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SKU: HL.14043359
ISBN 9781783056583.
E ach themed book in the Little Voices series contains five songs that make a perfect introduction to part-singing for beginner groups.
Lit tle Voices - Film Songs brings together five film favourites, specially selected and arranged in two parts for young groups and choirs.
This book includes the songs The Best Day Ever, Breaking Free, Hallelujah, I Believe I Can Fly and My Heart Will Go On.
SKU: BT.DHP-0991678-020
Met dit werk is herkenbaarheid troef. Een prachtige medley met de hits:Rock around the clock - Knight/FreedmanBen - Michael JacksonMusic - John MilesY.M.C.A. - Village PeopleParadise by the dashboardlight - MeatloafDie besten Popsongs aller Zeiten für Brass Band! Roland Kernen kreierte dieses Medley mit Pep aus fünf Hitparadenstürmern der letzten vierzig Jahre: Rock Around the Clock von Bill Haley, Ben von Michael Jackson, Paradise by the Dashboard Light von Meatloaf, Music von John Miles und YMCA von The Village People. Die schwungvolle Bearbeitung von Roland Kernen steht den Originalversionen um nichts nach.
SKU: HL.14019717
ISBN 9780711955790. 8.25x11.75x0.181 inches.
The highly acclaimed Mixed Bag series provides a great opportunity for woodwind players of mixed ability to play together, and make a perfect recital item for young musicians who are getting used to playing withothers. Each arrangement will work with just three main parts. Part 1 is quite demanding, but Parts 2, 3 and 4 are easier. These parts can be played by just one or several players - it's up to you! Optional 'filler' parts are alsoincluded for beginners.
Graham Lyons (b. 1936) is a British polymath, musician, and teacher, who has spent more than 40 years working in the music education sector. He is probably best known for his countlesspedagogical compositions for woodwind, which appear on many different exam syllabuses, and have sold over 350,000 copies.
SKU: BT.DHP-1125264-010
9x12 inches. English-German-French-Dut ch.
Billie Jean is the most successful single that Michael Jackson ever released and is considered by many to be one of the best pop songs ever written. In this arrangement, Louis Kihara has transformed the timeless classic into a piece for concert band that no repertoire should be without! Billie Jean van het succesalbum Thriller was de succesvolste single die Michael Jackson ooit heeft uitgebracht. De beroemde moonwalk die Jackson tijdens de première ten beste gaf, is minstens zo onvergetelijk gebleken. Kazuhiromaakte van de R&B-song een sterk arrangement voor blaasorkest. Een tophit die niet in uw repertoire mag ontbreken!Bill ie Jean aus dem Erfolgsalbum Thriller war die erfolgreichste Single, die Michael Jackson je veröffentlichte. Unvergessen in diesem Zusammenhang ist auch der berühmte Moonwalk, den Jackson bei der Uraufführung des Songs erstmals präsentierte. Louis Kihara verwandelte den R&B-Song in ein starkes Arrangement für Blasorchester, das in Ihrem Repertoire nicht fehlen sollte! Billie Jean, second single de l’album succès Thriller, aura été l’un des plus grands succès de Michael Jackson : non seulement il resta plus de 7 semaines au top des ventes aux États-Unis, mais il amorcera également la légende «Michael» : des paroles scandaleuses, une rythmique inoubliable, un clip extraordinaire, un moonwalk irréfrénable. Le solide arrangement de Louis Kihara ne devrait pas manquer dans votre répertoire ! Billie Jean, dall’album Thriller, è il single di Michael Jackson più noto. Indimenticabile resta il famoso Moonwalk di Michael Jackson, in occasione della prima esecuzione del brano. Louis Kihara ha arrangiato questa canzone in stile R&B in un arrangiamento per banda degno dell’originale.
SKU: BA.BA11397
ISBN 9790006568598. 39.7 x 21 cm inches. Text Language: English. Text: Bergling, Tim / James, Etta / Woods, Pearl / Kirkland, Leroy / Pournouri, Ash.
