Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Abstraction
Non classifié
29
Piano & claviers
Piano seul
43
Piano, Voix
38
Orgue
11
Instruments en Do
1
Guitares
Guitare
12
Guitare notes et tablatures
1
Voix
Chorale SATB
7
Chorale 3 parties
1
Voix Soprano, Piano
1
Voix Baryton, Piano
1
Vents
Clarinette
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte traversière et Piano
2
Saxophone Alto
1
Clarinette Basse, Piano
1
Quatuor de Saxophones: 4 saxophones
1
Flûte, Clarinette et Basson
1
Clarinette et Piano
1
2 Flûtes traversières (duo)
1
Saxophone Alto et Piano
1
+ 5 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette
1
Cor et Piano
1
+ 1 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violoncelle
1
Trio à Cordes: violon, alto, violoncelle
1
Alto seul
1
Violon et Piano
1
Violon
1
+ 1 instrumentations
Retracter
Percussions & orchestre
Orchestre d'harmonie
23
Orchestre
8
Orchestre à Cordes
1
Orchestre de chambre
1
Vibraphone
1
Jazz combo
1
Ensemble Jazz
1
+ 2 instrumentations
Retracter
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
PARTITIONS GRATUITES
188 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Abstraction
Partitions à imprimer
222 partitions trouvées
<
1
26
51
....
201
Abstraction 2
Abstraction 2
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Philip Lashley
#
Abstraction 2
#
Philip Lashley
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1008729 Composed by Philip Lashley. Contemporary. Individual part. 2 pages. Philip Lashley #5019737. Published by Philip...
(+)
Solo Guitar - Level 4 - SKU: A0.1008729 Composed by Philip Lashley. Contemporary. Individual part. 2 pages. Philip Lashley #5019737. Published by Philip Lashley (A0.1008729). Abstraction 2 is one fifth of Five Abstractions for solo guitar. It is suitable for intermediate to advance players. It can be played separately or with all Five Abstractions in their entirety. This Abstraction has some percussive effects and dissonant harmonies.
$1.99 ≈
1.78€
Abstraction 3
Abstraction 3
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Philip Lashley
#
Abstraction 3
#
Philip Lashley
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1008728 Composed by Philip Lashley. Contemporary. Individual part. 2 pages. Philip Lashley #5019741. Published by Philip...
(+)
Solo Guitar - Level 4 - SKU: A0.1008728 Composed by Philip Lashley. Contemporary. Individual part. 2 pages. Philip Lashley #5019741. Published by Philip Lashley (A0.1008728). Abstraction 3 is one fifth of Five Abstractions for solo guitar. It is suitable for intermediate to advanced players. It can be played desperately or as a part of Five Abstractions for solo guitar. It has a light texture and a happy, upbeat melody.
$1.99 ≈
1.78€
Abstraction 4
Abstraction 4
#
Guitare
#
Contemporain
#
Philip Lashley
#
Abstraction 4
#
Philip Lashley
#
SheetMusicPlus
Solo Guitar - SKU: A0.1008731 Composed by Philip Lashley. Contemporary. Individual part. 1 pages. Philip Lashley #5019745. Published by Philip Lashley (...
(+)
Solo Guitar - SKU: A0.1008731 Composed by Philip Lashley. Contemporary. Individual part. 1 pages. Philip Lashley #5019745. Published by Philip Lashley (A0.1008731). Abstraction 4 is one fifth of Five Abstractions for solo guitar. It is suitable for intermediate to advanced players. It can be played desperately or as a part of Five Abstractions for solo guitar. It has a droning slow bass line through out, and a tragic melancholy melody.
$1.99 ≈
1.78€
Abstraction
Abstraction
#
Trombone et Piano
#
INTERMÉDIAIRE
#
Oliver Pickup
#
Abstraction
#
Forton Music - Digital
#
SheetMusicPlus
Tbn. Pft. - Intermediate-Advanced - SKU: F2.FM662 Composed by Oliver Pickup. For Trombone and piano. Whilst not devoid of elements of modality, Abstract...
(+)
Tbn. Pft. - Intermediate-Advanced - SKU: F2.FM662 Composed by Oliver Pickup. For Trombone and piano. Whilst not devoid of elements of modality, Abstraction is a fusion of neo-classical style and the unique nuances of the Phrygian soundworld. Score and Parts. 11 pages. Forton Music - Digital #FM662. Published by Forton Music - Digital (F2.FM662). ISBN 9790570485611.
