Partitions Numériques de J.Tan pour Clarinette, Harpe (duo)

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J.Tan
Non classifié 4 315

Piano & claviers
Piano seul 387
Piano, Voix et Guitare 203
Piano Facile 135
Orgue 105
Piano, Voix 95

1 Piano, 4 mains 20
2 Pianos, 4 mains 12
Piano grosses notes 11
Accompagnement Piano 4
Instruments en Do 4
Accordéon 4
Ligne De Mélodie, Piano 4
Piano Quatuor: piano, 2 violons, violoncelle 4
Orgue, Piano (duo) 4
Orgue, Voix 3
Piano Trio: piano, violon, violoncelle 3
Instrument seul et Orgue 3
Piano Quatuor: piano, violon, alto, violoncelle 2
Orgue, Trompette (duo) 1
Accordéon, Voix 1

+ 15 instrumentations

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Guitares
Guitare notes et tablatures 198
Guitare 61
2 Guitares (duo) 52
Ligne De Mélodie, (Paroles) et Accords 25
Ukulele 13

Piano, Guitare (duo) 8
Basse electrique 5
Banjo 3
Dulcimer 2
Paroles et Accords 1
Ukulele Baryton 1
Mandoline 1

+ 7 instrumentations

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Voix
Chorale SATB 65
Chorale 3 parties 16
Chorale TTBB 11
Chorale 2 parties 7
Chorale Unison 5

Voix seule 3
Voix, Guitare 3
Chorale SSAA 2
Voix Baryton, Piano 1
Chorale SSATTB 1

+ 5 instrumentations

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Vents
Flûte et Guitare 154
Quatuor de Saxophones: 4 saxophones 98
Saxophone (partie séparée) 39
Hautbois, Piano (duo) 35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 30

Saxophone Alto et Piano 28
Saxophone Soprano et Piano 26
Saxophone Tenor et Piano 25
Saxophone Alto 24
Quintette de Saxophone: 5 saxophones 23
2 Saxophones (duo) 17
Saxophone Baryton, Piano 17
Flûte, Hautbois, Clarinette, Basson 16
Clarinette 16
Ensemble de saxophones 13
Clarinette (partie séparée) 11
Saxophone 9
Flûte traversière 8
Flute (partie séparée) 7
Hautbois (partie séparée) 7
Saxophone Tenor 6
Flûte traversière et Piano 6
Hautbois, Violoncelle 5
Quintette de Clarinettes: 5 clarinettes 5
Hautbois, Clarinette, Basson (trio d'anches) 5
3 Saxophones (trio) 4
Hautbois, Basson (duo) 4
Quatuor de Flûtes : 4 flûtes 4
Clarinette et Piano 4
Hautbois 3
Flûte, Violoncelle 3
Clarinette, Violoncelle (duo) 3
Quatuor de Clarinettes: 4 clarinettes 3
Clarinette, Guitare (duo) 3
Saxophone Soprano 2
Hautbois, Clarinette (duo) 2
Hautbois, violon (duo) 2
Clarinette, Harpe (duo) 2

Hautbois, Harpe 2
Flûte, Hautbois, Basson 2
2 Flûte à bec (duo) 2
Flûte, Violon et Violoncelle 2
Flûte, Violoncelle, Piano (trio) 2
Instruments en Mib 2
Hautbois et alto (duo) 2
Flûte, Clarinette et Basson 1
Hautbois, trombone (duo) 1
Piccolo, Piano 1
Flûte, Violoncelle, Guitare 1
Flûte, Alto (duo) 1
2 Hautbois (duo) 1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle 1
Saxophone, Basson (duo) 1
Clarinette Basse, Piano 1
Flûte, Violon, Guitare 1
2 Clarinettes (duo) 1
Flûte, Violon, Violoncelle et Piano 1
Flûte, Hautbois, Clarinette (trio) 1
Saxophone et violoncelle 1
2 Flûtes traversières (duo) 1
Quintette de Flûte : 5 flûtes 1
Saxophone, Violon (duo) 1

