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Only Love Can Do That
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Vous avez sélectionné:
Only Love Can Do That
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Joy to the World by for Woodwind Quintet
Joy to the World by for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Isaac Watts and Lowell Mason
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Ander
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Joy to the World by for Woodwi
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Woods Only Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1317725 Composed by Isaac Watts and Lowell Mason. Arranged by Ander. Chamber,Christian,Christmas....
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1317725 Composed by Isaac Watts and Lowell Mason. Arranged by Ander. Chamber,Christian,Christmas. 14 pages. Woods Only Music #906405. Published by Woods Only Music (A0.1317725). If you are looking for a sheet music of an arrangement of Joy to the World for Woodwind Quintet, then you will love this version that we made, which brings a new look to this classic Christmas carol. Joy to the World is one of the most famous and oldest Christian songs, written by the poet, preacher, theologian and pedagogue Isaac Watts in 1719, based on Psalm 98 of the Bible. The melody that we know today was adapted by the American composer Lowell Mason in 1848, from a work by George Frideric Handel. In this arrangement, we have some fun with the melody, changing rhythms, harmonies and counterpoints, to give a new and magical air to the song, but without losing the essence of the original work. This arrangement is perfect for use in any Christmas event, such as chamber music in recitals, concerts, public shows, or as teaching material and incentive for music students. You will be amazed by the beauty and creativity of this arrangement, which will delight everyone who listens. Do not waste time and get your sheet music of Joy to the World, and be part of the history of this wonderful song.
$9.99 ≈
9.20€
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
23.03€
Se Voce Nao Me Ama
Se Voce Nao Me Ama
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Manoel Gomes and Tierre De Ara
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Ander
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Se Voce Nao Me Ama
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1309261 Composed by Manoel Gomes and Tierre De Araujo Paixao Costa. Arranged by Ander. 21st Centu...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1309261 Composed by Manoel Gomes and Tierre De Araujo Paixao Costa. Arranged by Ander. 21st Century,Chamber,Comedy. 22 pages. Woods Only, Arrangements #898443. Published by Woods Only, Arrangements (A0.1309261). We present to you the sheet music of the arrangement of the song “Look, if you don’t love me†(Olha, se você não me ama) by Manoel Gomes (composer of the iconic and globally known “Caneta azulâ€) in collaboration with Tierry, specially adapted for Woodwind Quintet. This unique arrangement preserves the originality of the work, incorporating elements of chamber music and maintaining the comedic air that the singer and his music convey. Ideal to be presented at concerts, public events or recitals, this sheet music is an excellent tool for music teachers who wish to expand their students’ repertoire of Brazilian popular music. Concert musicians will also find in this arrangement a fun and challenging way to explore Brazilian popular music. In addition, parents who wish to encourage their children in music will find in this arrangement a fun and educational way to do so. With the purchase of this product, you will be supporting Brazilian artists and contributing to the continuation of the production of high-quality musical arrangements. Don’t miss this unique opportunity to own the sheet music of the arrangement of the song “Olha, se você não me amaâ€. Get yours now!
$12.99 ≈
11.96€
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