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Only Love Can Do That
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Vous avez sélectionné:
Only Love Can Do That
SheetMusicPlus
Partitions à imprimer
139 partitions trouvées
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Anything You Can Do . . . for violin and vibraphone
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and p...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00 ≈
25.79€
My One And Only Love
My One And Only Love
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Gwilym Simcock
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John Fries
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My One And Only Love
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1198269 Composed by Gwilym Simcock. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 page...
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C Instrument - Level 4 - SKU: A0.1198269 Composed by Gwilym Simcock. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #797461. Published by John Fries (A0.1198269). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer.
$3.99 ≈
3.68€
Only Love Can Do That
Only Love Can Do That
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Chorale SATB
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Timothy H
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Only Love Can Do That
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Timothy H. Rogers
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SheetMusicPlus
Composed by Timothy H. Rogers. 21st Century, Contemporary Classical, Americana. Score. 10 pages. Published by Timothy H. Rogers (S0.138137). - Score - 21st Cent...
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Composed by Timothy H. Rogers. 21st Century, Contemporary Classical, Americana. Score. 10 pages. Published by Timothy H. Rogers (S0.138137). - Score - 21st Century,Contemporary Classical,Americana - Timothy H. Rogers
$4.00 ≈
3.68€
PUPPET IN LOVE
PUPPET IN LOVE
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Piano seul
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Contemporain
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Monica Bergo
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PUPPET IN LOVE
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012731 Composed by Monica Bergo. Contemporary. Score. 7 pages. Moni Bergo #5743213. Published by Moni Bergo (A0.1012731).
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Piano Solo - SKU: A0.1012731 Composed by Monica Bergo. Contemporary. Score. 7 pages. Moni Bergo #5743213. Published by Moni Bergo (A0.1012731). Music and song composed by mePUPPET IN LOVE Months and then years of this shelf People passing and laughing at me Old, torn, there is never a child Who wants to buy me to shake him Wax heart in this body of mine But an emotion I can also feel I quiver in love for those eyes, a small doll you are And I never get tired of looking at you You who have a lit light bulb in that your red heart, tell me if It will shine a bit 'for me Puppet in love Be careful that your heart it can dissolve to the heat while she calls you love Strange mockery of fate your dream is nearby and You can not love her anymore And a wax tear down Small doll, small doll I that wanted to love you Now that I can do melted is this my heart And I can not feel anything but pain more Here I stand, with the heart and a dream tigthen in hand Infuse life into this body of mine Only with you I feel alive me too piece of wood, spirit does not With you comes alive It is an explosion, it is clear madness And I know for sure that you'll be mine Maybe not now, in this reality But one day will happen Puppet in love Sweet summer wind Long nights lit And the morning light it will find my puppet Always there on the shelf No heart, no love, no nothing to hope You will dance with me like if I was free from my wires I will dance with you and there is no limit to your dreams The small doll that has already decided Ripping her heart from the breast out and gives it to him If you love me only half ... a only heart just enough The bulb will shine for us It will turn in a star It will be a refuge for people like us to love never stops Sunshine On that shelf My puppet now where is ? Dirty wax can no longer serve, rests in the fire his ashes Turned off the light of a bulb My small doll no longer shine ... You will dance with me like I was free from my wires I will dance with you and there is no limit to your dreams ... .. Monica Bergo
$5.00 ≈
4.61€
The Light - As Performed by Symphonic Rock Evolution
The Light - As Performed by Symphonic Rock Evolution
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Ken Hartfield
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The Light - As Performed by Sy
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Ken Hartfield - Freeze Tracks Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.977470 Composed by Ken Hartfield. Christian,Gospel,Pop,Spiritual. Octavo. 69 pages. Ken Hartfield - Freez...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.977470 Composed by Ken Hartfield. Christian,Gospel,Pop,Spiritual. Octavo. 69 pages. Ken Hartfield - Freeze Tracks Music #6642135. Published by Ken Hartfield - Freeze Tracks Music (A0.977470). The Light, composed by Ken Hartfield - September 1969. This song leaves your audience with a feeling of inspiration, hope, and a spiritual awakening. As Martin Luther King said, Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. The Light continues to attract music lovers internationally. We have also had several requests to release the sheet music score and parts so you can perform this powerful and uplifting song at your own concerts.The Light has now been published and you can now perform this song with your own choir, string, brass ensemble and rhythm section. Backing tracks are available as well, which will provide you and your choir/vocal group with a full sounding production regardless of the size of your instrumental backup.This production is suited for high school choirs, university choirs, symphonies, church choirs and worship groups. Full score and parts, Brass ensemble 2 Trumpet 1 & 2, 2 French Horn 1 & 2, 2 Trombone. Choir, 4 Soprano, 4 Alto, 4 Tenor, 4 Baritone. String ensemble 8 Violins, 8 Violas, 2 Cello and 1 Double Bass, Rhythm section, 2 electric guitar parts, 1 acoustic guitar, 1 electric bass guitar, 1 Piano, 1 Drum set, 2 Percussion/Timp.
