Partitions Numériques de Ben Webster pour Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

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Ben Webster
Non classifié 14

Piano & claviers
Piano seul 18
Piano, Voix et Guitare 6
Piano, Voix 4
Instruments en Do 3
Piano Facile 2

1 Piano, 4 mains 1
Piano grosses notes 1

+ 2 instrumentations

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Guitares
Guitare notes et tablatures 5
Guitare 2
Ligne De Mélodie, (Paroles) et Accords 2
Piano, Guitare (duo) 1
Paroles et Accords 1

Voix
Chorale SATB 8
Chorale TTBB 2
Chorale 3 parties 2
Chorale Unison 1
Chorale SSAA 1

Vents
Saxophone 30
Clarinette 11
Flûte traversière 11
Saxophone Tenor 4
Flûte traversière et Piano 3

Quatuor de Clarinettes: 4 clarinettes 2
Clarinette et Piano 1
2 Saxophones (duo) 1
Hautbois, Piano (duo) 1
Saxophone Tenor et Piano 1
Saxophone Alto et Piano 1
Flûte, Hautbois, Clarinette, Basson 1

+ 7 instrumentations

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Cuivres
Trombone 11
Trompette 10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2

Trompette (partie séparée) 1
Trompette, Piano 1

Tuba 1
Trombone et Piano 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Cor 1

+ 4 instrumentations

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Cordes
Violon et Piano 5
Quatuor à cordes: 2 violons, alto, violoncelle 3
Harpe 2
Violoncelle, Piano 2
Alto (partie séparée) 1

Violoncelle (partie séparée) 1
Trio à Cordes: violon, alto, violoncelle 1
Alto, Piano 1
Violon 1

+ 4 instrumentations

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Percussions & orchestre
Cloches 4
Jazz combo 1
Orchestre d'harmonie 1

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Ben Webster

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

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2 partitions trouvées

The Shadow Of Your Smile for Brass Quintet

The Shadow Of Your Smile for Brass Quintet #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE #Jazz #Tony Bennett #Diego Marani #The Shadow Of Your Smile for B #Diego Marani #SheetMusicPlus

By Tony Bennett. Arranged by Diego Marani. Score, Set of Parts. 9 pages. Published by Diego Marani (H0.199217-726895). - Score,Set of Parts - - Diego Marani...(+)

By Tony Bennett. Arranged by Diego Marani. Score, Set of Parts. 9 pages. Published by Diego Marani (H0.199217-726895). - Score,Set of Parts - - Diego Marani
"The Shadow of Your Smile", also known as "Love Theme from The Sandpiper", is a popular song. The music was written by Johnny Mandel with the lyrics written by Paul Francis Webster. The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song. In 2004 the song finished at #77 in AFI's 100 Years...100 Songs poll of the top tunes in American cinema. Well-known versions of the song were recorded by Barbra Streisand (on her 1965 album My Name Is Barbra, Two...), singer Shirley Bassey (on her 1966 album I've Got a Song for You), Andy Williams, Chris Montez, Percy Faith, Rita Reys, Al Martino, Perry Como, Nancy Sinatra, Astrud Gilberto, Peggy Lee, Sammy Davis, Jr., Sarah Vaughan and Frank Sinatra. This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba. It is suitable for repertoire, classroom and recital.

$19.99 ≈ ¥144.47

C Jam Blues for Brass Quintet

C Jam Blues for Brass Quintet #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE #Keith Terrett #Keith Terrett #Bb Trombone/Euphonium in TC #C Jam Blues for Brass Quintet #Keith Terrett #SheetMusicPlus

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Te...(+)

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellingtonâ€™s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as â€œone of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled â€œJam Sessionâ€ the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe â€œTricky Samâ€ Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.â€œC Jam Bluesâ€ was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Dukeâ€™s band in June 1942, and after a period of freelancing joined Louis Armstrongâ€™s All-Stars in August, 1947. â€œC Jam Bluesâ€ was one of his nightly features with Satchâ€™s ensemble along with â€œTea for Two.â€ Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (â€œBaby, letâ€™s go down to â€˜Dukeâ€™s Placeâ€™,â€ etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrongâ€™s All-Stars when they recorded â€œDukeâ€™s Place,â€ featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Dukeâ€™s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Bandâ€™s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

$12.99 ≈ ¥93.88

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