Partitions Numériques de BASS pour Trompette

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BASS
Non classifié 10 971

Piano & claviers
Piano seul 114
Piano, Voix et Guitare 42
Piano, Voix 12
Orgue 12
Piano Quatuor: piano, violon, alto, violoncelle 6

Accordéon 5
Piano Trio: piano, violon, violoncelle 5
Accompagnement Piano 4
1 Piano, 4 mains 2
Piano Facile 2
2 Pianos, 4 mains 2
Orgue, Piano (duo) 2
1 Piano, 6 mains 1
Orgue, Trompette (duo) 1

+ 9 instrumentations

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Guitares
Basse electrique 230
Guitare 44
Guitare notes et tablatures 30
Basse électrique (partie séparée) 20
2 Dulcimers (duo) 3

Paroles et Accords 2
4 Guitares (Quatuor) 2
2 Guitares (duo) 1
Mandoline, Guitare (duo) 1
Ligne De Mélodie, (Paroles) et Accords 1
Guitare, Orchestre 1
Piano, Guitare (duo) 1
Dulcimer 1
2 Ukuleles 1

+ 9 instrumentations

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Voix
Voix seule 352
Chorale SATB 55
Chorale TTBB 24
Chorale SSAA 12
Chorale 3 parties 6

Voix basse, Piano 5
Chorale 2 parties 4
Chorale Unison 2
Chorale SATBB 1
Chorale SSAATTBB 1
Voix duo 1
Voix Baryton 1

+ 7 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1 150
Flûte, Hautbois, Clarinette, Basson 424
Hautbois, Basson (duo) 124
Ensemble de saxophones 111
Flûte, Hautbois, Basson 90

Quintette de Clarinettes: 5 clarinettes 84
Quatuor de Clarinettes: 4 clarinettes 66
Quatuor de Saxophones: 4 saxophones 53
Hautbois, Clarinette, Basson (trio d'anches) 49
Hautbois, Piano (duo) 48
Saxophone Tenor et Piano 42
Ensemble de Flûtes 33
Saxophone Alto et Piano 26
Quintette de Saxophone: 5 saxophones 22
Flûte, Clarinette et Basson 21
Quintette de Flûte : 5 flûtes 16
Ensemble de Clarinettes 14
2 Saxophones (duo) 14
2 Clarinettes (duo) 11
Saxophone Soprano et Piano 10
Clarinette, Basson (duo) 9
Clarinette Basse, Piano 9
Flûte à Bec 8
3 Saxophones (trio) 8
Quatuor de Flûtes : 4 flûtes 7
Saxophone Baryton, Piano 7
Ensemble De Flûte à bec 6
Flûte traversière 6
Saxophone Alto 5
3 Clarinettes (trio) 4
Flûte, Clarinette, Cor, Basson (Quartet) 4
Ensemble à vent 4
Flûte traversière et Piano 4
Flûte, Hautbois, Clarinette (trio) 3
Saxophone, Clarinette (duo) 3
Clarinette, Violoncelle (duo) 3
2 Hautbois (duo) 3
5 Flûtes à bec 2
Hautbois (partie séparée) 2
Clarinette et Piano 2
Flûte, Basson et Piano 2
Clarinette 2
Quatuor de Flûtes à bec 2
2 Flûtes traversières (duo) 2
Trio de Flûtes: 3 flûtes 2
Flûte et Guitare 2
2 Hautbois et Basson 2
Clarinette, Guitare (duo) 2
Hautbois, Flûte 2
Flûte, Violon et Violoncelle 2
Hautbois, Clarinette (duo) 2
Saxophone (partie séparée) 2
Saxophone et Guitare 1
Quintette de Clarinette: Clarinette, Quatuor à Cordes 1
Hautbois, Basson et Piano 1
Flûte, Harpe et Violoncelle 1
3 Flûtes à bec (trio) 1
Flûte, Saxophone (duo) 1
Clarinette et Alto 1
Flûte à bec Alto, Basse continue 1
Saxophone Baryton 1
Saxophone Tenor 1
Saxophone, Basson (duo) 1

