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1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prlude,Premire Fanfare, and La Mort de Cordlia,Toomai des lphants, Rodrigue et Chimne: Prlude l?acte 1p. Le Martyre de Saint Sbastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
36.35€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septime regrettent!!!, Petite Valse,Ftes galantes, and Prlude ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
36.35€
Prelude in E flat ('Neo-Rhapsody')
Prelude in E flat ('Neo-Rhapsody')
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
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Robert A
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Prelude in E flat
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Robert A. Howard
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.998721 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 6 pages. ...
(+)
Piano Solo - Level 4 - SKU: A0.998721 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 6 pages. Robert A. Howard #5204741. Published by Robert A. Howard (A0.998721). This highly energetic, ternary form Prelude in Eb features various twentieth-century musical traits. These include rhythmic interplay, parallel triads, minimalism, jazz, modality and even bitonality. The piece is highly accessible and is appropriate for more advanced players (due to the dexterity required). The work can even be used as an effective, virtuosic encore. The material from the slower middle section is shared with the Prelude in C minor, also by Robert A. Howard. These two works can be coupled together in performance. Other Preludes and piano pieces by the same composer are also available via SMP.
$3.99 ≈
3.72€
Piano Sonata No. 2 in E Minor
Piano Sonata No. 2 in E Minor
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Hayden Roberts
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Piano Sonata No. 2 in E Minor
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Hayblood Estate Label
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1029169 Composed by Hayden Roberts. 20th Century,Contemporary. Score. 15 pages. Hayblood Estate Label #4730177. Published...
(+)
Piano Solo - Level 4 - SKU: A0.1029169 Composed by Hayden Roberts. 20th Century,Contemporary. Score. 15 pages. Hayblood Estate Label #4730177. Published by Hayblood Estate Label (A0.1029169). HRW. 8Piano Sonata No. 2 in E Minor, also titled The Vigilante was composed by Hayden Roberts in 2019. At this time, he was only 15 years old, making this piece even more impressive.From the fast-paced twisting of the sonata form in the first movement to the jovial second movement to the introspective third movement, this piece is sure to pose a challenge
$4.99 ≈
4.66€
Sinfonia No. 1 in E minor for three voices
Sinfonia No. 1 in E minor for three voices
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Robert W
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Sinfonia No. 1 in E minor for
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Padgett Music Llc
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1141390 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional. Score. 3 pages. Padgett Music Ll...
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Piano Solo - Level 4 - SKU: A0.1141390 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional. Score. 3 pages. Padgett Music Llc #741712. Published by Padgett Music Llc (A0.1141390). In April 1989, I sketched a simpler and shorter version of this three-voice Sinfonia as my final exam for my tonal counterpoint class with Professor Richard Wilson at Vassar College. Although granted two weeks to complete this assignment, I delayed starting my sketch until the evening before it was due. I finalized it by 1 AM the following morning in the Victorian-style Rose Parlor in the Main Building. In November 2020, I extensively revised and lengthened this three-voice Sinfonia with the goal of experimenting more extensively with various contrapuntal devices such as augmentation, diminution, stretto, inversion, and retrograde motion.
$4.99 ≈
4.66€
The Robert E. Lee (Monarch of the Mississippi) - piano solo
The Robert E. Lee (Monarch of the Mississippi) - piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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The Robert E. Lee
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Kevin G. Pace
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.700740 Composed by Kevin G. Pace (ASCAP). Blues,Jazz,Standards. Score. 4 pages. Kevin G. Pace #553331. Published by Kevin...
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Piano Solo - Level 4 - SKU: A0.700740 Composed by Kevin G. Pace (ASCAP). Blues,Jazz,Standards. Score. 4 pages. Kevin G. Pace #553331. Published by Kevin G. Pace (A0.700740). This is a fun piano solo for intermediate pianists.
$2.95 ≈
2.75€
Schumann : Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau intermédiaire/difficile)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Schumann
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Quatuor avec piano en mi bémo
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Tomplay
Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau intermediaire/difficile) de Schumann (Robert). Par...
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Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau intermediaire/difficile) de Schumann (Robert). Partition pour Piano seul -- Classique
5.99€
Rejoice, Rejoice and Clap Your Hands (arranged for Piano Solo)
Rejoice, Rejoice and Clap Your Hands (arranged for Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Robert E
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Worship,Spiritual
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Rejoice, Rejoice and Clap Your
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Robert E. Benton, Jr.