$49.95 ≈
46.01€
Love Theme From Arthur
Love Theme From Arthur
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Piano, Voix et Guitare
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DÉBUTANT
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Burt F Bacharach
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Love Theme From Arthur
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Unimusic Academy
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1134605 Composed by Burt F Bacharach. Arranged by Unimusic Academy (Academia Unimusica). Pop,Rock,Singer/So...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1134605 Composed by Burt F Bacharach. Arranged by Unimusic Academy (Academia Unimusica). Pop,Rock,Singer/Songwriter. Score. 2 pages. Unimusic Academy (Academia Unimusica) #734653. Published by Unimusic Academy (Academia Unimusica) (A0.1134605). Arthur's Theme (Best That You Can Do) is a song performed and co-written by American singer-songwriter Christopher Cross, which was the main theme for the 1981 film Arthur starring Dudley Moore and Liza Minnelli. The song won the Oscar for Best Original Song in 1981.[1] In the US, it reached number one on the Billboard Hot 100 and on the Hot Adult Contemporary charts during October 1981, remaining at the top on the Hot 100 for three consecutive weeks. Overseas, it also went to number one on the VG-lista chart in Norway and was a top-ten hit in several other countries. The song became the second and last American number-one hit by Christopher Cross.[2] It was included as a bonus track only on the CD and cassette versions of his second album, Another Page, released in 1983.
$8.00 ≈
7.37€
Make You Feel My Love
Make You Feel My Love
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Pop musique
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Bob Dylan
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HELEN MARPLE-HORVAT
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Make You Feel My Love
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Helen Marple-Horvat
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.749237 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. Score and part. 25 pages. Helen Marple-Horvat #6...
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Oboe,Piano - Level 3 - SKU: A0.749237 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. Score and part. 25 pages. Helen Marple-Horvat #6139947. Published by Helen Marple-Horvat (A0.749237). Https://www.youtube.com/watch?v=JvQMUMBLDgUBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, a great key for the oboe. It is the best I can do because I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Oboe’ Part that younger players will enjoy, or perhaps pupils of those who buy the professional level arrangement. I have also enclosed a ‘piano only’ score as it falls onto three pages and is convenient for performing, as well as the two piano scores with each oboe version.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their breathing.My Youtube Channel has many arrangements for String Quartet, recorded by Capriccio Quartet, plus an arrangement of Downton Abbey for Oboe and Piano available from Sheet Music Plus. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00 ≈
9.21€
Love Is Here To Stay from GOLDWYN FOLLIES from AN AMERICAN IN PARIS
Love Is Here To Stay from GOLDWYN FOLLIES from AN AMERICAN IN PARIS
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Instruments en Do
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George Gershwin and Ira Gershw
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Mark W
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Love Is Here To Stay from GOLD
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808238 Composed by George Gershwin and Ira Gershwin. Arranged by Mark W. Huxhold. 20th Century. Lead Sheet / Fake Book. 4 pages. ...
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C Instrument - SKU: A0.808238 Composed by George Gershwin and Ira Gershwin. Arranged by Mark W. Huxhold. 20th Century. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #3535911. Published by Mark Wayne Music, LLC (A0.808238). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$4.99 ≈
4.60€
Fifty Ways To Leave Your Lover
Fifty Ways To Leave Your Lover
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Simon And Garfunkel
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John Fries
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Fifty Ways To Leave Your Lover
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1127837 By Simon And Garfunkel. By Paul Simon. Arranged by John Fries. 20th Century,Blues,Pop,Rock,Standards. Lead Shee...
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C Instrument - Level 4 - SKU: A0.1127837 By Simon And Garfunkel. By Paul Simon. Arranged by John Fries. 20th Century,Blues,Pop,Rock,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #728445. Published by John Fries (A0.1127837). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. One of his most popular singles, 50 Ways was released in December 1975 and began to see chart success within the new year. However, it mentions only two ways to leave your lover! It became Simon's sole number-one hit as a solo artist on the Billboard Hot 100 in the United States. Following Simon's divorce from first wife Peggy Harper, Simon opted to take a more humorous approach to document the event and recorded the song in a small New York City studio on Broadway. Billboard called it an excellent song that has very clever lyrics and an easy to listen to melody.
