈
49.53€
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