“Oh, sometimes I get a good feeling, yeahGet a feeling that I never, never, never, never had before …â€In its original form, “Levels†is more of an instrumental number featuring a short passage from a song by soul-singer Etta James. The energy of this exhilarating electro-pop piece with the inimitable Avicii sound is an ear-catching delight and brings audiences to their feet: a good time is guaranteed!Th e editor:Hans Vainikainen (b. 1976) hails from a new generation of conductors in the Swedish choral tradition. His conducting repertoire covers a wide range of genres and eras, from Mahler’s Eighth Symphony to the Swedish DJ Avicii. In 2005 he won the Swedish Conductors’ Prize, and two years later he was appointed artistic director of the Katarina kyrka, the home of Katarinakörerna, one of Sweden’s largest choral societies.Hans Vainikainen heads Stockholm’s Katarinakörerna with more than 500 singers in various combinations. Their programmes cover both sacred and secular music. In his search for suitable arrangements, his eye fell on one the world’s best-known pop artists, Tim Bergling, known professionally as Avicii. He then arranged three of Avicii’s best songs for classical choirs, intending them to be encore pieces.“Hey Brotherâ€, “Levels†and “Without you†are now available for six-part mixed or female choir. The arrangements offer a wide variety of vocal and choral possibilities and attention has been paid that all parts are of the same musical standard. Whether homophonic or unisono, they artfully intertwine from one passage to the next. However, for all their sophistication the arrangements remain manageable and easy to learn, displaying the typical groove of each Avicii song within a multi-layered texture.
SKU: WD.080689031298
UPC: 080689031298.
The most comprehensive work of its kind, Songs for Praise and Worship is a rich anthology of 253 of the most popular songs and choruses, collected from the catalogs of all the major praise and worship publishers and many independent publishers as well. It is designed to be used either as a stand-alone collection of best-known praise and worship songs, or as a hymnal supplement, allowing the great hymns of the faith to blend with these newer musical expressions. * The pew edition features lead line and lyrics for every song with parts added when appropriate. * The singer's edition has voicings ranging from unison to SATB and includes notations for the introductions, interludes and endings featured in the song arrangements. * The worship planner edition is designed to aid the worship leader, music director or pastor in creating a unified, focused worship service using the songs in the collection. It features all of the music in the singer's edition format along with topical listings, scripture references, comprehensive song indexes and other practical planning materials. * The keyboard edition is a foundational keyboard accompaniment that includes transitions and modulatory material, moderate fully-realized two-hand piano accompaniments, chord symbols, scripture references, and the complete vocal parts from the singer's edition for use in rehearsal. * The 15 Instrumental Editions for any size praise band or orchestra include song lyrics for every title. * The Spiralbound PGV edition features a simplified keyboard part with the melody in the right hand, chord symbols, complete lyrics and all of the song endings, repeat endings and medley segues found in other editions of the book.
SKU: WD.080689338878
UPC: 080689338878.
SKU: WD.080689337871
UPC: 080689337871.
SKU: HL.14012025
8.5x11.75x0.44 inches.
Geoff rey Bush's Summer Serenade is a refreshingly enjoyable work, written on the wing of inspiration, essentially sunny and life-enhancing. The eclectic style is readily diatonic, the harmonies never make one shudder and the rich melodic flow is appealingly direct. The settings of an ingenious selection of verse are in the best traditions of British choral writing. Performance time approx. 20 minutes.
Made up of 7 parts, including Prologue, Madrigal, Scherzo, Dirge, Aubade, Nocturne an d Finale.Orchestra tion varies between theseparts - they are scored for chorus and orchestra, unaccompanied voices or Tenor solo and orchestra.
Geoff rey Bush was a British composer, organist and scholar of 20th-century English music. His compositions include 5 operas, 2 symphonies, choral pieces such as his Christmas Cantata and many songs, generally in the lieder style.