$3.99 ≈
3.68€
50 Ways To Leave Your Lover
50 Ways To Leave Your Lover
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Alexander L'Estrange and Paul
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John Fries
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50 Ways To Leave Your Lover
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.546709 Composed by Alexander L'Estrange and Paul Simon. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. L...
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C Instrument - Level 4 - SKU: A0.546709 Composed by Alexander L'Estrange and Paul Simon. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #156642. Published by John Fries (A0.546709). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  One of his most popular singles, 50 Ways was released in December 1975 and began to see chart success within the new year. However, it mentions only two ways to leave your lover! It became Simon's sole number-one hit as a solo artist on the Billboard Hot 100 in the United States. Following Simon's divorce from first wife Peggy Harper, Simon opted to take a more humorous approach to document the event and recorded the song in a small New York City studio on Broadway. Billboard called it an excellent song that has very clever lyrics and an easy to listen to melody.
$3.99 ≈
3.68€
Lover Man (oh, Where Can You Be?)
Lover Man (oh, Where Can You Be?)
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Instruments en Do
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Billie Holiday
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Mark W
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Lover Man
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.1078517 By Billie Holiday. By Jimmy Davis, Jimmy Sherman, and Roger Ramirez. Arranged by Mark W. Huxhold. Jazz,Standards. Lead Sh...
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C Instrument - SKU: A0.1078517 By Billie Holiday. By Jimmy Davis, Jimmy Sherman, and Roger Ramirez. Arranged by Mark W. Huxhold. Jazz,Standards. Lead Sheet / Fake Book. 5 pages. Mark Wayne Music, LLC #682726. Published by Mark Wayne Music, LLC (A0.1078517). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys are included with each title, each key having its own page.
$4.99 ≈
4.60€
I Only Have Eyes For You
I Only Have Eyes For You
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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John J
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John Fries
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I Only Have Eyes For You
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1117872 Composed by John J. Barnes Iii and Sharon L. Barnes. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical...
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C Instrument - Level 4 - SKU: A0.1117872 Composed by John J. Barnes Iii and Sharon L. Barnes. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #719384. Published by John Fries (A0.1117872). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. I Only Have Eyes for You is a romantic love song. The Flamingos recorded a doo-wop adaptation of the song in 1958. It was commercially successful, peaking at number 11 on the US Billboard Hot 100 chart and number 3 on the Billboard Hot R&B/Hip-Hop Songs chart. Their version has since been recognized as a genre-defining work and has been frequently included in numerous lists; for instance, it was ranked as the 73rd biggest hit of 1959 by Billboard, while Rolling Stone magazine ranked the version as number 158 on their list of the 500 Greatest Songs of All Time.
$3.99 ≈
3.68€
Love Me or Leave Me
Love Me or Leave Me
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Instruments en Do
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Gus Kahn and Walter Donaldson
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Mark W
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Love Me or Leave Me
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.1350676 Composed by Gus Kahn and Walter Donaldson. Arranged by Mark W. Huxhold. Jazz,Standards. Lead Sheet / Fake Book. 6 pages. ...
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C Instrument - SKU: A0.1350676 Composed by Gus Kahn and Walter Donaldson. Arranged by Mark W. Huxhold. Jazz,Standards. Lead Sheet / Fake Book. 6 pages. Mark Wayne Music, LLC #935496. Published by Mark Wayne Music, LLC (A0.1350676). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include:18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A)Primary sources consulted and current performance practices considered for the arrangementCommon performance keys are included with each title, each key having its own page.
$1.99 ≈
1.83€
Old Fashioned Love
Old Fashioned Love
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Instruments en Do
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Jimmy Johnson, Cecil Mack
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Mark W
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Old Fashioned Love
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808476 Composed by Jimmy Johnson, Cecil Mack. Arranged by Mark W. Huxhold. Jazz,Traditional. Lead Sheet / Fake Book. 3 pages. Mar...
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C Instrument - SKU: A0.808476 Composed by Jimmy Johnson, Cecil Mack. Arranged by Mark W. Huxhold. Jazz,Traditional. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #4725383. Published by Mark Wayne Music, LLC (A0.808476). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.
