Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
African Song No. 10
Sheetmusicplus
Non classifié
2
Piano & claviers
Piano seul
3
Accompagnement Piano
1
Guitares
Voix
Vents
Quintette de Clarinettes: 5 clarinettes
1
Cuivres
2 Tubas (duo)
1
Cordes
Percussions & orchestre
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
PARTITIONS GRATUITES
188 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
African Song No. 10
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
<
1
African Song No. 10
African Song No. 10
#
Piano seul
#
Abdullah Ibrahim
#
African Song No. 10
#
Schott Music - Digital
#
SheetMusicPlus
Piano - SKU: S9.Q12099 Composed by Abdullah Ibrahim. This edition: songbook. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 3 pages. Sc...
(+)
Piano - SKU: S9.Q12099 Composed by Abdullah Ibrahim. This edition: songbook. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 3 pages. Schott Music - Digital #Q12099. Published by Schott Music - Digital (S9.Q12099). Digital publication of the piece found in the following print music collection: African Songs - 15 piano pieces.
$2.99 ≈
2.69€
I'm Gonna Sing When the Spirit Says Sing for 8-note Bells and Boomwhackers® (Black and White Notes)
I'm Gonna Sing When the Spirit Says Sing for 8-note Bells and Boomwhackers® (Black and White Notes)
#
Gospel Spirituel
#
Musique Sacrée
#
Sharon Wilson
#
Sharon Wilson
#
I'm Gonna Sing When the Spirit
#
Sharon Wilson
#
SheetMusicPlus
Bells,Boomwhackers,Handbell,Multi-Percussion,Orff Instrument,Recorder,Ukulele,Voice,Xylophone - Level 1 - SKU: A0.565148 By Sharon Wilson. By African-Am...
(+)
Bells,Boomwhackers,Handbell,Multi-Percussion,Orff Instrument,Recorder,Ukulele,Voice,Xylophone - Level 1 - SKU: A0.565148 By Sharon Wilson. By African-American Spiritual and Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. 9 pages. Sharon Wilson #3497139. Published by Sharon Wilson (A0.565148). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses black and white noteheads. This same set of scores is available (sold separately) with color coded noteheads which may make it easier for beginning players if you have access to a color printer.Notes used for each instrument are as follows: Bells ~ D E G A B C* where C* is high C, one octave above middle C  Boomwhackers® ~ C D E G A B C*Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of G major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 7 or 13 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 ≈
5.38€
Kum Ba Yah (Easy Bowed Psaltery Solo with Piano Accompaniment)
Kum Ba Yah (Easy Bowed Psaltery Solo with Piano Accompaniment)
#
Accompagnement Piano
#
FACILE
#
Musique Sacrée
#
Musique Sacrée
#
Sharon Wilson
#
Sharon Wilson
#
Kum Ba Yah
#
Sharon Wilson
#
SheetMusicPlus
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - SKU: A0.565801 By Sharon Wilson. By African-American Spir...
(+)
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - SKU: A0.565801 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Praise & Worship,Sacred,Spiritual,Traditional. Score and individual part. 7 pages. Sharon Wilson #6228707. Published by Sharon Wilson (A0.565801). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic praise chorus Kum Ba Yah. The psaltery part was designed for a beginning psaltery player and includes no sharps or flats. The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The psaltery plays the melody for the first verse and then adds harmony for the second verse. The song concludes with the psaltery playing melody for the final tag. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Kum Ba Yah (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than 2 octaves. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is C4 (middle C) to F5 (the second F above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Hymns and Choruses (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
3.58€
Walk Through the Valley in Peace Medley
Walk Through the Valley in Peace Medley
#
Piano seul
#
INTERMÉDIAIRE
#
Gospel Spirituel
#
Musique Sacrée
#
Sharon Wilson
#
Walk Through the Valley in Pea
#
Sharon Wilson
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1140026 By Sharon Wilson. By African-American Spiritual, Ira David Sankey, Traditional Spiritual, and William Orcutt Cush...
(+)
Piano Solo - Level 3 - SKU: A0.1140026 By Sharon Wilson. By African-American Spiritual, Ira David Sankey, Traditional Spiritual, and William Orcutt Cushing. Arranged by Sharon Wilson and Sharon Wilson Music. 19th Century,Christian,Folk,Sacred,Spiritual. Score. 6 pages. Sharon Wilson #740288. Published by Sharon Wilson (A0.1140026). This intermediate piano solo medley combines 2 hymns associated with lyrics adapted from Psalm 3:4 and Revelation 21:4. Titles included in this medley: We Shall Walk Through the Valley in Peace and There'll Be No Dark Valley When Jesus Comes by Ira David Sankey and William Orcutt Cushing.Relaxed and expressive, this medley encourages thoughtful reflection making it a treasured addition to the church pianist's sacred repertoire.This arrangement is one of the 10 songs in the collection Sacred Medleys: Hymns and Spirituals, Book 1 (A Collection of 10 Medleys for Solo Piano). Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.comKeywords: praise music, worship service, meditation, devotion, devotional music, invitation, prelude, offertory, Gospel songs, communion, altar call, postlude, key of F major
$4.99 ≈
4.48€
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
#
Quintette de Clarinettes: 5 clarinettes
#
INTERMÉDIAIRE
#
Jazz
#
Herbie Hancock
#
Keith Terrett
#
Watermelon Man for Clarinet Qu
#
Music for all Occasions
#
SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
(+)
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
13.46€
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
#
2 Tubas (duo)
#
FACILE
#
Jazz
#
Gregory Fritze
#
Fifteen Safari Duets for Tubas
#
Musica Nova USA
#
SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
(+)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
17.96€
<
1