SKU: BT.DHP-1115204-070
De Haske's best-selling Pops for String Quartet series offers excellent arrangements for intermediate string quartets who want to bring some classic pop to their performances.Have you ever played Queen with your string quartet? Now you can treat the audience to music from this iconic band. Onder de naam Pops for String Quartet heeft de Haske een nieuwe serie ontwikkeld voor strijkkwartetten die zich eens buiten het klassieke pad willen begeven. Een collectie van uitstekende arrangementen in gemiddelde moeilijkheidsgraad!Brian May (gitarist van Queen) : Killer Queen was the turning point. It was the song that best summed up our kind of music, and a big hit, and we desperately needed it as a mark of something successful happeningfor us... I was always very happy with this song. Maak uw publiek en uzelf ook blij met deze uitgave!Unter dem Titel Pops for String Quartet hat De Haske eine Notenreihe ins Leben gerufen, die Streichquartette, die sich einmal abseits der ausgetretenen klassischen Pfade bewegen wollen, mit ausgezeichneten Arrangements im leichten bis mittleren Schwierigkeitsgrad versorgt.Haben Sie schon einmal Queen im Streichquartett gespielt? Mit dieser Ausgabe können Sie sich (und Ihrem Publikum) dieses Vergnügen gönnen! La collection Killer Queen pour Quatuor Cordes. Pops for String Quartet: una collana per tutti i violinisti desiderosi di suonare qualcosa di diverso dal repertorio classico.Avete gi suonato un brano dei Queen con un quartetto di archi? Un brano che delizier sia voi sia chi vi ascolta!
SKU: CY.CC3157
ISBN 9790530111260. 8.5 x 11 in inches.
White Christmas was written in 1940 and first performed by Bing Crosby on Christmas Day of 1941 (just a few weeks after the Pearl Harbor attack) and first recorded in 1942. It is one of the best selling songs ever written and is still dear to the hearts of many during the holiday season. Lisa Albrecht has beautifully arranged this 3 1/2 minute song for Trombone Quartet for intermediate to moderately advanced performers (parts are all in bass clef). This arrangement must be part of your next Christmas concert. Under license from Hal Leonard Music.
SKU: HL.9971426
ISBN 9781423476528. UPC: 884088486662. 5x5 inches. John Jacobson/John Higgins.
The bugz are back and ready for the annual Christmas program infestation! The carpenter bees have built the sets, and the silk worms have made the costumes. OH, NO! The termites just chewed up the Christmas tree decorations and ate the lights! (gasp) What are the bugz to do? See how some special little guests light the way to a grand finale of “The Twelve Bugs of Christmas!” Designed for young performers in Grades K-3, this musical show features the clever writing of John Jacobson and John Higgins with 5 songs in a variety of musical styles, easy rhyming dialog with 45 speaking parts and additional non-speaking parts, all adaptable to casts of varying sizes, and teaching objectives linked to the National Standards for each song. Simple movement, staging and costume tips are also provided to help stage a successful performance, even when time is limited! Available: Teacher, Reproducible Pak (vocals, lyrics, dialog), Preview CD (with vocals), Preview Pak (1 Preview CD and sample pages), Performance/Accompaniment CD, Classroom Kit (Teacher, Repro Pak, P/A CD). Duration: ca. 20 minutes. Suggested for grades K-3.
SKU: BA.BA11395
ISBN 9790006568574. 29.7 x 21 cm inches. Text Language: English. Text: Al Fakir, Salem / Maggio, Veronica / Pontare, Vincent / Bergling, Tim / Pournouri, Ash.