+ 58 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 111
Ensemble de Trombones 26
Quatuor de Cuivres : 2 trompettes, trombone, tuba 24
Quatuor de cuivres: 4 trombones 8
Trombone et Piano 8

Trombone basse et Piano 4
Trombone 4
Trompette, Piano 3
Trompette 3

Trompette, Saxophone (duo) 2
Ensemble de Cors 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Ensemble de Trompettes 2
2 Euphoniums et 2 Tubas 2
Bass Clef Instruments 2
2 Trombones (duo) 2
Tuba et Piano 2
Quatuor de Cuivres 1
Trio de Cuivres 1
Cor, Trompette, Trombone (trio) 1
Quatuor de cuivres: 4 cors 1
Cornet et orchestre 1
Trombone basse 1

+ 18 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 252
Quintette à cordes: 2 violons, alto, violoncelle, basse 135
Contre Basse 74
Contrebasse, Piano (duo) 58
Violon et Piano 38

2 Violoncelles (duo) 30
Violoncelle, Contrebasse (duo) 27
Trio à Cordes: violon, alto, violoncelle 25
2 Contrebasses (duo) 20
Violon 19
Violon, Violoncelle (duo) 18
Violoncelle, Piano 18
Alto, Piano 14
Harpe 12
4 Violoncelles 12
Violoncelle (partie séparée) 10
4 Contrebasses 7
Violon, Alto (duo) 6
Harpe, Violoncelle (duo) 5
Alto et Harpe 4
Harpe, Violon (duo) 4
Harpe, Flûte (duo) 4
Violoncelle , Guitare (duo) 3
3 Contrebasses 3
Alto, Violoncelle (duo) 3
Trio à Cordes: 2 violons, violoncelle 3
Violoncelle 2
Harpe, Voix 2
Ensemble de Violoncelles 2
Alto (partie séparée) 2
2 Altos (duo) 2
Trio à Cordes: 2 violons, alto 1
Violoncelle, Basse continue 1
Violon, Basse continue 1
Violon, Guitare (duo) 1
2 Harpes (duo) 1
Trio à Cordes: 3 violoncelles 1
Flûte, Contrebasse (duo) 1

+ 33 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 487
Orchestre 382
Ensemble Jazz 322
Orchestre à Cordes 103
Ensemble de cuivres 92

Jazz combo 88
Fanfare 33
Orchestre de chambre 31
Batterie (partie séparée) 23
Batterie 3
Ensemble de Percussions 2
Orchestre, Violon 2
Big band 1
Cloches 1
Piano et Orchestre 1
Voix et Orchestre 1

+ 11 instrumentations

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Trompette

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3 partitions trouvées

Shirley Bassey : Big Spender (niveau intermédiaire/difficile, brass trompette) #Trompette #INTERMÉDIAIRE/AVANCÉ #Jazz #Shirley Bassey #Big Spender #

Telechargez la partition Trompette Big Spender (niveau intermediaire/difficile, brass trompette) de Shirley Bassey. Partition pour Trompette avec accomp. orches...(+)

Telechargez la partition Trompette Big Spender (niveau intermediaire/difficile, brass trompette) de Shirley Bassey. Partition pour Trompette avec accomp. orchestre -- Jazz

5.99€

The Arban Manual (Pre 2013)

The Arban Manual (Pre 2013) #Trompette #INTERMÉDIAIRE/AVANCÉ #Methodes #Eric Bolvin #The Arban Manual #

Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Reper...(+)

Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.

Description
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.

How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.

Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.

Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.

Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.

All of the characteristic studies and celebrated fantaisies are considered performance pieces.

Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.

The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.

Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.

Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.

Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.

Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.

For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.

The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.

$16.95 ≈ 15.73€

The Arban Manual - Hooten Edition

The Arban Manual - Hooten Edition #Trompette #INTERMÉDIAIRE/AVANCÉ #Methodes #Eric Bolvin #The Arban Manual - Hooten Edit #

Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire,...(+)

Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.

How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.

Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.

Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.

Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.

All of the characteristic studies and celebrated fantaisies are considered performance pieces.

Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.

The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.

Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.

Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.

Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.

Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.

For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.

The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.

About SMP Press

$16.95 ≈ 15.73€

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