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SheetMusicPlus
Composed by Robert E. Benton, Jr. Christian,Praise & Worship,Spiritual. Score. 5 pages. Robert E. Benton, Jr. #894262. Published by Robert E. Bent...
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Composed by Robert E. Benton, Jr. Christian,Praise & Worship,Spiritual. Score. 5 pages. Robert E. Benton, Jr. #894262. Published by Robert E. Benton, Jr.
$3.99 ≈
3.72€
LORD, Fill This Room with Praise for You (arranged for Piano Solo)
LORD, Fill This Room with Praise for You (arranged for Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gospel Spirituel
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Folklorique/Traditionel
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Robert E
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LORD, Fill This Room with Prai
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Robert E. Benton, Jr.
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SheetMusicPlus
Composed by Robert E. Benton, Jr. Praise & Worship, Sacred, Spiritual, Traditional. Score. 6 pages. Robert E. Benton, Jr. #684155. Published by Robe...
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Composed by Robert E. Benton, Jr. Praise & Worship, Sacred, Spiritual, Traditional. Score. 6 pages. Robert E. Benton, Jr. #684155. Published by Robert E. Benton, Jr.
$3.99 ≈
3.72€
Poem No. 1 for Piano
Poem No. 1 for Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Robert Cunningham
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Poem No. 1 for Piano
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Robert E Cunningham
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.943188 Composed by Robert Cunningham. 20th Century,Contemporary. Score. 10 pages. Robert E Cunningham #4413033. Published...
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Piano Solo - Level 4 - SKU: A0.943188 Composed by Robert Cunningham. 20th Century,Contemporary. Score. 10 pages. Robert E Cunningham #4413033. Published by Robert E Cunningham (A0.943188). The first of two poems for piano solo, composed in 1986 in a lyrical Romantic style that will appeal to those who love beautiful melody. Appropriate for advanced and advanced intermediate pianists. Duration: 5:50.
$8.95 ≈
8.35€
Nocturne No. 1 for Piano
Nocturne No. 1 for Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Robert Cunningham
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Nocturne No. 1 for Piano
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Robert E Cunningham
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.943193 Composed by Robert Cunningham. 20th Century,Contemporary. Score. 16 pages. Robert E Cunningham #4966241. Published...
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Piano Solo - Level 4 - SKU: A0.943193 Composed by Robert Cunningham. 20th Century,Contemporary. Score. 16 pages. Robert E Cunningham #4966241. Published by Robert E Cunningham (A0.943193). Nocturne No. 1 for Piano (1983) presents a Romantic melody in a rich, sparkling texture embellished by arpeggiations and arabesque-like figurations. A strongly contrasting middle section derives from motives of the same theme. Duration: 8:30.
$8.95 ≈
8.35€
Prelude No. 9 for Piano
Prelude No. 9 for Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Robert E
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Prelude No. 9 for Piano
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R. E. Proctor
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.809690 Composed by Robert E. Proctor. 20th Century,Contemporary,Romantic Period. Score. 3 pages. R. E. Proctor #28297. Pu...
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Piano Solo - Level 4 - SKU: A0.809690 Composed by Robert E. Proctor. 20th Century,Contemporary,Romantic Period. Score. 3 pages. R. E. Proctor #28297. Published by R. E. Proctor (A0.809690).
$3.95 ≈
3.69€
The Love of God
The Love of God
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Robert E
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The Love of God
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R. E. Proctor
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SheetMusicPlus
Composed by Frederic Chopin (1810-1849). Arranged by Robert E. Proctor. For Piano. Romantic Period,Christian,Secular. Advanced Intermediate. Sheet Music Single....
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Composed by Frederic Chopin (1810-1849). Arranged by Robert E. Proctor. For Piano. Romantic Period,Christian,Secular. Advanced Intermediate. Sheet Music Single. Published by R. E. Proctor
$3.95 ≈
3.69€
THE HEART JUGGLER (Original Piano Music) from CHINA LOVE
THE HEART JUGGLER (Original Piano Music) from CHINA LOVE
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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ROBERT VAN HORNE
 i
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ROBERT VAN HORNE
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THE HEART JUGGLER
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1220931 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Film/TV,Instructional,Multicult...
