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Vous avez sélectionné:
Evaporated
Partitions à imprimer
10 partitions trouvées
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1
Evaporated
Evaporated
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Voix Tenor, Piano
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INTERMÉDIAIRE
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Rock
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Ben Folds Five
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Dale Nichols
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Evaporated
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Soul Surfer Publishing
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SheetMusicPlus
By Ben Folds Five. By Ben Folds. Arranged by Dale Nichols. Pop, Rock. 11 pages. Soul Surfer Publishing #5795803. Published by Soul Surfer Publishing...
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By Ben Folds Five. By Ben Folds. Arranged by Dale Nichols. Pop, Rock. 11 pages. Soul Surfer Publishing #5795803. Published by Soul Surfer Publishing
The closing track to Ben Folds Five's 1997 album Whatever and Ever Amen. This arrangement of Evaporated has been created for piano and vocals. Every effort has been made achieve a note-for-note transcription from the original album recording.
A life-long fan of Ben Folds Five, arranger Dale Nichols writes custom arrangements, compositions, and has performed live audiences around the globe. For more of Dale's work, requests and contact information, please visit http://dalenicholsmusic.com
More arrangements and compositions from Dale are available here on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/dale-nichols-sheet-music/3013062
$4.99 ≈
4.66€
Evaporated by Ben Folds Five - Piano/Vocal/Chords
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Piano, Voix
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Ben Folds Five
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Evaporated
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Musicnotes
Performed by: Ben Folds Five: Evaporated Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (thi...
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Performed by: Ben Folds Five: Evaporated Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 7 pages -- Pop~~Adult Alternative~~Alternative Pop/Rock~~Pop Rock~~Piano Rock
$5.50 ≈
5.13€
An Orange for Soprano/Tenor and Piano
An Orange for Soprano/Tenor and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Apostolos Paraskevas
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An Orange for Soprano/Tenor an
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Silver Sickle Publications
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publication...
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Piano,Vocal,Voice - Level 3 - SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publications #4729017. Published by Silver Sickle Publications (A0.942058). This witty and extremely fun work to perform by composer Apostolos Paraskevas was conceived after real events. There is a version for Soprano/tenor and Piano and one for guitar as well. Easy to perform and the text was inspired of the following narrative. I Slaughtered an Orange over the Sink... ...and it just sat there…It didn't say a word, not a sound of anguish, not even when my teeth started to tear apart it's flesh little by little... I knew it was a special orange but I couldn't fathom the magnitude of its character…Even when gentle I took it away from its friends there at the top of the kitchen counter, it looked at me almost with a sense of gratitude. Yes, gratitude.! As if it was saying: Thank you! Thank you for helping me to fulfill the purpose of my life…Since I was a little seed I knew I would serve a higher purpose. My sacrifice will help a human to become a healthier mother, doctor, composer, a better scientist. Yes, I think I felt it said…a better composer as well. ...and there I was, sinking my teeth deep inside its flesh and taking all of what it had to offer. It's life, it's substance, it's gratitude for serving a higher purpose. I slaughtered it over the sink, to avoid any evidence of what had happen there. The remaining outer sell, I placed it on the stove top and lighted up with fire, as my mother use to do, to release the heavenly smell and there it was. Evaporated everywhere! I inhale it, It became totally a part of me. Today, I slaughtered an orange over the sink and I didn’t say thank you! Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas.
$8.99 ≈
8.39€
Elijah (Part 2) Tone Poem for Violin and Piano: God's Power by Stephen R Dalrymple
Elijah (Part 2) Tone Poem for Violin and Piano: God's Power by Stephen R Dalrymple
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Violon et Piano
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AVANCÉ
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Contemporain
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Stephen R Dalrymple
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Elijah
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.818225 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Contemporar...
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Piano,Violin - Level 5 - SKU: A0.818225 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Contemporary. 104 pages. Stephen R Dalrymple #3075423. Published by Stephen R Dalrymple (A0.818225). Elijah (Part 2) God’s Power♫ Tone Poem for Violin and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & cello ♫ music © 2015 Stephen R Dalrymple♫ recording ℗ 2023 Stephen R Dalrymple♫ sequenced by the composer The clarinet is featured on recording of the second movement of the audio and YouTube presentations.♫ presentation © 2023 Stephen R Dalrymple♫ Mt. Carmel is the ultimate contest between Ba’al and Yahweh. From morning until nearly sunset the 450 prophets of Ba’al did everything humanly possible to get Baal to show himself as the god of thunderstorms and fertility as the people of Israel watched. They even cut themselves to add human blood to the animal sacrifice. At twilight, Elijah rebuilt the altar of God, prepared the sacrifice and prayed. Fire from heaven (lightning) not only struck the altar but consumed it completely and evaporated the water that had drenched it. The people fell on their faces and declared “Yahweh is God! ♫ This movement is based on four themes: 1. God of Abraham, Isaac, and Jacob (Lydian Mode) 2. Elijah (Dorian Mode) 3. Ahab (Mixolydian) 4. Prophets of Ba'al (atonal).♫ The score shows the parts for violin and piano, but individual parts are provided for the other solo instruments. The flute is featured on the audio and YouTube presentations here.♫ Includes 14 score choices: Full Score for violin and piano letter size; Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts; Full Score for violin and piano - small page format for performing from a 10 inch tablet; the same solo parts for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ This sheet music is available for purchase at SheetMusicPlus.com & SheetMusicDirect.com♫ English and Krèyol have separate versions of this video on YouTube.♫ A free copy of the music is available to the Haitian community. Contact Stephen Dalrymple.
