Partitions Numériques de BASS pour Flûte traversière et Piano

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BASS
Non classifié 4 275

Piano & claviers
Piano seul 41
Accordéon 13
Orgue 6
1 Piano, 4 mains 6
2 Pianos, 4 mains 4

Piano, Voix et Guitare 3
Piano, Voix 2
Accordéon et Orchestre 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Piano Quatuor: piano, 2 violons, violoncelle 1
Piano Quatuor: piano, violon, alto, violoncelle 1
Orgue, Trompette (duo) 1

+ 7 instrumentations

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Guitares
Basse electrique 222
Guitare 33
Guitare notes et tablatures 3
Ensemble de guitares 2
Dulcimer 1

2 Guitares (duo) 1

+ 1 instrumentations

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Voix
Chorale SATB 23
Voix basse, Piano 11
Chorale TTBB 8
Chorale SSAATTBB 4
Chorale SSAA 2

Voix Soprano, Piano 1
Chorale 2 parties 1
Chorale 3 parties 1
Voix Baryton 1

+ 4 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 391
Flûte, Hautbois, Clarinette, Basson 88
Ensemble de saxophones 83
Quintette de Clarinettes: 5 clarinettes 24
Hautbois, Clarinette, Basson (trio d'anches) 19

Hautbois, Piano (duo) 18
Quatuor de Saxophones: 4 saxophones 13
Quatuor de Clarinettes: 4 clarinettes 11
Flûte, Clarinette et Basson 10
Flûte, Hautbois, Basson 9
Saxophone Alto et Piano 8
2 Saxophones (duo) 8
Hautbois, Basson (duo) 6
Quintette de Saxophone: 5 saxophones 6
Saxophone Tenor et Piano 5
Clarinette Basse, Piano 4
2 Clarinettes (duo) 4
Ensemble de Clarinettes 4
Hautbois, Basson et Piano 4
Ensemble de Flûtes 4
Saxophone (partie séparée) 3
Clarinette 3
Flûte à bec Alto, Basse continue 2
Clarinette, Basson (duo) 2
Flûte traversière et Piano 2

2 Flûtes traversières (duo) 2
Flûte, Basson et Piano 2
Flûte traversière, Basse continue 2
Quintette de Flûte : 5 flûtes 2
Clarinette Basse 2
Saxophone Baryton, Piano 1
Saxophone, Basson (duo) 1
Clarinette, Violoncelle (duo) 1
2 Flûtes, Basse continue 1
Clarinette et Piano 1
Clarinette, Contrebasse (duo) 1
3 Clarinettes (trio) 1
5 Flûtes à bec 1
4 Hautbois 1
Saxophone Soprano et Piano 1
Hautbois (partie séparée) 1
Quatuor de Flûtes à bec 1
Saxophone Baryton 1
Quatuor de Flûtes : 4 flûtes 1
Instruments en Mib 1

+ 40 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 49
Ensemble de Trombones 11
Trombone basse 8
Quatuor de Cuivres : 2 trompettes, trombone, tuba 8
Quatuor de cuivres: 4 trombones 6

Trombone basse et Piano 3
Trombone 2
Trombone et Piano 2
Trombone et orchestre 2
Trompette, Piano 1
Tuba 1
Trompette 1
2 Trombones (duo) 1
2 Cors (duo) 1
Ensemble de Tubas 1
2 Euphoniums et 2 Tubas 1
Trompette (partie séparée) 1
Ensemble de Trompettes 1

+ 13 instrumentations

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Cordes
Contre Basse 75
Quatuor à cordes: 2 violons, alto, violoncelle 52
Quintette à cordes: 2 violons, alto, violoncelle, basse 29
Contrebasse, Piano (duo) 27
Violoncelle, Contrebasse (duo) 21

Violon et Piano 19
4 Contrebasses 15
Harpe 7
Violoncelle, Piano 6
2 Contrebasses (duo) 6
Violon 6
Trio à Cordes: violon, alto, violoncelle 6
Alto, Piano 3
Violoncelle (partie séparée) 3
2 Violoncelles (duo) 2
Violon, Violoncelle (duo) 2
Harpe, Violon (duo) 2
Harpe, Violoncelle (duo) 2
4 Violoncelles 2
Alto et Harpe 2
Harpe, Flûte (duo) 2
Harpe, Trombone (duo) 1
Violon, Basse continue 1
Violon (partie séparée) 1
Trio à cordes: 3 violins 1
Violoncelle 1
3 Contrebasses 1
Violoncelle, Basse continue 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Violoncelle, Orchestre 1
Alto, Violoncelle (duo) 1
Flûte, Contrebasse (duo) 1
Violon, Violoncelle, Clarinette 1

+ 28 instrumentations

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Percussions & orchestre
Orchestre 220
Orchestre d'harmonie 185
Ensemble Jazz 84
Orchestre à Cordes 47
Jazz combo 32

Ensemble de cuivres 19
Orchestre de chambre 15
Big band 8
Fanfare 7
Batterie 6
Piano et Orchestre 3
Ensemble de Percussions 2

+ 7 instrumentations

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BASS

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Flûte traversière et Piano

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2 partitions trouvées

Flûte en suite

Flûte en suite #Flûte traversière et Piano #AVANCÉ #Joerg Widmann #Flûte en suite #Schott Music - Digital #

Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with s...(+)

Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This â€šSuiteâ€™ is not one of my â€˜epicâ€™ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights â€“ acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my FlÃ»te en suite. JÃ¶rg WidmannThis â€šSuiteâ€™ is not one of my â€˜epicâ€™ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my FlÃ»te en suite. JÃ¶rg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) Â· 3 (2. auch Ob. dâ€™am., 3. auch Engl. Hr.) Â· 0 Â· 3 (3. auch Kfg.) - 4 Â· 4 Â· 3 Â· 1 - S. (Glsp. Â· Vibr. Â· 3 hg. Beck. [h./m./t.] Â· chin. Beck. Â· 4 Gongs Â· 4 Buckelgongs Â· 2 Tamt. [m./t.] Â· Wassertamt. Â· gr. Tr. Â· Metal Chimes Â· Peitsche) (2 Spieler) - Hfe. Â· Cel. (auch Cemb.) - Str. (10 Â· 8 Â· 6 Â· 4 Â· 3).

$55.99 ≈ 52.12€

Friction

Friction #Flûte traversière et Piano #AVANCÉ #Contemporain #Panayiotis Kokoras #Friction #Panayiotis Kokoras #

Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, elec...(+)

Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academieâ€™s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the workâ€™s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.

$20.00 ≈ 18.62€

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