$1.99 ≈
1.83€
Love Walked In from GOLDWYN FOLLIES
Love Walked In from GOLDWYN FOLLIES
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Instruments en Do
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George Gershwin and Ira Gershw
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Mark W
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Love Walked In from GOLDWYN FO
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808258 Composed by George Gershwin and Ira Gershwin. Arranged by Mark W. Huxhold. 20th Century. Lead Sheet / Fake Book. 2 pages. ...
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C Instrument - SKU: A0.808258 Composed by George Gershwin and Ira Gershwin. Arranged by Mark W. Huxhold. 20th Century. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #3540551. Published by Mark Wayne Music, LLC (A0.808258). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$4.99 ≈
4.60€
Careless Love
Careless Love
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Instruments en Do
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DÉBUTANT
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Jazz
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Handy/Williams
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Mark Huxhold
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Careless Love
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.808093 Composed by Handy/Williams. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, L...
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C Instrument - Level 1 - SKU: A0.808093 Composed by Handy/Williams. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #2331511. Published by Mark Wayne Music, LLC (A0.808093). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left barlines that infer the song form (AABA-heavy barline at B and last A, ABAC-heavy barline at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$1.99 ≈
1.83€
Everybody Needs Somebody To Love
Everybody Needs Somebody To Love
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Instruments en Do
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The Blues Brothers
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Mark W
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Everybody Needs Somebody To Lo
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.1171057 By The Blues Brothers. By Bert Berns, Gerry Wexler, and Soloman Burke. Arranged by Mark W. Huxhold. Blues,Film/TV,Pop. Le...
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C Instrument - SKU: A0.1171057 By The Blues Brothers. By Bert Berns, Gerry Wexler, and Soloman Burke. Arranged by Mark W. Huxhold. Blues,Film/TV,Pop. Lead Sheet / Fake Book. 9 pages. Mark Wayne Music, LLC #771394. Published by Mark Wayne Music, LLC (A0.1171057). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include:18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A)Primary sources consulted and current performance practices considered for the arrangementCommon performance keys are included with each title, each key having its own page.
$3.99 ≈
3.68€
Bring His Love
Bring His Love
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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the first of the year I had th
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Kevin Longley
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Bring His Love
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. Published by Kevin Longley (A0.1019370). Bring His LoveInspiration (below is a note I sent to my sister) Hi Karen! In the fall of last year I started working on a new church anthem for FUMC. Over the years your choir has sung several pieces of mine; so I felt I should do something in return. I quickly got an idea for the music only (sometimes I will get some lyric ideas also, but didn't this time.) By the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals. When the pandemic stopped all church choirs I returned to the music and by early May had the score in the computer, close to completion. At that point I still didn't have any lyrics but began feeling that it should be about God's creation. All I could envision was a singer with his arms stretched out to the sun, the ocean, the moon, etc. while singing this piece. So I started searching for a possible prayer that might fit and came upon Canticle of the Son. As I read it through I liked the structure and began sketching out the lyrics. I couldn't help but wonder what our response should be to God's creation. How should we thank him or praise him or take care of it? I then turned my thoughts to FUMC and considered this - what phrase would sum up this churches mission? I almost immediately got Bring His Love. From there the balance of the lyrics fell into place. So attached is the recording and the music. I have no expectations but hope you and the choir enjoy the music. The Music The piece starts with 16th note broken chords in the upper register of the piano which lead to the opening theme. A tenor soloist begins by singing God's praises for all he has given us; ending with the thought How can we thank such kindness?; The answer Bring His Love the B section. At its conclusion we are returned to the opening theme, this time sung by the choir which again leads us to the same questionHow can we thank such kindness?, The answer Bring His Love the B section. A C section is then introduced with a change to a more beat driven accompaniment with the vocals alternating between the upper and lower voices. A return to the opening theme, with minimal chordal accompaniment, features the original soloist but then adds a second voice leading to a duet and a return to the broken chord accompaniment.. Finally the B section,Bring His Love is repeated and concludes in a rousing fashion.. Program Notes The piece could work very well for Earth Day celebrations.
$1.99 ≈
1.83€
LOVELY THOUGHTS
LOVELY THOUGHTS
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.83€
Do You Love Me
Do You Love Me
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Rock
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The Dave Clark Five
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Jim Farley
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Do You Love Me
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Jim Farley arrangementsone.com
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SheetMusicPlus
Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 1 - SKU: A0.1319595 By The Dave Clark Five. By Berry Gordy...