$4.50 ≈
4.20€
Evaporación detenida [toy piano]
Evaporación detenida [toy piano]
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Piano seul
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FACILE
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Juan MarÃa Solare
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Evaporación detenida [t
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.596631 Composed by Juan María Solare. 20th Century,Contemporary. Score. 4 pages. Juan Maria Solare #6608145. Published b...
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Piano Solo - Level 2 - SKU: A0.596631 Composed by Juan María Solare. 20th Century,Contemporary. Score. 4 pages. Juan Maria Solare #6608145. Published by Juan Maria Solare (A0.596631). Juan María SolareEvaporación detenida (Stopped evaporation)for toy pianoThis miniature presents, through sound, two opposing worlds. The volatile, the stable. The movement and the static. The flurries and the columns. The fragment of the poem (by Javier Adúriz) that heads this work underlines the impossibility – and the wish – of opposing the ephemeral, of contradicting transience. Technically, this musical work is based on a harmonic field of semitone + minor third + whole tone, which actually includes all intervals from semitone to tritone. I call this harmonic field 'modo Verdi' in my notes, because he uses it (as scala enigmatica) in his Quattro Pezzi Sacri. Although it is conceived for toy piano, I do not object to this work being played on other keyboard instruments, nor to its being adapted for various instrumental duets. Evaporación detenida (Stopped evaporation or Evaporation at standstill) was composed in Bremen on October 30, 2021 in the framework of an invitation by the US-American keyboardist David Bohn (a native of Wisconsin), to whom it is dedicated. Duration: 1:00 Juan María Solare Juan María Solare (b. 1966 in Buenos Aires, Argentina) is a pianist and composer. He is active primarily in Bremen (Germany), where he teaches at the Hochschule für Künste and at the University. Editor of four piano albums for Ricordi (Universal Music) and a fifth for Peters Verlag (Leipzig).
$2.00 ≈
1.87€
High Desert Apparitions for Soprano Saxophone and Piano
High Desert Apparitions for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Contemporain
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Sy Brandon
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High Desert Apparitions for So
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Sy Brandon
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.754889 Composed by Sy Brandon. Contemporary. Score and part. 37 pages. Sy Brandon #3130197. Published by Sy ...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.754889 Composed by Sy Brandon. Contemporary. Score and part. 37 pages. Sy Brandon #3130197. Published by Sy Brandon (A0.754889). High Desert Apparitions is inspired by the beautiful and mystical lands and traditions of the Native American people of Northern Arizona. It consists of three movements. Shape Shifters (Skinwalkers or yee naaldlooshii) are evil creatures that appear as humans or as animals. This movement has the piano representing the human form and the saxophone representing coyotes, owls, foxes, and crows in that order. The human shape musically appears at the beginning and in between the animals. Multiphonics are used for some of the animal sounds. Mirages is at a soft dynamic throughout with a lot of sustained sounds. The saxophone sustained sounds begin and end without vibrato with slight vibrato or timbre trills used in the middle of the sustained sound. The intent is to musically represent a vision of water that appears to be evaporating. All mirages are fleeting and the rapid passages in both the saxophone and piano musically represent impermanence. Ancient Spirits is in two sections. The slower opening is atmospheric, evoking images of Native American flutes calling to the ancient spirits. The second section is chant-like and is influenced by recordings of Navajo Yeibichai songs. A Yeibichai is a supernatural represented by a masked dancer in an initiation or curative ceremony. The piano chords are dissonant and steady imitating the sound of drums. While the music is repetitive, there are subtle changes to the melodic material as well as the accompanying chords.
$9.99 ≈
9.32€
"Like a Whirling Sand Clock" - for Clarinet, Cello and Piano [Performance Score and Parts]
"Like a Whirling Sand Clock" - for Clarinet, Cello and Piano [Performance Score and Parts]
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Clarinette, Violoncelle, Piano (trio)
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AVANCÉ
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Contemporain
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Lior Navok
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"Like a Whirling Sand Clo
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Piano - Level 5 - SKU: A0.976003 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 57 pages. Lior Navok ...
