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Vous avez sélectionné:
Didn't Cha Know
Partitions à imprimer
127 partitions trouvées
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Little Did She Know - strings and piano
Little Did She Know - strings and piano
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Quatuor à cordes: 2 violons, alto, violoncelle
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Connie Boss
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Little Did She Know - strings
#
Connie Boss
#
SheetMusicPlus
Cello,Piano,Viola,Violin - SKU: A0.1067457 Composed by Connie Boss. Christmas,Sacred. Accompaniment. Duration 216. Connie Boss #5985277. Published by Co...
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Cello,Piano,Viola,Violin - SKU: A0.1067457 Composed by Connie Boss. Christmas,Sacred. Accompaniment. Duration 216. Connie Boss #5985277. Published by Connie Boss (A0.1067457). This is a song about Mary finding out she was going to have God's child. She didn't really know what was in for her and for her baby. This is a strings arrangement can be purchased on here as well as other arrangements including the vocals. cdboss@cvalley.net for questions. See Lyrics below:
$1.99 ≈
1.83€
Didn't Cha Know
Didn't Cha Know
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Piano seul
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FACILE
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Contemporain
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Badu Erykah
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Music Greatness
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Didn't Cha Know
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Music Greatness
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SheetMusicPlus
By Badu Erykah. By Erica Wright, James Dewitt Yancey, and Philip Eugene Clendeninn. Arranged by Music Greatness. Contemporary. Score. 2 pages. Music G...
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By Badu Erykah. By Erica Wright, James Dewitt Yancey, and Philip Eugene Clendeninn. Arranged by Music Greatness. Contemporary. Score. 2 pages. Music Greatness #6709967. Published by Music Greatness
$4.99 ≈
4.60€
I Didn't Know What Time It Was
I Didn't Know What Time It Was
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Contemporain
#
Richard Rodgers
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Drew Zaremba
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I Didn't Know What Time It Was
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ZarembaMusic
#
SheetMusicPlus
Small Ensemble - SKU: A0.1035243 Composed by Richard Rodgers. Arranged by Drew Zaremba. Contemporary. Score and parts. 53 pages. ZarembaMusic #4767305. ...
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Small Ensemble - SKU: A0.1035243 Composed by Richard Rodgers. Arranged by Drew Zaremba. Contemporary. Score and parts. 53 pages. ZarembaMusic #4767305. Published by ZarembaMusic (A0.1035243). This swinging arrangement was originally done for the late, great Marlene VerPlank. She recorded it on her CD I Give Up, I'm In Love. It's done in the Count Basie tradition, and makes for a satisfying introduction or follow up tune for any vocalist with a big band!https://soundcloud.com/drewzaremba/i-didnt-know-what-time-it-was.
$75.00 ≈
69.08€
I Didn't Know What Time It Was
I Didn't Know What Time It Was
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Piano, Voix
#
INTERMÉDIAIRE
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Jazz
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Charlie Parker
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Dave Gingras and John E
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I Didn't Know What Time It Was
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DAVID LEE GINGRAS
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1352816 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadw...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1352816 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #937629. Published by DAVID LEE GINGRAS (A0.1352816). I Didn't Know What Time It Was is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Introduced by Richard Kollmar and Marcy Westcott in the stage musical, early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly). The song was later interpolated into the score of the 1957 film Pal Joey, sung by Frank Sinatra, and has become a jazz standard. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills just for fun! We hope you like what we've done with this grand old tune!
$4.99 ≈
4.60€
I Didn't Know What Time It Was
I Didn't Know What Time It Was
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Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charlie Parker
#
John Fries
#
I Didn't Know What Time It Was
#
John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1196258 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Broadwa...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1196258 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 1 pages. John Fries #795412. Published by John Fries (A0.1196258). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  I Didn't Know What Time It Was is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly).