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Piano Solo - Level 4 - SKU: A0.1220931 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Film/TV,Instructional,Multicultural,Romantic Period,World. Score. 8 pages. White Piano International Publishing #817271. Published by White Piano International Publishing (A0.1220931). THE HEART JUGGLER (Original Piano Music) from “CHINA LOVEâ€Composed by ROBERT VAN HORNE in 1993Advanced Piano Solo Arrangement8 pages Duration approximately 4 minutesTHE HEART JUGGLER was originally inspired in 1983 when a friend of mine told me about a dream she had one night. In her dream she was at a carnival where a clown was juggling little heart-shaped sculptures. Many years later during my time in Singapore, I remembered her dream and with my knowledge of Eastern music, I composed THE HEART JUGGLER. This piece was featured on my first USA piano album: CHINA LOVE. It was selected and featured in the MTAC Composer Today Awards.The sheet music is clearly notated with dynamic and articulation marks, phrasing, pedal indications, chord symbols, including suggested fingerings and appropriate musical terms for playing.This is a wonderful arrangement for advanced students, professional pianists, and piano teachers.An original 2009 YouTube video of Robert performing THE HEART JUGGLER can be found at: http://www.youtube.com/watch?v=1yJezmb0uzQThe mp3 recording of THE HEART JUGGLER was recorded in 2006 with an acoustic piano and digital orchestral instruments. It was used as the 3rd movement (Vivace e misterioso) of Robert’s GREAT WALL CONCERTO having a different ending.     Published by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.com Email: rvh@robertvanhorne.com.
$5.99 ≈
5.59€
HEARTBROKEN (Con el Corazón en Llanto)
HEARTBROKEN (Con el Corazón en Llanto)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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HEARTBROKEN
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1432662 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,Wo...
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Piano Solo - Level 4 - SKU: A0.1432662 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,World. Score. 9 pages. White Piano International Publishing #1012616. Published by White Piano International Publishing (A0.1432662). HEARTBROKEN (Con el Corazón en Llanto)Original Piano Solo Music from “FOREVER AMOR”Composed and arranged by Robert Van Horne in 1991Advanced Intermediate Piano Solo Arrangement(This sheet music does not contain the violin and bass scores as heard on the mp3 sample)9 pagesDuration approximately 3:45In 1985, I fell in love with Mexican, Spanish, and Latin music after visiting Mexico City. There I discovered composers like Agustin Lara, Jose Alfredo Jimenez, Antonio Carlos Jobim, and Astor Piazzolla. Despite not speaking Spanish fluently, I'm captivated by the language's musicality.This passion inspired me to compose Latin-style songs in the early 1990s, culminating in my album “FOREVER AMOR,” and later recording the music in 2016 for Piano, Violin and Bass. HEARTBROKEN evokes a profound sense of loneliness and melancholy with its haunting melody, reflecting the sorrow of losing a loved one or a departed lover.The piano sheet music for HEARTBROKEN is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology. HEARTBROKEN is written in the keys of E minor and ending in F minor.While the mp3 sample includes violin and bass, the sheet music is for solo piano, suitable for intermediate to advanced players and instructors. You can find the full version on my album at: https://www.amazon.com/Forever-Amor-Robert-Van-Horne/dp/B01DAE052KPublished by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99 ≈
2.79€
TANGO LOVE (Tango de Amor)
TANGO LOVE (Tango de Amor)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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TANGO LOVE
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1432661 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,Wo...