“Hey brother! There's an endless road to rediscoverHey sister! Know the water's sweet but blood is thicker …â€â œIf the sky comes falling down, for you / There’s nothing in this world I wouldn’t doâ€. The subject of this energetic, life-affirming hit is being there for one another. Whether sung by female or mixed choirs, the fanfare-like theme is equally powerful and will keep the audience tapping their feet.The editor:Hans Vainikainen (b. 1976) hails from a new generation of conductors in the Swedish choral tradition. His conducting repertoire covers a wide range of genres and eras, from Mahler’s Eighth Symphony to the Swedish DJ Avicii. In 2005 he won the Swedish Conductors’ Prize, and two years later he was appointed artistic director of the Katarina kyrka, the home of Katarinakörerna, one of Sweden’s largest choral societies.Hans Vainikainen heads Stockholm’s Katarinakörerna with more than 500 singers in various combinations. Their programmes cover both sacred and secular music. In his search for suitable arrangements, his eye fell on one the world’s best-known pop artists, Tim Bergling, known professionally as Avicii. He then arranged three of Avicii’s best songs for classical choirs, intending them to be encore pieces.“Hey Brotherâ€, “Levels†and “Without you†are now available for six-part mixed or female choir. The arrangements offer a wide variety of vocal and choral possibilities and attention has been paid that all parts are of the same musical standard. Whether homophonic or unisono, they artfully intertwine from one passage to the next. However, for all their sophistication the arrangements remain manageable and easy to learn, displaying the typical groove of each Avicii song within a multi-layered texture.
SKU: BA.BA11394
ISBN 9790006568567. 30 x 21.5 cm inches. Text Language: English. Text: Al Fakir, Salem / Maggio, Veronica / Pontare, Vincent / Bergling, Tim / Pournouri, Ash.
SKU: PE.EP14445
ISBN 9790014135041. 297 x 420 mm inches. German.
ARKA stammt aus dem Sanskrit und bedeutet so viel wie Strahl, Blitz, Sonne, Licht, aber auch Lied, Feuer und Hymnus, und entwickelt in meiner Vorstellung sehr viele unterschiedliche Assoziationsfelder. In ARKA stecken auch die Worter arc (beten) und ka (Wasser), und es kann auch ubersetzt werden mit: ,,Das Wasser stromt aus dem heraus, der mehr weiss.
Mein neues Werk fur Pipa, Oboe, Pauke, Schlagzeug und Orchester entstand im Auftrag der Kammerakademie Neuss und auf Anregung des Oboisten Christian Wetzel. Es entstanden drei Rituale mit zum Teil szenischen Elementen fur die Solisten und das Orchester.
Inspirationsquelle in der Vorbeschaftigung waren zwei Quellen und Bucher. Das Daodejing von Laozi in der hervorragenden Neuubersetzung von Viktor Kalinke, eine der wichtigsten Quellen chinesischen Denkens und der Philosophie dieser grossen Kulturtradition und die chinesische Tradition der 5-Elementelehre und der Wandlungsphasen. Als zweites Buch hat mich ,,Die Glut von Roberto Calasso inspiriert, ein Buch uber die indischen Veden in Verbindung mit den Ursprungen des Buddhismus und den damit verbunden Ritualen.
In den letzten 20 Jahren habe ich mich intensiv mit ostasiatischer Musik, Kunst und Philosophie beschaftigt und habe das auch durch langere Studienreisen und kompositorische Projekte vertiefen konnen. U.a. wurde 2012 mein Chorwerk PRAN in Kolkata in Indien uraufgefuhrt (Goethe-Institut), ebenfalls 2012 ,,in between VI fur Sho und Sheng in Tokyo und 2013 ,,Mirror and Circle fur Pipa, Cello und chinesisches Orchester in Taipeh/Taiwan (Auftragswerk der taiwanesischen Regierung). Mit der chinesischen Pipa-Virtuosin Ya Dong arbeite ich seit 2000 zusammen und habe fur sie mehrfach komponiert (Urauffuhrungen u.a. in Hannover/EXPO 2000, Rottweil 2001, Taipeh 2013, Magdeburg 2016). Auch mit Christian Wetzel arbeite ich seit uber 20 Jahren zusammen und habe ebenfalls haufig fur ihn komponiert (UA u.a. in Bonn 1999, Hannover/EXPO 2000, Rottweil 2001, Darmstadt 2004 und etliche weitere Projekte).