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Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 1 - SKU: A0.1319595 By The Dave Clark Five. By Berry Gordy Jr. Arranged by Jim Farley. Pop,Rock. 33 pages. Jim Farley arrangementsone.com #908154. Published by Jim Farley arrangementsone.com (A0.1319595). Arranged for 7-8 piece horn band, including: Directors score, Piano/Vocal/Guitar, Leadsheet, Guitar (rythm and chords only), Bass Guitar, Drums, Alto Sax, Tenor Sax (identical to Alto), Trumpets 1 & 2 (not identical) and Trombone.This is a very easy, basic arrangement that can be learned very quickly and is a definite crowd pleaser!ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger, composer and transcriptionist since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Cruise Ship, Broadway and Las Vegas performers as well as dozens of classic rock horn bands throughout the U.S., Canada & Europe. If you have any additional arranging needs, please contact Jim at farleyjc@gmail.com and visit his website at ARRANGEMENTS ON E!
$29.99 ≈
27.62€
Overture - Show Boat - Score Only
Overture - Show Boat - Score Only
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Orchestre
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AVANCÉ
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Cast/recording
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Rosario Bourdon
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Overture - Show Boat - Score O
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Cornelius Edition
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1130026 By Cast/recording. By Jerome Kern and Oscar Hammerstein. Arranged by Rosario Bourdon. Broadway,Film/TV,Musica...
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Full Orchestra - Level 5 - SKU: A0.1130026 By Cast/recording. By Jerome Kern and Oscar Hammerstein. Arranged by Rosario Bourdon. Broadway,Film/TV,Musical/Show. Score and parts. 11 pages. Cornelius Edition (uk) #730413. Published by Cornelius Edition (uk) (A0.1130026). This iconic Musical in 2 Acts has a book and lyrics by Oscar Hammerstein II based on the novel Show Boat by Edna Ferber. Musical score by Jerome Kern. It opened inNew York in 1927 and this magnificent show is rightly recognised as a classic among musicals. Show Boat contains the best of everything - a great story, moving lyrics, and music that is played and loved the world over. Well known songs include Why Do I Love You, Can't Help Lovin' Dat Man, Bill Make believe and Ol' Man River. The overture makes a fantastic concert item and is scored for full symphony orchestra. This is the piano conductor score. Parts are available separately.
$6.99 ≈
6.44€
Love Me Like You Do
Love Me Like You Do
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Ellie Goulding
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Sarah Cellobat Chaffee
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Love Me Like You Do
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.526066 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by Sarah Ce...
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String Trio Cello,Violin - Level 3 - SKU: A0.526066 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 12 pages. Sarah Cellobat Chaffee #4274541. Published by Sarah Cellobat Chaffee (A0.526066). *INSTRUMENTATION: 2 VIOLINS & CELLO*Love Me Like You Do was the second single released from the soundtrack of box office hit Fifty Shades of Grey, and Ellie Goulding's powerful interpretation earned her her first Grammy nomination for Best Pop Solo Performance. The song has been massively popular ever since, and it is often requested for strings. This arrangement for two-violin and cello trio was originally commissioned for a wedding ceremony, and it's perfect for not only ceremonies but also cocktail hour, proposals, pop concerts, or any other occasion that needs a beautiful string love ballad! Maintaining the rhythmic drive and bass support of the original song, this arrangement is rated intermediate - there are a handful of higher notes and a few tricky rhythms in the v1 part, but the other two parts are fairly basic, and this can definitely be played by students or easily sightread by professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$14.99 ≈
13.81€
Make You Feel My Love
Make You Feel My Love
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Bob Dylan
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HELEN MARPLE-HORVAT
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Make You Feel My Love
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Helen Marple-Horvat
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.749238 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. 25 pages. Helen Marple-Horvat #6141419. Publis...
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Piano,Violin - Level 4 - SKU: A0.749238 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. 25 pages. Helen Marple-Horvat #6141419. Published by Helen Marple-Horvat (A0.749238). https://www.youtube.com/watch?v=Pnga6ib32RgBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, as I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read. I have also included a ‘piano only’ score as it falls onto three pages, and is convenient for performing, as well as the two piano scores with each violin version.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Violin’ Part that younger players will enjoy, or perhaps the pupils of those who buy the professional level arrangement. It requires some simple shifts in the Chorus and Bridge section. However, there are some places where an open ‘A’ could slip by unobtrusively in quaver passages too. Feel free to take as many bows as you need and don’t feel bound by my bowing suggestions. I have changed my mind many times! Just do what feels comfortable and enjoy it. Some places I have left out bowing altogether eg Bar 27 where you can experiment or discuss with your teacher.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their bowing.My Youtube Channel has many of my arrangements for String Quartet, recorded by the Worcestershire, UK ‘Capriccio Quartet’, as well as many songs for instrument and piano. All but two are available as Sheet Music Plus products. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00 ≈
9.21€
de Vitry: O canenda/Rex regum for Brass Quartet
de Vitry: O canenda/Rex regum for Brass Quartet
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Philippe De Vitry
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James M
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de Vitry: O canenda/Rex regum
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jmsgu3
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SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 3 - SKU: A0.1347230 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Contest,Early Music,...