$9.95 ≈
8.89€
Epiphany Abstract
Epiphany Abstract
#
Orgue
#
INTERMÉDIAIRE
#
Frederick Frahm
#
Epiphany Abstract
#
Frederick Frahm
#
SheetMusicPlus
Instrumental Solo,Organ - Level 3 - SKU: A0.1124925 Composed by Frederick Frahm. 20th Century,Christian. Individual part. 7 pages. Frederick Frahm #7256...
(+)
Instrumental Solo,Organ - Level 3 - SKU: A0.1124925 Composed by Frederick Frahm. 20th Century,Christian. Individual part. 7 pages. Frederick Frahm #725690. Published by Frederick Frahm (A0.1124925). Frederick Frahm’s Epiphany Abstract considers the following text from an Epiphany hymn by Philipp Nicolai: How brightly shines the Morning Star! The nations see and hail afar the light in Judah shining. Thou David’s son of Jacob’s race, The Bridegroom, and the King of grace, for thee our hearts are pining! Lowly, holy, great and glorious, thou victorious Prince of graces, filling all the heavenly places! One of 10 similar works in a series.
$9.99 ≈
8.92€
Abstract Mirror
Abstract Mirror
#
Michael Berkeley
#
Abstract Mirror
#
Oxford University Press Digital
#
SheetMusicPlus
String quintet - SKU: OX.9780193202146 Composed by Michael Berkeley. Score. 59 pages. Oxford University Press Digital #9780193202146. Published by Oxfor...
(+)
String quintet - SKU: OX.9780193202146 Composed by Michael Berkeley. Score. 59 pages. Oxford University Press Digital #9780193202146. Published by Oxford University Press Digital (OX.9780193202146). ISBN 9780193202146.Abstract Mirror is a single movement work for string quintet. The composer writes: 'After listening to the Schubert Quintet, it occurred to me that one of the many virtues of that score is the way the second cello is absorbed effortlessly into the texture. I became fascinated with the reverse, highlighting the added sonority of the bass texture.' The title refers not only to the reverse image that a mirror provides but also to the idea of fragmentation, refraction, and distortion.
$39.50 ≈
35.29€
Advent Abstract
Advent Abstract
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Frederick Frahm
#
Advent Abstract
#
Frederick Frahm
#
SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1124901 Composed by Frederick Frahm. 20th Century,Christian. Individual part. 6 pages. Frederick Frahm #7256...
(+)
Instrumental Solo,Organ - Level 4 - SKU: A0.1124901 Composed by Frederick Frahm. 20th Century,Christian. Individual part. 6 pages. Frederick Frahm #725673. Published by Frederick Frahm (A0.1124901). Frederick Frahm’s Advent Abstract considers the following text from an Advent hymn by Paul Gerhardt: O Lord, how shall I meet Thee, How welcome Thee aright? One of 10 similar works in a series.
$9.99 ≈
8.92€
Ash Wednesday Abstract
Ash Wednesday Abstract
#
Orgue
#
INTERMÉDIAIRE
#
Frederick Frahm
#
Ash Wednesday Abstract
#
Frederick Frahm
#
SheetMusicPlus
Instrumental Solo,Organ - Level 3 - SKU: A0.1124929 Composed by Frederick Frahm. 20th Century,Christian. Individual part. 7 pages. Frederick Frahm #7256...
(+)
Instrumental Solo,Organ - Level 3 - SKU: A0.1124929 Composed by Frederick Frahm. 20th Century,Christian. Individual part. 7 pages. Frederick Frahm #725694. Published by Frederick Frahm (A0.1124929). Frederick Frahm’s Ash Wednesday Abstract considers the following text from the Book of Common Prayer: …Remember that you are dust; and to dust you shall return… One of 10 similar works in a series.
$9.99 ≈
8.92€
Christmas Abstract
Christmas Abstract
#
Orgue
#
INTERMÉDIAIRE
#
Noël
#
Frederick Frahm
#
Christmas Abstract
#
Frederick Frahm
#
SheetMusicPlus
Instrumental Solo,Organ - Level 3 - SKU: A0.1124918 Composed by Frederick Frahm. 20th Century,Christian,Christmas. Individual part. 6 pages. Frederick F...
