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Vous avez sélectionné:
Clarinette et Accord��on
Partitions à imprimer
17 partitions trouvées
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1
Kanten. Konturen
Kanten. Konturen
Clarinet and Accordion
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Classique
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Contemporain
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Benjamin Schweitzer
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Kanten. Konturen
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Schott Music - Digital
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SheetMusicPlus
For clarinet and accordion. Composed by Benjamin Schweitzer. This edition: performance score. Downloadable, performance score. Duration 15:00. Schott ...
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For clarinet and accordion. Composed by Benjamin Schweitzer. This edition: performance score. Downloadable, performance score. Duration 15:00. Schott Music - Digital #Q53829. Published by Schott Music - Digital
$12.99
Clownerie
Clownerie
Clarinet and Accordion
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Contemporain
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Juergen Golle
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Clownerie
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Matthias Hohner
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SheetMusicPlus
Accordion and clarinet - Composed by Juergen Golle. This edition: Sheet music. Downloadable. Matthias Hohner #Q5137. Published by Matthias Hohner ...
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Accordion and clarinet - Composed by Juergen Golle. This edition: Sheet music. Downloadable. Matthias Hohner #Q5137. Published by Matthias Hohner
$11.99
Buffoneria
Buffoneria
Clarinet and Accordion
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Contemporain
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Jiri Laburda
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Buffoneria
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Matthias Hohner
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SheetMusicPlus
Clarinet in Bb and accordion - intermediate to advanced - Scherzo. Composed by Jiri Laburda. This edition: Sheet music. Downloadable. Duration 6 min...
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Clarinet in Bb and accordion - intermediate to advanced - Scherzo. Composed by Jiri Laburda. This edition: Sheet music. Downloadable. Duration 6 minutes. Matthias Hohner #Q6603. Published by Matthias Hohner
$16.99
Variations on tant que vivray for clarinet and guitar - live performance (mp3)
Variations on tant que vivray for clarinet and guitar - live performance (mp3)
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Clarinette, Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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Balázs Rumy clarinet and An
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David Warin Solomons
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Variations on tant que vivray
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guiro - Level 4 - SKU: A0.1265870 By Balázs Rumy clarinet and András Csáki guitar. By Claudin de Sermisy. Arranged by David Warin Solo...
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Clarinet,Guiro - Level 4 - SKU: A0.1265870 By Balázs Rumy clarinet and András Csáki guitar. By Claudin de Sermisy. Arranged by David Warin Solomons. 20th Century,21st Century,Contemporary. Full Performance. Duration 178. David Warin Solomons #858634. Published by David Warin Solomons (A0.1265870). Original song by Clément Marot (words) and Claudin de Sermisy (music)with Variations by David Warin Solomons(Note: the guitar plays with capo on fret 3)The original words of this song (with my translations) :Tant que vivray en aage florissantAs long as I am in the prime of lifeJe serviray d'amour le dieu puissant,I shall serve the powerful god of loveEn faictz, en ditz, en chansons et accordz;In all I do and say and in my songs and harmonyPar plusieurs jours m'a tenu languissant,For many days he made me languishEt puis apres ma fait resjoyssant,But afterwards he made me rejoice,Car j'ay l'amour de la belle au gent corps;Because I have the love of the fair ladySon alliance, c'est ma fiance,Her betrothal is pledged to meSon coeur est mien, le mien est sien,Her heart is mine, my heart is hersFy de tristesse, vive liesse,Away with sadness, welcome gladnessPuisqu'en amours j'ay tant de biens.Because I have such riches in loveIt is performed here byBalázs Rumy clarinet and András Csáki guitar.
$4.50
15 Favourite Hymns for Thanksgiving and Harvest for Clarinet and Viola Duet
15 Favourite Hymns for Thanksgiving and Harvest for Clarinet and Viola Duet
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Clarinette et Alto
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FACILE
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Musique Sacrée
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Various
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David McKeown
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15 Favourite Hymns for Thanksg
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 2 - SKU: A0.590325 Composed by Various. Arranged by David McKeown. Christian,Holiday,Praise &...