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Piano Solo - Level 4 - SKU: A0.1432661 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,World. Score. 9 pages. White Piano International Publishing #1012587. Published by White Piano International Publishing (A0.1432661). TANGO LOVE (Tango de Amor)Original Piano Solo Music from “FOREVER AMOR”Composed and arranged by Robert Van Horne in 1998Advanced Intermediate Piano Solo Arrangement(This sheet music does not contain the violin and bass scores as heard on the mp3 sample)9 pagesDuration approximately 3:50In 1985, I fell in love with Mexican, Spanish, and Latin music after visiting Mexico City. There I discovered composers like Agustin Lara, Jose Alfredo Jimenez, Antonio Carlos Jobim, and Astor Piazzolla. Despite not speaking Spanish fluently, I'm captivated by the language's musicality.This passion inspired me to compose Latin-style songs in the early 1990s, culminating in my album “FOREVER AMOR,” and later recording the music in 2016 for Piano, Violin and Bass. TANGO LOVE is a very exhilarating and passionate piece of music that can create an exotic tango dance between a man and woman. The sheet music for TANGO LOVE is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology. It begins in A minor later modulating to C minor and then ultimately concludes in E-flat minor.While the mp3 sample includes piano, violin and bass, this sheet music is for solo piano, suitable for intermediate to advanced players and instructors. You can find the full version on my album at: https://www.amazon.com/Forever-Amor-Robert-Van-Horne/dp/B01DAE052KFor those interested, a full version YouTube video is included of TANGO LOVE (Tango de Amor) from my “FOREVER AMOR” album at: https://youtu.be/uR9UTNkepfsPublished by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99 ≈
4.66€
Lover
Lover
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ella Fitzgerald
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ROBERT VAN HORNE
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Lover
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1389118 By Ella Fitzgerald. By Lorenz Hart and Richard Rodgers. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Jazz,...
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Piano Solo - Level 4 - SKU: A0.1389118 By Ella Fitzgerald. By Lorenz Hart and Richard Rodgers. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Jazz,Pop,Standards. Score. 8 pages. White Piano International Publishing #972623. Published by White Piano International Publishing (A0.1389118). LOVER  Advanced Intermediate Piano Arrangement From “The Great American Songbookâ€Words by Lorenz HartMusic by Richard RogersPiano Solo Arrangement by ROBERT VAN HORNE8 Pages.Words are not included in this arrangement.This popular standard song from the 1932 movie “LOVE ME TONIGHT, has been recorded by many vocalists including Jeanette MacDonald, Frank Sinatra, Peggy Lee, Deanna Durbin, however the most favorite recording is by Ella Fitzgerald.   This unique Advanced Intermediate piano solo arrangement is written in a syncopated 6/8 Waltz time of D Major, later modulating to E Flat. It is clearly and carefully notated with dynamic marks, phrasing, suggested fingerings, pedal indications, chord identifications and appropriate musical terms for playing. The sheet music arrangement of LOVER is a study in reading accidentals and chromatic harmonies. Improvisational techniques color the piece and are incorporated throughout. The left hand sometimes features arpeggiated patterns made up of 9ths while the right hand utilizes sixth intervals with a touch of jazz harmony.    This piano arrangement sounds artistic and impressive…a wonderful selection, ideal for teaching, recitals and enjoyment.Robert Van Horne is a member of ASCAPOfficial Website: www.robertvanhorne.comElla Fitzgerald Version Link = https://www.youtube.com/watch?v=fACKdzd1bD4
$6.99 ≈
6.52€
Waiting For The End
Waiting For The End
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Metal/Hard Rock
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Linkin Park
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Roxana Belibou
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Waiting For The End
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Roxana E Belibou
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.526574 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joseph Hahn, Mike Shinoda, and Robert Bourdon. A...
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Piano Solo - Level 4 - SKU: A0.526574 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joseph Hahn, Mike Shinoda, and Robert Bourdon. Arranged by Roxana Belibou. Metal,Rock. Score. 8 pages. Roxana E Belibou #3603249. Published by Roxana E Belibou (A0.526574).
$4.99 ≈
4.66€
3 GREAT GOSPEL HYMNS OF FAITH (for Piano Solo)
3 GREAT GOSPEL HYMNS OF FAITH (for Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gospel Spirituel
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Musique Sacrée
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James H
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Gary Lanier
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Worship, Sacred
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3 GREAT GOSPEL HYMNS OF FAITH
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The Lanier Company
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SheetMusicPlus
Composed by James H. Fillmore, Lewis E. Jones, and Robert Lowry. Arranged by Gary Lanier. Christian, Gospel, Praise & Worship, Sacred. Score. 16 p...
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Composed by James H. Fillmore, Lewis E. Jones, and Robert Lowry. Arranged by Gary Lanier. Christian, Gospel, Praise & Worship, Sacred. Score. 16 pages. The Lanier Company #4985929. Published by The Lanier Company
$9.98 ≈
9.31€
Greatest Hits of Classical Piano
Greatest Hits of Classical Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Pachelbel, Bach, Handel, Moza
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Scott Camp
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Greatest Hits of Classical Pia
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Scott Camp
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SheetMusicPlus
Composed by Pachelbel, Bach, Handel, Mozart, Beethoven, Schubert, Chopin, Schumann, Liszt, Debussy, Satie. Arranged by Scott Camp. Romantic Period, Classic...