(+)
Instrumental Solo,Organ - Level 3 - SKU: A0.1124918 Composed by Frederick Frahm. 20th Century,Christian,Christmas. Individual part. 6 pages. Frederick Frahm #725675. Published by Frederick Frahm (A0.1124918). Frederick Frahm’s Christmas Abstract considers the following text from an anonymous 18th century German hymn: Now are the days fulfilled, God’s Son is manifested, Now His great majesty In human flesh is vested. One of 10 similar works in a series.
$9.99 ≈
8.92€
Easter Abstract
Easter Abstract
#
Orgue
#
INTERMÉDIAIRE
#
Frederick Frahm
#
Easter Abstract
#
Frederick Frahm
#
SheetMusicPlus
Instrumental Solo,Organ - Level 3 - SKU: A0.1124937 Composed by Frederick Frahm. 20th Century,Christian,Easter. Individual part. 6 pages. Frederick Frah...
(+)
Instrumental Solo,Organ - Level 3 - SKU: A0.1124937 Composed by Frederick Frahm. 20th Century,Christian,Easter. Individual part. 6 pages. Frederick Frahm #725708. Published by Frederick Frahm (A0.1124937). One of the composer’s 10 abstract works for organ intended for liturgy and concert. This one is for performance at the Easter Vigil or whenever the dry bones lesson might be read. The Lord said to me: Mortal, prophesy to these bones, and say to them, “I will cause breath to enter you, and you shall live; and you shall know that I am the Lord.†Ezekiel 37.
$9.99 ≈
8.92€
Corpus Christ Abstract
Corpus Christ Abstract
#
Orgue
#
INTERMÉDIAIRE
#
Frederick Frahm
#
Corpus Christ Abstract
#
Frederick Frahm
#
SheetMusicPlus
Instrumental Solo,Organ - Level 3 - SKU: A0.1124948 Composed by Frederick Frahm. 20th Century,Christian. Individual part. 6 pages. Frederick Frahm #7257...
(+)
Instrumental Solo,Organ - Level 3 - SKU: A0.1124948 Composed by Frederick Frahm. 20th Century,Christian. Individual part. 6 pages. Frederick Frahm #725719. Published by Frederick Frahm (A0.1124948). Frederick Frahm’s Corpus Christi Abstract features the hymn tune ‘Picardy’: Lord of Lords, in human vesture, In the body and the blood; He will give to all the faithful His own self for heavenly food. Liturgy of St. James One of 10 similar works in a series.
$9.99 ≈
8.92€
All Saints Abstract
All Saints Abstract
#
Orgue
#
INTERMÉDIAIRE
#
Frederick Frahm
#
All Saints Abstract
#
Frederick Frahm
#
SheetMusicPlus
Instrumental Solo,Organ - Level 3 - SKU: A0.1124949 Composed by Frederick Frahm. 20th Century,Christian. Individual part. 7 pages. Frederick Frahm #7257...
(+)
Instrumental Solo,Organ - Level 3 - SKU: A0.1124949 Composed by Frederick Frahm. 20th Century,Christian. Individual part. 7 pages. Frederick Frahm #725720. Published by Frederick Frahm (A0.1124949). Frederick Frahm’s All Saints Abstract considers the following text found on a grave stone in the church yard at St. Mary’s Platt, Kent: In loving memory of Frank Walter Hall Died 2nd Sept. 1929, age 21 …Until the Day break… One of 10 similar works in a series.
$9.99 ≈
8.92€
Abstract
Abstract
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Chris Bandy
#
advanced harmonies
#
Abstract
#
Chris Bandy
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 4 - SKU: A0.921667 Composed by Chris Bandy. 20th Century,Contemporar...
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 4 - SKU: A0.921667 Composed by Chris Bandy. 20th Century,Contemporary. 51 pages. Chris Bandy #3534983. Published by Chris Bandy (A0.921667). Abstract is a five-minute work composed for woodwind quintet. It features a nine-tone Additive Scale (essentially the chromatic scale without the B minor triad). This scale allows for free flowing, chromatic melodies; advanced harmonies; and a sense of grounding due to its asymmetry. The piece, though free and atonal, contains many suggestions of various tonalities and cadences. The form as a whole is ABA, with the B section being the bulk of the work, developing from theme to theme and growing in intensity towards the climax.The PDF contains the score as well as all of the parts. An english horn is used instead of a french horn.