$4.99 ≈
4.60€
I Didn't Know What Time It Was
I Didn't Know What Time It Was
#
Piano Facile
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DÉBUTANT
#
Charlie Parker
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DecPlay Ltd
#
I Didn't Know What Time It Was
#
DecPlay Ltd
#
SheetMusicPlus
Piano - Level 1 - SKU: A0.1379725 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by DecPlay Ltd. 20th Century,Jazz,Standards. DecPlay P...
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Piano - Level 1 - SKU: A0.1379725 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by DecPlay Ltd. 20th Century,Jazz,Standards. DecPlay Piano. 3 pages. DecPlay Ltd #964431. Published by DecPlay Ltd (A0.1379725). You have great taste - this is a great song! If you’re not a DecPlay student yet, you might be wondering why the song sheet isn’t using traditional notation or chord names …..This patented form of song sheet from DecPlay® enables songs to be learnt much quicker and more easily than using traditional notation or guitar chords. The simple numbers, colours and patterns method enables rapid results on piano.The same song sheet enables beginner and advanced playing styles, in any musical key.For more details and a FREE video lesson go to https://decplay.com(This type of sheet music is known as piano tabs or PianoTabz and includes lyrics, melody and chords).
$3.99 ≈
3.68€
I Didn't Know What Time It Was
I Didn't Know What Time It Was
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Jazz
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Charlie Parker
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Jimita
#
I Didn't Know What Time It Was
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Jimita
#
SheetMusicPlus
C Instrument - SKU: A0.1418985 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by Jimita. Jazz. Lead Sheet / Fake Book. 12 pages. Jimita...
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C Instrument - SKU: A0.1418985 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by Jimita. Jazz. Lead Sheet / Fake Book. 12 pages. Jimita #1000435. Published by Jimita (A0.1418985). Lead SheetChords are LargeEnding : 2bars 3timesKey : Ab, Bb, C, Eb, F, G.
$3.99 ≈
3.68€
I Didn't Know What Time It Was
I Didn't Know What Time It Was
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Piano seul
#
INTERMÉDIAIRE
#
Contemporain
#
Richard Rodgers
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Den Tuffin
#
I Didn't Know What Time It Was
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Jazzsounds
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.931030 Composed by Richard Rodgers. Arranged by Den Tuffin. Contemporary. Score. 2 pages. Jazzsounds #6302295. Published ...
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Piano Solo - Level 3 - SKU: A0.931030 Composed by Richard Rodgers. Arranged by Den Tuffin. Contemporary. Score. 2 pages. Jazzsounds #6302295. Published by Jazzsounds (A0.931030). A new jazzy solo piano arrangement of a Rodgers & Hart song first recorded by Sinatra in 1939 but reprised by him in Pal Joey in 1957. Used as a jazz vehicle by many singers and bands from Sarah Vaughan and Ella Fitzgerald through to Charlie Parker and Benny Golson.Full version can be heard on Soundcloud.
$4.99 ≈
4.60€
I Didn't Know What Time It Was
I Didn't Know What Time It Was
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Piano seul
#
INTERMÉDIAIRE
#
Contemporain
#
Richard Rodgers
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Robert Blond
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I Didn't Know What Time It Was
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robert blond
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.948619 Composed by Richard Rodgers. Arranged by Robert Blond. Contemporary. Score. 5 pages. Robert blond #6322453. Publis...
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Piano Solo - Level 3 - SKU: A0.948619 Composed by Richard Rodgers. Arranged by Robert Blond. Contemporary. Score. 5 pages. Robert blond #6322453. Published by robert blond (A0.948619). 1939 Rodgers & Hart standard, pensive mood, lip-synched on Youtube by a young Lucille Ball to Trudi Erwin's singingPiano solo adheres to composer's melody throughout, suitable for singing2 key changes, one of which is reminiscent of a cadence in Leroy Anderson's SerenataStylized ending with descending quartalsTechnical difficulty minimized without compromising musical qualityNo repeats
$4.99 ≈
4.60€
I Didn't Know What Time It Was
I Didn't Know What Time It Was
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Instruments en Do
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INTERMÉDIAIRE
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Lorenz Hart and Richard Rodger
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John Fries
#
I Didn't Know What Time It Was
#
John Fries
#
SheetMusicPlus
C Instrument - Level 3 - SKU: A0.499562 Composed by Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / F...