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Composed by Pachelbel, Bach, Handel, Mozart, Beethoven, Schubert, Chopin, Schumann, Liszt, Debussy, Satie. Arranged by Scott Camp. Romantic Period, Classical Period, Baroque Period, Impressionistic, Repertoire. 203 pages. Published by Scott Camp
Best Collection for Adult Piano Students: 30 of the most important and beloved classical piano pieces
Why this collection?
These are the editions I created and use for myself and my adult piano students. They are not "arrangements" or simplifications in any way. They are better described as "clarifications" with clean page layouts and comprehensive fingering.
These editions enable students to encounter the composers "face to face" by stripping away antiquated publishing conventions. Traditional editions, especially the economical older ones, prevent students from being able to prepare and perform the beloved music, rather than enabling and supporting successful performance.
Traditional piano music publications suffer from two fatal flaws: (1) the economic need to "save paper" resulting in page layouts that are too dense, and which compound the problem by obfuscating the natural 2 and 4 bar structures of music, and (2) the absence of technical solutions (fingering).
The exception in this collection is the arrangement of the Pachelbel Canon in D, because it was not originally composed for keyboard.
Contents
1 Canon in D and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Pachelbel
2 Prelude No. 1 in C Major, BWV 846 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
3 Prelude No. 2 in C minor, BWV 847 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
4 Prelude No. 21 in Bb Major, BWV 866 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
5 Aria from the Goldberg Variations, BWV 988 and#8195;and#8195; and#8195;and#8195;and#8195;Johann Sebastian Bach
6 Invention No. 1 in C Major, BWV 772 and#8195; and#8195;and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
7 Menuet No. 2 from French Suite No. 1, BWV 812 and#8195;and#8195;and#8195; Johann Sebastian Bach
8 Menuet No. 2 from English Suite No. 4, BWV 809 and#8195;and#8195;and#8195;Johann Sebastian Bach
9 Menuet from French Suite No. 2, BWV 813 and#8195; and#8195; and#8195;and#8195;and#8195;Johann Sebastian Bach
10 ?Jesu, Joy of Man?s Desiring?, from Cantata, BWV 147 and#8195;Johann Sebastian Bach
11 Sarabande from Suite in D minor, HWV 437 and#8195;and#8195;and#8195;and#8195;and#8195; George Frideric Handel
Sonata in A, K. 331 ?Rondo alla Turca? and#8195; and#8195; and#8195;and#8195;and#8195;and#8195; Wolfgang Amadeus Mozart
12and#8195;and#8195;III. Allegretto
Sonata in C, K. 545 and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Wolfgang Amadeus Mozart
13and#8195;and#8195;I. Allegro
14 II. Andante
15 Fr Elise and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Ludwig van Beethoven
Sonata No. 14 ?Moonlight? Sonata and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Ludwig van Beethoven
16and#8195;and#8195;I. Adagio sostenuto (transposed to D minor)
and#8195;and#8195; I. Adagio sostenuto (original key C# minor)
Sonata Op. 13, No. 2 ?Pathetique? and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Ludwig van Beethoven
17and#8195;and#8195;I. Grave/Allegro
18and#8195;and#8195;II. Adagio
19 Impromptu, Op. 90, No. 2 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Franz Schubert
20 Prelude in E minor, Op. 28 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frdric Chopin
21 Prelude in C minor, Op. 28 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frdric Chopin
22 Nocturne No. 20 in C# minor and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frdric Chopin
23 Nocturne in Eb, Op. 9, No. 2 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frdric Chopin
24 Trumerei Op. 15, No. 7 from ?Scenes from Childhood? Robert Schumann
25 Stndchen (?Serenade?) D. 957/S. 560 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Franz Schubert/Franz Liszt
26 Rverie and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Claude Debussy
27 La fille aux cheveux de lin (?The Girl with the Flaxen Hair?) Claude Debussy
28 Arabesque No. 1 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Claude Debussy
29 Clair de Lune and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Claude Debussy
30 Gymnopedie and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Erik Satie
$19.99 ≈
18.66€
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