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Brass Quartet Cornet,Horn,Trombone - Level 3 - SKU: A0.1347230 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #932030. Published by jmsgu3 (A0.1347230). The motet O canenda/Rex regum by Philippe de Vitry is significant as it represents the emergence of the classic isorhythmic motet, which simultaneously sets a pair of texts in its two upper voices. Philippe de Vitry, a 14th-century French composer, is considered a leading figure in the changes that occurred in French music around 1325. His motets, including O canenda/Rex regum, are regarded as strikingly individual, exploiting unique structural ideas. They are part of the early development of the ars nova style of composition, which introduced new rhythmic and notational techniques. The structure of Philippe de Vitry's motet O canenda/Rex regum is characterized by the classic isorhythmic motet, which sets a pair of texts simultaneously in its two upper voices. This composition represents the emergence of the ars nova style of late medieval music, introducing new rhythmic and notational techniques. The repeated rhythmic patterns of the tenor do not necessarily accord with melodic ones, and the motet is known for packing symbols and thematic subtleties into each short piece. Philippe de Vitry's motets, including O canenda/Rex regum, are strikingly individual, contributing to the evolution of musical forms and representing innovative trends in 14th-century French music.The text of motets from this period often contained religious, secular, or courtly love themes. The words rex regum et dominus dominancium from the motet evoke the notion of an earthly king who emulates Christ on his heavenly seat as he assumes his throne. The text likely reflects the religious or secular themes commonly found in motet compositions of that era. Philippe de Vitry, a French composer, poet, and music theorist, was born on October 31, 1291, and died on June 9, 1361. Philippe de Vitry's O Canenda/Rex regum was composed around 1320. He was appointed Bishop of Meaux on 3 January 1351 and held this post until his death.
$24.95 ≈
22.98€
de Vitry: O canenda/Rex regum for String Quartet
de Vitry: O canenda/Rex regum for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Phillipe De Vitry
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James M
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de Vitry: O canenda/Rex regum
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1356173 Composed by Phillipe De Vitry. Arranged by James M. Guthrie. Chamber,Contes...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1356173 Composed by Phillipe De Vitry. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #940841. Published by jmsgu3 (A0.1356173). The motet O canenda/Rex regum by Philippe de Vitry is significant as it represents the emergence of the classic isorhythmic motet, which simultaneously sets a pair of texts in its two upper voices. Philippe de Vitry, a 14th-century French composer, is considered a leading figure in the changes that occurred in French music around 1325. His motets, including O canenda/Rex regum, are regarded as strikingly individual, exploiting unique structural ideas. They are part of the early development of the ars nova style of composition, which introduced new rhythmic and notational techniques. The structure of Philippe de Vitry's motet O canenda/Rex regum is characterized by the classic isorhythmic motet, which sets a pair of texts simultaneously in its two upper voices. This composition represents the emergence of the ars nova style of late medieval music, introducing new rhythmic and notational techniques. The repeated rhythmic patterns of the tenor do not necessarily accord with melodic ones, and the motet is known for packing symbols and thematic subtleties into each short piece. Philippe de Vitry's motets, including O canenda/Rex regum, are strikingly individual, contributing to the evolution of musical forms and representing innovative trends in 14th-century French music.The text of motets from this period often contained religious, secular, or courtly love themes. The words rex regum et dominus dominancium from the motet evoke the notion of an earthly king who emulates Christ on his heavenly seat as he assumes his throne. The text likely reflects the religious or secular themes commonly found in motet compositions of that era. Philippe de Vitry, a French composer, poet, and music theorist, was born on October 31, 1291, and died on June 9, 1361. Philippe de Vitry's O canenda/Rex regum was composed around 1320. He was appointed Bishop of Meaux on January 3 1351, and held this post until his death.
$32.95 ≈
30.35€
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Only Love Can Do That
