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Vous avez sélectionné:
PIANO Early 20th century
avancé
Flûte traversière et Piano
Partitions à imprimer
7 partitions trouvées
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1
THREE NOCTURNES for Flute and Piano
THREE NOCTURNES for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Erik Satie
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Steven Paxton
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THREE NOCTURNES for Flute and
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Creative Spirit
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1392516 Composed by Erik Satie. Arranged by Steven Paxton. 20th Century,Chamber,Classical. Score and part. 16 pa...
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Piano,Soprano Flute - Level 4 - SKU: A0.1392516 Composed by Erik Satie. Arranged by Steven Paxton. 20th Century,Chamber,Classical. Score and part. 16 pages. Creative Spirit #976035. Published by Creative Spirit (A0.1392516). The finest among Satie‘s final works for solo piano, here transcribed for flute and piano. This is finely structured, harmonically inventive, early 20th century modernism at its best, and these transcriptions capture Satie’s unique musical personality and sensibility. They will work well as individual pieces or as a group. Also available in a transcription for alto saxophone and piano.TOTAL DURATION: about 8 minutes.
$20.00 ≈
18.67€
Fauré: Élégie Op. 24 for Flute & Piano
Fauré: Élégie Op. 24 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.549725 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standa...
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Flute,Piano - Level 4 - SKU: A0.549725 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531379. Published by jmsgu3 (A0.549725). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95 ≈
30.75€
La fille aux cheveux de lin / The girl with the flaxen hair for flute/violin and piano (Ab Major)
La fille aux cheveux de lin / The girl with the flaxen hair for flute/violin and piano (Ab Major)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Klas Krantz
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La fille aux cheveux de lin /
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Amadeus Music
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.532343 Composed by Claude Debussy. Arranged by Klas Krantz. 19th Century,20th Century,Classical. Score and part. 5 pages...
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Flute,Piano - Level 4 - SKU: A0.532343 Composed by Claude Debussy. Arranged by Klas Krantz. 19th Century,20th Century,Classical. Score and part. 5 pages. Amadeus Music #6025863. Published by Amadeus Music (A0.532343). Claude Debussy (1862–1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
$4.95 ≈
4.62€
Jacques Leguerney: Sonate for piano and flute
Jacques Leguerney: Sonate for piano and flute
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Jacques Leguerney
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Jacques Leguerney: Sonate for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publi...
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Flute,Piano - Level 4 - SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #2343129. Published by Musik Fabrik Music Publishing (A0.533323). Sonate pour piano et flûteI. Andantino spirituosoII. Pas trop lentIII. VifDates de composition : décembre, 1926 - octobre, 1927The Sonata for Piano and Flute (Sonate pour piano et flûte) was composed for Claude Desanges, a school mate of the composer. The only known performance was an informal one at the Parisian apartment of Leguerney’s parents. Leguerney’s mentor and dear friend, Thérèse Cahen, accompanied Desanges.The Sonata is dedicated to Michel Jomier, Leguerney’s close friend, who also wrote several poems that Leguerney set during his early period of exploratory compositions. Part of the handwritten dedication is illegible, it reads “To Michel Jomeir, in memory of ?” and there we can only guess at the rest. There are several autograph manuscripts on deposit at the Département Musique of the Bibliothèque National in Paris. These manuscripts are the property of the Leguerney Estate, and are identified by a code starting with OL. OL11 is a full-score rough draft with several corrections, indicated by hatch-marks. It is dated 1 October 1927. At the end of the 1st movement, the last quarter notes in the piano part are marked with a slur going over the final double bar, indicating that the sound should continue to resonate. There is a fermata over this ending double bar in both the flute and piano parts, which implies that the 2nd movement should continue immediately. This mark is eliminated in OL11A. The 2nd movement also has slurs over the final notes, indicating a segue to the 3rd and final movement. There are fermatas over the final chords of the 2nd movement as well. These are eliminated in OL11A. The 2nd movement isdated 29 October 1927 and the 3rd movement is dated 9 December 1926. OL11A is a cleanly copied full-score autograph manuscript where the title is Sonate pour Piano et Flûte en 3 Mouvements. Andantino spiritoso, Pas trop lent, Vif. (Sonata for Piano and Flute in 3 Movements. Andantino spiritoso, Pas trop lent, Vif.) OL11B is a clean copy of the flute part. Although unsigned, it appears to be an autograph manuscript. The breath marks placed into the Musik Fabrik edition are written in pencil in both OL11B and OL11C. OL11C is a flute part that appears to be used. It is worn, has some paste overs and penciled-in cues in the 2nd movment, as well as some breath marks and nuance indications. This seems to be a workingcopy for a performance or reading. The editor thinks that OL11B is the final draft, written out after OL11C was used for a performance. This edition is based upon all of these sources, using the full score of OL11A and the flute score OL11B as the final thoughts of the composer.
$19.95 ≈
18.62€
Humoresque on a Theme of Percy Goetschius
Humoresque on a Theme of Percy Goetschius
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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David M Thompson
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David M Thompson
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Humoresque on a Theme of Percy
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David M Thompson
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1355262 By David M Thompson. By David M Thompson. Arranged by David M Thompson. 20th Century,21st Century,Classi...
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Piano,Soprano Flute - Level 4 - SKU: A0.1355262 By David M Thompson. By David M Thompson. Arranged by David M Thompson. 20th Century,21st Century,Classical. Score and part. 9 pages. David M Thompson #939984. Published by David M Thompson (A0.1355262). A short humorous piece for flute and piano, based on an example of a bad melody from an early American music theory text. Includes flute part and piano accompaniment.
$2.95 ≈
2.75€
Nothing Else Matters
Nothing Else Matters
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Metallica
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Anna Coughlan
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Nothing Else Matters
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Anna Coughlan Music
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1400146 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Anna Coughlan. 20th Century,Rock. Score and...
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Piano,Soprano Flute - Level 4 - SKU: A0.1400146 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Anna Coughlan. 20th Century,Rock. Score and part. 8 pages. Anna Coughlan Music #983361. Published by Anna Coughlan Music (A0.1400146). An abridged arrangement of Metalica's Nothing Else Matters, for late intermediate - early advanced flute with piano accompaniment. This arrangement includes an expanded arrangement of the song's opening guitar solo, and is suitable for adavanced players (ABRSM Grade 6 and above).
$4.99 ≈
4.66€
Ballad, op. 72
Ballad, op. 72
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Michael A Yenny
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Ballad, op. 72
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Michael A Yenny
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SheetMusicPlus
Flute,Instrumental Solo,Piano - Level 4 - SKU: A0.938820 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score and individual ...
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Flute,Instrumental Solo,Piano - Level 4 - SKU: A0.938820 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score and individual part. 12 pages. Michael A Yenny #77425. Published by Michael A Yenny (A0.938820). A beautiful teaching piece for the flutist. Features long melodic lines for the flute with waterfalls for the pianist. Pachelbel-like in character with modulations. Duration: 2 minutes 30 seconds. C) 2005. Level: Early Advanced. Rebekah Arana-Cook, flute.
$1.99 ≈
1.86€
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