+ 57 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 52
Trompette 12
Quatuor de Cuivres : 2 trompettes, trombone, tuba 11
Trombone (partie séparée) 11
Trompette (partie séparée) 9

Bass Clef Instruments 7
Ensemble de Trombones 7
Trombone 7
Cor 7
Cor (partie séparée) 5
Instruments en Sib 5
Quatuor de Cuivres: 2 trompettes, Cor, trombone 4
Trombone et Piano 3
Trompette, Cor (duo) 2
Quatuor de Cuivres 2
Euphonium, Piano (duo) 2
Trompette, Piano 2
Tuba (partie séparée) 2
Tuba et Orgue 2
Cor et Piano 1
Ensemble de Tubas 1
Ensemble de Trompettes 1
2 Cors (duo) 1
Trompette, Trombone (duo) 1
Trompette, Saxophone (duo) 1
Trompette, Euphonium (duo) 1
2 Trompettes, Clavier (piano ou orgue) 1

+ 22 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 116
Violon et Piano 73
Violon 33
Violoncelle, Piano 29
Harpe 25

Violoncelle (partie séparée) 22
Violon, Violoncelle (duo) 19
Trio à Cordes: violon, alto, violoncelle 18
Alto seul 11
Quintette à cordes: 2 violons, alto, violoncelle, basse 11
Alto, Piano 11
Violon (partie séparée) 11
2 Violoncelles (duo) 10
Violoncelle 9
Violoncelle, Contrebasse (duo) 7
Alto (partie séparée) 5
Contre Basse 4
Violon, Alto (duo) 4
Contrebasse (partie séparée) 4
Violoncelle , Guitare (duo) 3
Violon, Guitare (duo) 3
Harpe, Flûte (duo) 3
Contrebasse, Piano (duo) 3
2 Altos (duo) 2
Trio à Cordes: 2 violons, violoncelle 2
Alto, Violoncelle (duo) 2
Harpe, Violon (duo) 2
2 Violons (duo) 2
4 Violoncelles 1
Quatuor à cordes: 4 violons 1
Alto, Guitare (duo) 1
Harpe, Violoncelle (duo) 1
Harpe, Violon, Violoncelle 1

+ 28 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 52
Orchestre à Cordes 38
Ensemble de cuivres 16
Batterie 13
Orchestre 11

Ensemble Jazz 9
Fanfare 9
Timbales (partie séparée) 2
Percussion (partie séparée) 2
Ensemble d'École 2
Orchestre de chambre 1
Jazz combo 1
Xylophone, Piano 1

+ 8 instrumentations

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J.Tan

Clarinette, Harpe (duo)

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2 partitions trouvées

BACH: I Stand at the Threshold for Clarinet & Harp

BACH: I Stand at the Threshold for Clarinet & Harp #Clarinette, Harpe (duo) #INTERMÉDIAIRE #Classique #Johann Sebastian Bach #James M #up #BACH: I Stand at the Threshold #jmsgu3 #

Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552204 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Bar...(+)

Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552204 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contemporary,Easter,Wedding. Score and parts. 5 pages. Jmsgu3 #6265573. Published by jmsgu3 (A0.552204). J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold. Composed for the 3rd Sunday of Epiphany.Â Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg. Performance level: Early intermediate & up.Â Program this during Epiphany, Lent, or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.

$32.95 ≈ 30.52€

Bach-Gounod: Ave Maria for Clarinet & Harp

Bach-Gounod: Ave Maria for Clarinet & Harp #Clarinette, Harpe (duo) #INTERMÉDIAIRE #Bach-Gounod #James M #Bach-Gounod: Ave Maria for Cla #jmsgu3 #

Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holid...(+)

Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265157. Published by jmsgu3 (A0.552194). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria. Firstly, we have the version that faithfully follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 23. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. The score is 7 pages long.Â This version features the Schwencke measure.Â Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubertâ€™s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.Â Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.Â Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

$32.95 ≈ 30.52€

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