Jedes dieser drei Rituale hat eine Lange von ca. 6-7 Minuten und stellt unterschiedliche Qualitaten und Besonderheiten der beiden Soloinstrumente heraus, immer in Verbindung mit der Interaktion zwischen Soli und Orchester. Die Besetzung war fur mich ausserst reizvoll, da beide Instrumente in dieser Kombination noch nie so erklungen sind. Die Pipa ist ein ungemein modernes und ungewohnliches Instrument, reich an Farben und vor allem an perkussiven Effekten. Das Tonmaterial wurde zum grossten Teil aus den Namen der beiden Solisten gewonnen und ergibt interessanter zwei gespiegelte Viertonmotive. In der asiatischen Kultur spielen der Spiegel und der Kreis eine wichtige Rolle, und so werden die Tone, Rhythmen und Formen eingewoben in diese drei Rituale, welche am Ende des dritten Satzes wieder kreisformig an den Anfang des ersten Rituals anknupfen. Ein von den Streichern und der Pauke erzeugtes Gerausch, verbunden mit dem Rhythmus der grossen Trommel, welcher einen Herzschlag symbolisieren soll. Die drei Untertitel der Rituale Himmel, Erde und (atmospharischer) Raum spielen im vedischen und chinesischen Denken eine grosse Rolle und war fur mich beim Komponieren ebenfalls eine sehr starke Inspirationsquelle. In vielen meiner Kompositionen gibt es Raumeffekte, Annaherungen an das Publikum, das Verschieben von Perspektiven, die Dekonstruktion und das Hinterfragen der ublichen Konzertsituation, so u.a in meinem Beuys-Zyklus oder in den Zyklen ,,CUT und ,,in between.
In ARKA geht es mir besonders um die Interaktion zwischen westlichem und ostlichem Denken, um das gegenseitige Durchdringen dieser auf den ersten Blick so unterschiedlichen Denk- und Lebensweisen, um eine Verschmelzung scheinbarer Gegensatze - um Annaherung!
Bernd Franke. Leipzig, 11.10.2019
for low voice and piano This beautiful collection of 14 songs for low voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for high voice and piano.
AGNI is the Hindu god of fire; the elemental and transformative force inherent in everything:
Every flame, every fire, every light, every warmth is AGNI.
AGNI is omnipresent, establishing everything and ending everything.
AGNI is often depicted with seven tongues which represent different aspects of his being.
These include: creating, sustaining, cleansing, purifying, priestly, martial, devastating, destructive, and consuming.
Derived from Franke's concerto of the same name, this solo work for bass clarinet compositionally traces the transformative processes initiated by the divine fire. The solo takes seven pieces from the concerto, presenting vivid character pieces exploring the creative possibilities and wide tonal range offered by the bass clarinet.
This version of AGNI for bass clarinet solo was premiered on 4 December 2020 in Leipzig by Volker Hemken, the principal bass clarinetist of the Gewandhausorchester Leipzig. EP14437a convinces with its excellent and clear notation, making the piece a new standard for bass clarinet.
Ikons, commissioned by the Vancouver Cultural Olympiad 2010, exists in two forms. This 14-minute acoustic version, premiered by the Turning Point Ensemble, calls for an octet of live musicians to execute complex rhythms and quarter-tone harmonies.
The interactive, electronic version, created with visual artist Eric Metcalfe and designed to be presented separately, incorporates samples from this acoustic version into a sculptural environment of seven pyramidal structures that respond sonically to the viewer.
Roxanna Panufnik's Sonnets without Words is a contemporary piece for Horn in F and piano. Written for horn player Ben Goldscheider, Panufnik has reimagined the lyrical vocal lines from three of her previous settings of Shakespeare's sonnets (Mine eye, Music to hear and Sweet Love Remember'd for voice and piano) into a purely instrumental work.
