Partitions Numériques de HARMONICA pour 2 Pianos, 4 mains

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HARMONICA
Non classifié 699

Piano & claviers
Piano seul 271
Piano, Voix 65
Piano Facile 28
Piano, Voix et Guitare 23
Clavecin 17

Orgue 11
Instruments en Do 10
Accompagnement Piano 6
1 Piano, 4 mains 6
Piano Quatuor: piano, violon, alto, violoncelle 5
Accordéon 3
Orgue, Piano (duo) 2
2 Pianos, 4 mains 1

Piano Trio: piano, violon, violoncelle 1
Accordéon, Corde(s) 1

+ 10 instrumentations

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Guitares
Guitare notes et tablatures 28
Guitare 17
Ligne De Mélodie, (Paroles) et Accords 6
Ukulele 2
Basse electrique 1

3 Guitares (trio) 1
2 Guitares (duo) 1

+ 2 instrumentations

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Voix
Chorale SATB 94
Chorale 3 parties 19
Chorale SSAA 12
Chorale TTBB 11
Chorale 2 parties 6

Chorale Unison 3
Chorale SSAATTBB 2
Voix seule 2
Voix Soprano, Piano 2
Voix Tenor 2
Chorale SSATB 1
Voix Soprano 1

+ 7 instrumentations

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Vents
Harmonica 832
Harmonica, Piano 45
Quatuor de Saxophones: 4 saxophones 18
Flûte traversière et Piano 13
Saxophone 9

Flûte traversière 9
Clarinette 9
Saxophone Alto et Piano 8
Flûte, Hautbois, Clarinette, Basson 7
Saxophone Tenor et Piano 6
Saxophone (partie séparée) 6
Quatuor de Clarinettes: 4 clarinettes 6
Clarinette et Piano 5
Ensemble de Clarinettes 5
Hautbois, Piano (duo) 5
Saxophone Alto 5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Flûte et Guitare 4
Saxophone Soprano et Piano 3
Hautbois (partie séparée) 3
3 Clarinettes (trio) 3
Flûte à Bec 3
Saxophone Baryton, Piano 3
2 Flûtes traversières (duo) 3
Ensemble de saxophones 3
Quatuor de Flûtes : 4 flûtes 2
Saxophone Tenor 2
Quintette de Saxophone: 5 saxophones 2
Clarinette (partie séparée) 1
Cor Anglais 1
Flûte, Violon 1
3 Saxophones (trio) 1
Instruments en Mib 1
Ensemble de Flûtes 1
Trio de Flûtes: 3 flûtes 1
Cor anglais et Harpe (duo) 1
Saxophone Soprano 1
Quintette de Clarinette: Clarinette, Quatuor à Cordes 1

+ 33 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 13
Trombone 10
Trombone et Piano 8
Quatuor de Cuivres: 2 trompettes, Cor, trombone 7
Trompette 6

Euphonium, Piano (duo) 4
Quatuor de Cuivres : 2 trompettes, trombone, tuba 4
Cor et Piano 3
Quatuor de Cuivres 3
Trompette, Piano 3
Quatuor de cuivres: 4 trombones 3
Trombone (partie séparée) 2
Tuba 2
Tuba et Orgue 2
Ensemble de Cors 2
Cor 2
Trompette (partie séparée) 2
Cor Anglais 1
Euphonium 1
Tuba et Piano 1
Tuba (partie séparée) 1
Ensemble de Trombones 1
2 Euphoniums et 2 Tubas 1
Instruments en Sib 1
Cor (partie séparée) 1
Cor anglais et Harpe (duo) 1
Quatuor de cuivres: 4 trompettes 1

+ 22 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 27
Violon 14
Violon et Piano 8
Alto, Piano 7
Violoncelle, Piano 7

Harpe 4
Violon (partie séparée) 3
Alto (partie séparée) 3
Contrebasse, Piano (duo) 3
Harpe, Flûte (duo) 3
Alto seul 3
Violoncelle (partie séparée) 3
Violoncelle 3
2 Harpes (duo) 2
Trio à Cordes: violon, alto, violoncelle 2
Piano Trio: Violon, Alto, Piano 1
Trio à Cordes: 3 violoncelles 1
Violoncelle , Guitare (duo) 1
Trio à Cordes: 2 violons, violoncelle 1
Violon, Alto (duo) 1
Trio à cordes: 3 violins 1
Contrebasse (partie séparée) 1
2 Violons (duo) 1

+ 18 instrumentations

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Percussions & orchestre
Orchestre 20
Orchestre d'harmonie 16
Cloches 16
Orchestre à Cordes 12
Ensemble Jazz 7

Jazz combo 6
Orchestre de chambre 4
Ensemble de cuivres 2
Piano et Orchestre 1
Percussion (partie séparée) 1

+ 5 instrumentations

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HARMONICA

2 Pianos, 4 mains

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1 partition trouvée

Swanee

Swanee #2 Pianos, 4 mains #AVANCÉ #Paul Posnak & Anita Castiglion #Paul Posnak #Swanee #Paul Posnak #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Cl...(+)

2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.

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