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 2 - SKU: A0.590325 Composed by Various. Arranged by David McKeown. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 15 pages. David McKeown #6204111. Published by David McKeown (A0.590325). 15 Favourite Hymns for Thanksgiving and Harvest for Clarinet and Viola Duet is a beautiful collection of well-known traditional Thanksgiving and Harvest hymns, carefully chosen to help you celebrate this special time of year. Each hymn is arranged as a duet for one Clarinet and one Viola. Click on the link above to hear a sample from the Clarinet version of this collection on YouTube.15 Favourite Hymns for Thanksgiving and Harvest are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 15 Favourite Hymns for Thanksgiving and Harvest useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Things Bright and Beautiful, (The 29thMay)· Come Thou Fount of Every Blessing, (Nettleton)· Come, Ye Thankful People Come, (St George’s, Windsor)· Count Your Blessings, (Blessings)· For All the Blessings of the Year, (Oldbridge)· For the Beauty of the Earth, (Dix)· Now Thank We All Our God, (Nun Danket)· O Store Gud, (Trad. Swedish)· Praise God from Whom All Blessings Flow, (Old Hundredth)· Praise My Soul, the King of Heaven, (Laude Anima)· Praise to the Lord, the Almighty, (Lobe den Herren). Rejoice Today with One Accord, (Ein Feste Burg)· We Gather Together, (Kremser)· We Plough the Fields and Scatter, (Wir Pflügen)· When Morning Gilds the Skies, (Laudes Domini) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.40
DvoÅ™ák: Largo from the New World Symphony for Clarinet & Piano
DvoÅ™ák: Largo from the New World Symphony for Clarinet & Piano
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Clarinette et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.549420 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.549420 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493999. Published by jmsgu3 (A0.549420). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
J.S. Bach - Jesu, Joy of Man's Desiring in G Major - Intermediate
J.S. Bach - Jesu, Joy of Man's Desiring in G Major - Intermediate
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Clarinette et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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Piacere Music Sheets
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J.S. Bach - Jesu, Joy of Man's
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Piacere Music Sheets
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1151936 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Christmas,Instruc...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1151936 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Christmas,Instructional,Standards. Score and part. 15 pages. Piacere Music Sheets #752143. Published by Piacere Music Sheets (A0.1151936). Opus/Catalog Number: BWV 147, Second Part, Movement 10 Key/Tone:Â G Major Movements/Sections:Â Moderato Year/Date of Composition:Â 1723 Difficulty:Â Grade 4/12 (Intermediate) Obs.:Â This piece is the tenth and last movement of Bach's Cantata BWV 147. This is an arrangement for Clarinet in B-Flat and Piano at the key of G Major. In accordance with the performance practice of the Baroque period, trills are played ON the beat, starting on the upper auxiliary note. The number of repercussions can be adjusted to the player's taste and ability. Included:Â Full score and separated parts for each instrument.
$14.95
Always Smaller
Always Smaller
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Clarinette et Piano
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INTERMÉDIAIRE
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Adolf Schreiner
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Always Smaller
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate - SKU: S9.Q15720 A humorous Clarinet-Fantasy. Composed by Adolf Schreiner. This edition: Sheet music. Clarinet ...
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Clarinet and piano - intermediate - SKU: S9.Q15720 A humorous Clarinet-Fantasy. Composed by Adolf Schreiner. This edition: Sheet music. Clarinet Library. Downloadable. Schott Music - Digital #Q15720. Published by Schott Music - Digital (S9.Q15720). This showpiece by Adolf Schreiner (1847-1921) is perfectly suited as encore or even for children's concerts. In accordance with the composer's instructions, the performer gradually disassembles the instrument, beginning with the bell, until in the end he plays only on the barrel. Performed with a theatrical gesture, this humorous clarinet fantasia will not fail to have the desired effect on the audience.
$9.99
O Come All Ye Faithful for Clarinet & Piano
O Come All Ye Faithful for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Cla
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jm...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388105. Published by jmsgu3 (A0.548510). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Clarinet in Bb. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
Piano Sonata No. 8, Op. 13 ("pathetique")
Piano Sonata No. 8, Op. 13 ("pathetique")
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Chris Atkinson
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Piano Sonata No. 8, Op. 13
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Christopher Atkinson
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1257803 Composed by Ludwig van Beethoven. Arranged by Chris Atkinson. Classical. Score and part. 10 pages. Chr...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1257803 Composed by Ludwig van Beethoven. Arranged by Chris Atkinson. Classical. Score and part. 10 pages. Christopher Atkinson #850928. Published by Christopher Atkinson (A0.1257803). An arrangement for clarinet and piano of the second movement of Beethoven's Sonata No.8 in C minor, op.13. Suitable for players of intermediate level on both instruments. The score (piano accompaniment) is written in concert pitch. Clarinet part has been transposed accordingly for B-flat Clarinet.