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Small Ensemble Cello,Clarinet,Piano - Level 5 - SKU: A0.976003 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 57 pages. Lior Navok Music #4716983. Published by Lior Navok Music (A0.976003). LIKE A WHIRLING SAND CLOCKfor Clarinet, Cello and Piano (2006) Duration: 10:30 minutes Instrumentation: Clarinet, Cello and Piano PROGRAM NOTES: The composer writes about his work: While composing Like a Whirling Sand Clock for clarinet, cello and piano I was occupied with the notion of leaking time process which is a micro cosmos of a larger process, best to be described as going back in time.In September 2006, I feel that the world is standing on a pivot point: on one hand, the various religious and political forces insist on rooting themselves deeper and deeper into what they see as the only truth, while in reality such ideas and especially the religious ones are extremely fundamentalist, reactionary and ill-minded. For me, such clashes of ideas and ideals are reminiscences of the dark middle-ages days and the crusades, where people killed people because of blind belief. Yet, in our days, with sophisticated mass destruction tools as developed most efficiently by humanity, one asks himself towards where we are heading and what will bring tomorrow. The feeling of evaporating, leaking time gets stronger and stronger while our era's events remind more and more what history books tells us.While imagining an ever-whirling sand clock that drops its sand grains one by one while the sand pile is collected at the upper tube and not the lower one, (thus indicating a going back in time process), one can imagine visually what I have tried to portrait with sounds.Like a Whirling Sand Clock was generously commissioned in memory of Adele and John Gray for clarinetist Chen Halevi. INFO: Item: Full Score / Set of Parts Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: Score: 33 Parts: 24Ink: Black & White Paper Size:DIN A4 / Letter.
$18.95 ≈
17.69€
BOP HOP - Leads Sheets in C, Bb and Eb
BOP HOP - Leads Sheets in C, Bb and Eb
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Jazz combo
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INTERMÉDIAIRE
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Jazz
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David Flippo
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BOP HOP - Leads Sheets in C, B
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David William Flippo
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.995943 Composed by David Flippo. Jazz. 7 pages. David William Flippo #4755329. Published by David William Flippo (A0.9959...
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Jazz Combo - Level 3 - SKU: A0.995943 Composed by David Flippo. Jazz. 7 pages. David William Flippo #4755329. Published by David William Flippo (A0.995943). A swing tune with a chord progression that keeps evaporating upwards. Also includes some fun rhythmic hits that make sure you're paying attention. .
$3.95 ≈
3.69€
Carson Cooman: Fourth Piano Sonata
Carson Cooman: Fourth Piano Sonata
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Piano seul
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AVANCÉ
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Carson Cooman
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Carson Cooman: Fourth Piano So
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.533606 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3030525...
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Piano Solo - Level 5 - SKU: A0.533606 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3030525. Published by Musik Fabrik Music Publishing (A0.533606). I. Mourning at SunsetII. Beyond Distant EchoesIII. Whispers of MortalityFourth Piano Sonata (2005) was commissioned by and is dedicated to pianist Donna Amato.The work is in three movements, each using the exact same musical material. Eachmovement presents a trajectory towards a greater integration of the disparate pieces ofmaterial.The first movement, Mourning at Sunset, presents the basic material in clearly definedblocks. An opening section of forceful, declamatory chords alternates with a more lyricalsection of interlocking lines. The forceful music returns before a slow, desolate section ispresented. This builds to a small climax before dying down again. The opening then returns.The second movement, Beyond Distant Echoes, is slow and ethereal. Sounds of distant gongsalternate with brittle, spasmodic interjections.The third movement, Whispers of Mortality, is inspired by the finale of Frederic Chopin'sPiano Sonata in B-flat minor. It is fast and fleeting and too short. The musical materialhas transformed into pure running roulades of raw notes. The movement evaporates into theuppermost register.
$19.95 ≈
18.62€
Through Magic Casements
Through Magic Casements
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Piano seul
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AVANCÉ
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Kenneth Hesketh
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Through Magic Casements
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q19046 For piano solo. Composed by Kenneth Hesketh. This edition: Sheet music. Downloadable. Duration 5 minutes. Scho...
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Piano - difficult - SKU: S9.Q19046 For piano solo. Composed by Kenneth Hesketh. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q19046. Published by Schott Music - Digital (S9.Q19046). The title of this work is a reference to the poem Ode to a Nightingale by John Keats. Important images from the poem are freely connected to suggest musical gestures and contours. Such phrases as perilous seas and plaintive anthem placed musically alongside each other give the work a continuity not suggested by the original poem. The topography in the last verse of the poem also finds its way into the work: Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep The resulting work therefore utilises an organic and associative musical form, one that is dramatic and often capricious in nature. The work evaporates at its close - at Keats' instigation - through the words Fled is that music:- do I wake or sleep?. Through Magic Casements was written for William Cale on the occasion of his final recital at the Royal College of Music. © 2009 KH.
$9.99 ≈
9.32€
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Evaporated