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C Instrument - Level 3 - SKU: A0.499562 Composed by Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112867. Published by John Fries (A0.499562). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  I Didn't Know What Time It Was is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly).
$3.99 ≈
3.68€
Does Anybody Really Know What Time It Is?
Does Anybody Really Know What Time It Is?
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Rock
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Chicago
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Michael Compton
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Does Anybody Really Know What
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Kreechur Kumfort Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.833865 By Chicago. By Robert Lamm. Arranged by Michael Compton. Pop,Rock. 16 pages. Kreechur Kumf...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.833865 By Chicago. By Robert Lamm. Arranged by Michael Compton. Pop,Rock. 16 pages. Kreechur Kumfort Publishing #6448459. Published by Kreechur Kumfort Publishing (A0.833865). Does Anybody Really Know What Time It Is? is a song that was included on Chicago's 1969 debut album Chicago Transit Authority and released as a single in 1970. According to composer Robert Lamm, it was the first song recorded for the album. The song was not released as a single until two tracks from the band's second album, Make Me Smile and 25 or 6 to 4, had become hits. It reached No. 7 in the U.S. and No. 2 in Canada. Said Lamm: [It's] not a complicated song, but it’s certainly a quirky song. But that was my intent. I wanted to write something that wasn’t ordinary, that wasn’t blues-based, that didn’t have ice cream changes, and would allow the horns to shine and give Lee Loughnane a solo. This arrangement is for saxophone quintet (soprano, alto, two tenors, and baritone) and the melody is passed around the ensemble a bit. The arrangement is suitable for intermediate level players.
$15.00 ≈
13.82€
She Didn't Mean To
She Didn't Mean To
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Piano seul
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INTERMÉDIAIRE
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Matt Johnson
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She Didn't Mean To
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Dolce & Nuit Productions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.909259 Composed by Matt Johnson. 20th Century,Concert,Contemporary,Jazz,New Age. Score. 12 pages. Dolce & Nuit Production...
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Piano Solo - Level 3 - SKU: A0.909259 Composed by Matt Johnson. 20th Century,Concert,Contemporary,Jazz,New Age. Score. 12 pages. Dolce & Nuit Productions #5777669. Published by Dolce & Nuit Productions (A0.909259). The sweet waitress didn’t mean to drop the large tray of food.In one chapter of my life, I was the house pianist at a well-known hotel in Boston. For 12 years, I played popular tunes and original music in their restaurant. One fateful evening, a very sweet waitress named, Irene-who should have retired years earlier-dropped a large tray of food. The entire restaurant came to an awkward, silent halt after all the noise settled. I immediately began playing this upbeat piece. Made it up on the spot, I did, as a distraction to calm the clientele. The melody sang our empathic thoughts, she didn’t mean to.
$4.95 ≈
4.56€
I Didn't Know What Time It Was
I Didn't Know What Time It Was
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Saxophone Alto
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Jazz
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Charlie Parker and Lorenz Hart
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I Didn't Know What Time It Was
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.404147 By Charlie Parker and Lorenz Hart. Jazz. Alto Sax Transcription. 3 pages. Published by Hal Leonard - Digital (HX.404147). ...
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SKU: HX.404147 By Charlie Parker and Lorenz Hart. Jazz. Alto Sax Transcription. 3 pages. Published by Hal Leonard - Digital (HX.404147).
$3.99 ≈
3.68€
Wish I Didn't Know Now
Wish I Didn't Know Now
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Instruments en Do
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INTERMÉDIAIRE
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Country
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Toby Keith
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David M Fagnant
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Wish I Didn't Know Now
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David M Fagnant
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1397916 By Toby Keith. By Toby Keith. Arranged by David M Fagnant. Country. Lead Sheet / Fake Book. 4 pages. David M Fa...