$4.99
Merengue de Merlín, for Clarinet and Viola Duet
Merengue de Merlín, for Clarinet and Viola Duet
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Clarinette et Alto
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INTERMÉDIAIRE
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David McKeown
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Merengue de Merlín, for
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.589203 Composed by David McKeown. Concert,Latin,Standards,World. Score and parts....
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.589203 Composed by David McKeown. Concert,Latin,Standards,World. Score and parts. 8 pages. David McKeown #5743957. Published by David McKeown (A0.589203). Merengue de MerlÃn is an exciting original composition by David McKeown, arranged as a duet for one Clarinet and one Viola.This duet is based on the traditional Latin style of Merengue that emerged in the Dominican Republic during the Nineteenth Century. Merengue Tipico bands maintain the traditional instrumentation of the double-headed tambora drum, güira, accordion and vocal, while urban bands in the North American diaspora often add saxophone, bass and other percussion. The Merengue dance became hugely popular in the 1950s and new forms continue to draw audiences around the world.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady quintilla tambora rhythm is present throughout, and following the precise articulation in the score will help convey the style. The main challenge is the fast tempo and melodies should be clearly articulated. Merengue de MerlÃn has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Alto Saxophone version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Huapango de Hannah, for Clarinet and Viola Duet
Huapango de Hannah, for Clarinet and Viola Duet
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Clarinette et Alto
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INTERMÉDIAIRE
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David McKeown
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Huapango de Hannah, for Clarin
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.588628 Composed by David McKeown. Concert,Latin,Standards,World. Score and parts....
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.588628 Composed by David McKeown. Concert,Latin,Standards,World. Score and parts. 4 pages. David McKeown #5728613. Published by David McKeown (A0.588628). Huapango de Hannah is an exciting original composition by David McKeown, arranged as a duet for one Clarinet and one Viola. The Huapango is a traditional Mexican style of music and dance, often mixing triple and duple metres. It is played on violin, accordion, and local 5-string variants of the guitar such as the vihuela, huapanguera and jarana. The Huapango rhythm famously inspired the song America in Leonard Bernstein’s West Side Story.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The mixed metres, alternating between 6/8 and 3/4, will present a rhythmic challenge, while following the precise articulation in the score will help convey the dance style of the Huapango. Huapango de Hannah has a performance time of around two minutes. You can listen to the Clarinet version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Arpeggi-oh no! (piano accompaniment for solo clarinet or saxophone)
Arpeggi-oh no! (piano accompaniment for solo clarinet or saxophone)
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Guillaume Turco
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Arpeggi-oh no!
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Guillaume Turco
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet and Piano - Level 4 - SKU: A0.1203243 By Guillaume Turco. By Guillaume Turco. Classica...
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Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet and Piano - Level 4 - SKU: A0.1203243 By Guillaume Turco. By Guillaume Turco. Classical,Instructional,Romantic Period. 4 pages. Guillaume Turco #801916. Published by Guillaume Turco (A0.1203243). Arpeggioh-no! Is a challenging but fun étude that focuses on arpeggios and dexterity without compromising musicality. A beautiful way to build skills while creating delightful music. Fill your space with a mix of chords and modulations sometimes classical, sometimes exotic. This is the piano accompaniment for solo clarinet or saxophone. Arpeggioh-no! Est une étude stimulante qui met l'emphase sur les arpèges et la dextérité sans compromettre la musicalité. Une façon agréable de bâtir vos aptitudes tout en faisant de la musique. Remplissez votre espace avec un mélange d'accord et de modulations à caractère parfois classique, parfois exotique. Ceci est l'accompagnement pour piano pour la version pour clarinette ou saxophone solo.
$4.00
Tango Pour Claude for Clarinet Quartet
Tango Pour Claude for Clarinet Quartet
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Clarinette et Piano
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INTERMÉDIAIRE
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Tango
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Richard Galliano
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Tango Pour Claude for Clarinet
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SheetMusicPlus
Clarinet, Woodwind Quartet - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Score, Set of Parts. 23 pages. Published ...
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Clarinet, Woodwind Quartet - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Score, Set of Parts. 23 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$19.99
Tango Pour Claude for Clarinet and Piano
Tango Pour Claude for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Rock
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Richard Galliano
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Tango Pour Claude for Clarinet
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Diego Marani
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SheetMusicPlus
Piano Accompaniment, Clarinet - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 ...
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Piano Accompaniment, Clarinet - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for Bb Clarinet with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
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Clarinette et Accord��on
