Partitions Numériques de Buxtehude pour Clarinette et Piano

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Buxtehude
Non classifié 45

Piano & claviers
Orgue 162
Piano seul 42
Orgue, Trompette (duo) 3
Piano Quatuor: piano, violon, alto, violoncelle 2
2 Pianos, 4 mains 1

Guitares
2 Guitares (duo) 1
Guitare notes et tablatures 1

Voix
Chorale 3 parties 10
Chorale SATB 2
Chorale TTBB 2
Soli, choeur mixte et accompagnement 1

Vents
Quatuor de Flûtes à bec 7
Quatuor de Flûtes : 4 flûtes 4
Clarinette et Piano 2

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Saxophone Tenor et Piano 2

Quatuor de Clarinettes: 4 clarinettes 2
Quatuor de Saxophones: 4 saxophones 2
Clarinette 2
Saxophone Baryton, Piano 2
Flûte traversière et Piano 2
Flûte à Bec 1
Flûte, Hautbois, Clarinette, Basson 1
2 Clarinettes (duo) 1
Cor anglais et Harpe (duo) 1
Saxophone Soprano et Piano 1
Flûte et Guitare 1
2 Flûtes traversières (duo) 1
Quintette de Flûte : 5 flûtes 1
Cor anglais, Piano 1
3 Flûtes à bec (trio) 1
Saxophone Alto et Piano 1
2 Saxophones (duo) 1
Hautbois, Piano (duo) 1

+ 18 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 6
2 Euphoniums et 2 Tubas 2
Quatuor de cuivres: 4 trombones 2
Trompette, Piano 2
Trombone, Orgue 1

Trompette 1
Trombone et Piano 1
Cor anglais et Harpe (duo) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
2 Trompettes (duo) 1
Cor anglais, Piano 1
Euphonium, Piano (duo) 1
Tuba et Piano 1
Cor et Piano 1

+ 9 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 6
Alto, Piano 2
Harpe, Flûte (duo) 2
2 Violons (duo) 1
Violon, Violoncelle (duo) 1

Trio à Cordes: violon, alto, violoncelle 1
Trio à Cordes: 3 violoncelles 1
Alto (partie séparée) 1
Trio à Cordes: 2 violons, violoncelle 1
Violon 1

+ 5 instrumentations

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Percussions & orchestre
Cloches 2
Orchestre à Cordes 1
Orchestre 1
Ensemble Jazz 1

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Buxtehude

Clarinette et Piano

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2 partitions trouvées

Pachelbel: Canon for Clarinet & Piano

Pachelbel: Canon for Clarinet & Piano #Clarinette et Piano #INTERMÉDIAIRE #Mariage/Ballade #Johann Pachelbel #James M #Pachelbel: Canon for Clarinet #jmsgu3 #SheetMusicPlus

B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...(+)

B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386285. Published by jmsgu3 (A0.548466). The famous Pachelbel Canon arranged for clarinet in Bb and piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. .

$32.95 ≈ 30.75€

Luther: Out of the Depths for Clarinet & Piano

Luther: Out of the Depths for Clarinet & Piano #Clarinette et Piano #DÉBUTANT #Martin Luther #James M #piano #Luther: Out of the Depths for #jmsgu3 #SheetMusicPlus

B-Flat Clarinet,Piano - Level 1 - SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...(+)

B-Flat Clarinet,Piano - Level 1 - SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411741. Published by jmsgu3 (A0.548715). Out of the Depths I Cry to You by Martin Luther arranged for clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 ≈ 23.29€

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