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C Instrument - Level 3 - SKU: A0.1397916 By Toby Keith. By Toby Keith. Arranged by David M Fagnant. Country. Lead Sheet / Fake Book. 4 pages. David M Fagnant #981189. Published by David M Fagnant (A0.1397916). Fakebook style chord chart to help quickly learn and play popular songs. Lyric sheet included which follows the song arrangement. Distinctive intro's, lines and endings written, where appropriate, which help to identify and perform the song.
$4.99 ≈
4.60€
I Didn't Know What Time It Was (from Too Many Girls)
I Didn't Know What Time It Was (from Too Many Girls)
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Piano grosses notes
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DÉBUTANT
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Comédie Musicale
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I Didn't Know What Time It Was
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.460083 This edition: scorch. Broadway,Jazz,Musical/Show. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.460083). ...
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SKU: HX.460083 This edition: scorch. Broadway,Jazz,Musical/Show. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.460083). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.75€
I Didn't Know What Time It Was
I Didn't Know What Time It Was
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Piano seul
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Jazz
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Lorenz Hart, Rodgers and Hart,
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Standards
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I Didn't Know What Time It Was
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Lorenz Hart, Rodgers and Hart, and Richard Rodgers. Jazz; Standards. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Lorenz Hart, Rodgers and Hart, and Richard Rodgers. Jazz; Standards. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.60€
I Didn't Know What Time It Was
I Didn't Know What Time It Was
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Piano, Voix
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Benny Goodman
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I Didn't Know What Time It Was
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0001105 By Benny Goodman. By Richard Rodgers. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0001105. P...
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Piano/Vocal/Chords - SKU: AX.00-PS-0001105 By Benny Goodman. By Richard Rodgers. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0001105. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0001105).
$3.99 ≈
3.68€
Don't Worry, Be Happy
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99 ≈
13.81€
Didn't My Lord Deliver Daniel
Didn't My Lord Deliver Daniel
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Larry Shackley
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Didn't My Lord Deliver Daniel
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Hope Publishing - Digital
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SheetMusicPlus
(Choral, Orchestra) - SKU: H1.C5051ODP Arranged by Larry Shackley. Piano Accompaniment with Optional Orchestra. Spirituals & Gospel, General Worship, Fa...
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(Choral, Orchestra) - SKU: H1.C5051ODP Arranged by Larry Shackley. Piano Accompaniment with Optional Orchestra. Spirituals & Gospel, General Worship, Faith & Faithfulness, Spiritual. Set of Instrumental Parts. 43 pages. Hope Publishing - Digital #C5051ODP. Published by Hope Publishing - Digital (H1.C5051ODP). Well-known traditional Spiritual From the opening rhythmic piano intro, the energy never stops in this setting of this well-known traditional spiritual. Larry Shackley's cutting edge jazz harmonies, bold melody lines, and catchy counterpoint are sure to delight choirs and accompanists, and find great appeal with youth and high school choirs. The track is sensational and the piano accompaniment is an impressive showcase for keyboardists looking for a challenge.
$89.95 ≈
82.85€
Didn't My Lord Deliver Daniel?
Didn't My Lord Deliver Daniel?
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Larry Shackley
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Didn't My Lord Deliver Daniel?
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Hope Publishing - Digital
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SheetMusicPlus
Choral (Choral, Orchestra) - SKU: H1.C5051DP Arranged by Larry Shackley. Piano Accompaniment with Optional Orchestra. Spirituals & Gospel, General Worsh...
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Choral (Choral, Orchestra) - SKU: H1.C5051DP Arranged by Larry Shackley. Piano Accompaniment with Optional Orchestra. Spirituals & Gospel, General Worship, Faith & Faithfulness, Spiritual. Octavo. 8 pages. Hope Publishing - Digital #C5051DP. Published by Hope Publishing - Digital (H1.C5051DP). Well-known traditional Spiritual From the opening rhythmic piano intro, the energy never stops in this setting of this well-known traditional spiritual. Larry Shackley's cutting edge jazz harmonies, bold melody lines, and catchy counterpoint are sure to delight choirs and accompanists, and find great appeal with youth and high school choirs. The track is sensational and the piano accompaniment is an impressive showcase for keyboardists looking for a challenge.