$9.99 ≈
8.92€
Suite Abstraction (for Toy Piano)
Suite Abstraction (for Toy Piano)
#
Piano seul
#
AVANCÉ
#
Michael Calabris
#
Suite Abstraction
#
Michael Calabris
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1457599 Composed by Michael Calabris. 21st Century,Classical. Score. 14 pages. Michael Calabris #1036629. Published by Mi...
(+)
Piano Solo - Level 5 - SKU: A0.1457599 Composed by Michael Calabris. 21st Century,Classical. Score. 14 pages. Michael Calabris #1036629. Published by Michael Calabris (A0.1457599).
$10.00 ≈
8.93€
Abstrassounds
Abstrassounds
#
Jailton de Oliveira
#
Abstrassounds
#
Jailton de Oliveira
#
SheetMusicPlus
Bass Clarinet Solo - Level 4 - SKU: A0.1436856 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary,Latin. Individual part. 7 pa...
(+)
Bass Clarinet Solo - Level 4 - SKU: A0.1436856 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary,Latin. Individual part. 7 pages. Jailton de Oliveira #1016922. Published by Jailton de Oliveira (A0.1436856). The title “Abstrassounds” is a change of the word “abstractions”. The piece is divided into three movements: the first is moderate in tempo, the second is slow and the third is fast. The idea of abstraction in the work refers to the search for more abstract sounds.
$6.95 ≈
6.21€
Between Times for clarinet, viola and piano
Between Times for clarinet, viola and piano
#
Panagiotis Theodossiou
#
Between Times for clarinet, vi
#
Panagiotis Theodossiou
#
SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - SKU: A0.886685 Composed by Panagiotis Theodossiou. Concert,Contemporary,Stand...
(+)
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - SKU: A0.886685 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 52 pages. Panagiotis Theodossiou #3573129. Published by Panagiotis Theodossiou (A0.886685). Between Times Time past and time future... for clarinet, viola and piano (2017) op.73Work written within the framework of composer's postgraduate studies on Composition for Vocal and Instrumental Ensembles in Ionian university and dedicated to the professor Josef Papadatos. Based on an excerpt from the Four Quartets by T.S.Eliot is polystilistic in idiom and in concertante style. Time present and time past Are both perhaps present in time future And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. (T.S.Eliot, Four Quartets)Τα μÎÏη:I.Adagio misterioso (Outer Space, Gravity Zero)II.Allegro (Into a time vortex)III.L'istesso tempo (Escape) to Antonio Vivaldi & Dmitri ShostakovitchIV.Andante rubato (Tranquillity Nebula) to Olivier MessiaenV.Allegro (Gravitational Disorder) to Keith EmersonVI.Adagio misterioso (Eternal Present)Premier by Ionian Islands Festival Ensemble (Alexandros Michailidis, Helias Sdoukos, Stefanos Nassos) at Ionian Academy Theater in 2017.The work was chosen by International Society for the Contemporary Music to represent Greece in 2018 ISCM World New Music Days in BeijingModern Music Festival, China. Performance by Trio Clavino (Doris Hall - Gulati, Simon Maurer, Xun Pan).
$30.00 ≈
26.80€
Vegetarian Delight - Trumpet Solo
Vegetarian Delight - Trumpet Solo
#
Trompette
#
AVANCÉ
#
Court Mast
#
Vegetarian Delight - Trumpet S
#
Court Mast
#
SheetMusicPlus
B-Flat Trumpet Solo - Level 5 - SKU: A0.800671 Composed by Court Mast. 20th Century,Blues,Contest,Festival,Instructional,Jazz. Individual part. 2 pages....
(+)
B-Flat Trumpet Solo - Level 5 - SKU: A0.800671 Composed by Court Mast. 20th Century,Blues,Contest,Festival,Instructional,Jazz. Individual part. 2 pages. Court Mast #2011107. Published by Court Mast (A0.800671). Part of the collection Ten Interesting Pieces for Trumpet. A hard-driving, scary abstraction in 7/4, with uneven phrasing and wild leaps compounding the complexity. A no-holds-barred show-off piece. A single PDF file includes the transposed part for Trumpet.
$9.95 ≈
8.89€
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 12: Cherchez, mes
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.68€
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 1: Ô songe h
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.68€
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 5: Si vous m&rsquo
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.68€
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 3: Le Matin au bor
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.68€
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 4: Prière a
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.68€
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 3: Vous ne voulez
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.68€
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 2: Barque lé
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.68€
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 7: Dans un songe en
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.68€
<
1
26
51
....
201