$2.95 ≈
2.72€
Don't Stop Believin'
Don't Stop Believin'
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Chorale 3 parties
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INTERMÉDIAIRE
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Film/TV
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Journey
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Tom Rodgers
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Don't Stop Believin'
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Tom Rodgers
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.942579 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Tom Rodgers. Film/TV. Octavo. 11 pa...
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Choral Choir (SAB) - Level 3 - SKU: A0.942579 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Tom Rodgers. Film/TV. Octavo. 11 pages. Tom Rodgers #6624481. Published by Tom Rodgers (A0.942579). This is probably one of the most well known songs of the 1980s though, upon first release into the American and U.K. charts, it didn't reach the heady heights of top of the charts. It found more success following its inclusion in TV show The Sopranos and through a cover version sung by the Glee cast. The song has been digitally downloaded over 7 million times, just in the U.S.A. This SAB arrangement is aimed for the intermediate choir with few men.
$2.49 ≈
2.29€
A Gift From The Bower (Revised)
A Gift From The Bower (Revised)
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Violoncelle (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Chris Becker
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A Gift From The Bower
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Beckeresque
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASC...
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Cello Solo - Level 4 - SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASCAP) #879245. Published by Beckeresque (ASCAP) (A0.1288214). When I first saw the enormous chair Rachel Gardner and Carlos Canul constructed for A Gift from the Bower, an outdoor, multi-disciplinary group exhibition conceived by renowned artists James Surls and Charmaine Locke, I had a vision of a cellist seated in a chair on the chair, performing solo in a bower deep in the woods of Splendora Gardens. I shared this image with Rachel, who didn’t think I was nuts, and over the course of several weeks, composed a piece for unaccompanied cello to be performed at the opening of the exhibit. I was honored when cellist Patrick Moore agreed to premiere the work; his formidable technique and the deep expression he brings to his playing inspired me to embrace the challenge of composing a solo for his instrument.Knowing my piece would be performed outdoors, I was inspired to evoke the rhythm of sound events one hears in woods, especially the rise and fall of wind as it moves through branches and leaves. The very opening of the piece and later, what I hear as an extended coda, were created as moments for the cellist as much as for the listener and are performed in a sort of meditative state, calling to mind the age-old question, “If a tree falls in a forest and no one is around to hear it, does it make a sound?†The repeating measures of 16th notes in the piece’s demanding middle section pay tribute to two of my heroes, Terry Riley and Philip Glass. While composing the work, Bach’s Six Suites for Violoncello Solo was another important point of reference, as was double bassist Eberhard Weber's 1973 album, The Colours of Chloë.Once finished, it made sense to name the piece A Gift from the Bower since the opportunity to compose the work was a gift, and in exchange, so is the music I have composed.A Gift from the Bower premiered on April 22, 2023, by Patrick Moore at the Locke Surls Center for Art and Nature.A revised version of this piece was completed on September 5, 2023.
$6.99 ≈
6.44€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.68€
Hazbin Hotel- You Didn't Know: Vocal Lines
Hazbin Hotel- You Didn't Know: Vocal Lines
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Andrew Underberg and Sam Haft
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LB Vocals
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Hazbin Hotel- You Didn't Know:
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LB Vocals
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SheetMusicPlus
Voice Duet Voice - SKU: A0.1422028 Composed by Andrew Underberg and Sam Haft. Arranged by LB Vocals. Broadway,Contemporary,Musical/Show. 4 pages. LB Voc...
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Voice Duet Voice - SKU: A0.1422028 Composed by Andrew Underberg and Sam Haft. Arranged by LB Vocals. Broadway,Contemporary,Musical/Show. 4 pages. LB Vocals #1003366. Published by LB Vocals (A0.1422028). 100% accurate transcription of vocal parts and harmonies of Emily, Charlie, Vaggie, Sera, Lute, and Adam from Hazbin Hotel's You Didn't Know.
$4.99 ≈
4.60€
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