Score and horn part.
Stephen McNeff's Trig is a short 7-minute contemporary work for solo cello, written to celebrate the bicentennial of the Royal Academy of Music in 2022 and in memorium cellist Mike Edwards 1948-2010.
Trig was premiered by Henry Hargreaves on 19 March 2021, livestreamed from the Royal Academy of Music.
to an utterance - study was commissioned by Klangforum Wien for the premiere commercial audio recording on a portrait CD in 2020 and first performed by Joonas Ahonen at the Berlin Philharmonie on 4th September 2020 at the Musikfest Berlin.
Roxanna Panufnik's Spirit Moves, for brass quintet, was commissioned by the Fine Arts Brass Ensemble. This 15-minute piece is scored for two trumpets in Bb (one doubling piccolo trumpet and the other doubling flugel horn), horn in F, trombone and tuba. This brass quintet is so called because the outer movements are highly spirited and the central one is spiritual.
This product consists of score and parts.
A gently flowing 3-minute arrangement by Roderick Williams for SATB (with divisi) with piano accompaniment that captures the beauty of this famous traditional Hebridean love song. The song text uses both old dialect and English, each verse ending with the words, 'Sad am I without thee'.
for high voice and piano This beautiful collection of 14 songs for high voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for low voice and piano.
for SATB and organ This energetic setting of words by St Ambrose of Milan is a real showstopper. With pop-influences and a sparkling organ part, Young effortlessly fuses modern and traditional sound worlds, while changes in key and metre build up to an invigorating finish. Perfect for accomplished choirs looking for something different.
for SA unaccompanied This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).
for SAATB unaccompanied. This glorious musical depiction of the honour, strength, power and authority of the Holy Trinity by Thomas Tallis is the third issue in the CMS's series of great English Responds from the 16th century, edited by Sally Dunkley. Scored for SAATB, it can be performed either as a motet or as a full Responsory with plainsong alternating with polyphony.
Based on a traditional Scottish/Irish 'farewell' song, this short piece is one of six works written to express my love of Scotland. After living there for nearly half my life, and raising a family, I moved back to England in 2018, and remarried in 2019.
Of course, there were many different emotions attached to the move south: especially the joy and excitement of new beginnings, and reconnection with friends from my youth.
But this piece expresses the wrench I experienced after a last family meal in Glasgow, and the realisation of all I was about to leave behind.
I have taken the melody of the original song, and expanded it, exploring the detail of its patterns, so that it becomes a timeless meditation.
The six pieces in the 'farewell' series are for 6 violas, string quintet, string quartet, trio, violin and clarinet duo, and solo clarinet.
The Parting Glass was composed in 2020 during the coronavirus lockdown, which intensified the feeling of separation from my Scottish family, as well as from other musicians.
It was commissioned by Vittorio Ceccanti for the ContempoArtEnsemble.
Maple arose from a commission to write a work for solo cello, to be performed alongside readings from artist John Newling's collection of letters entitled 'Dear Nature'; a poetic manifestation of our relationship with the natural world.
The piece is in eight short sections, to be interspersed with readings of groups of the poems. It may also be performed as a single movement. It begins with a seed - the seed of a maple tree, as it hangs on the mature tree, ready to drop. The seeds are like propellers, sometimes travelling more than a mile before landing on the ground. Maple follows the growth of the tree to maturity - which in reality would take at least a hundred years. 'Roots, shoots' grows downwards and upwards from a pedal note, and the dance-like 'Flowers' is followed by the stately 'Tree', and then the warm, cascading 'Autumn'. Maple is very often the wood of choice for the back of a stringed instrument, and the last section uses open strings to explore the full resonance of the cello.
The piece starts with a 'seed' of only five notes, which grows into different configurations. It is intended to be played in an improvisatory style.
Maple was co-commissioned by Brighton Festival, Ars et Terra Festival with SACEM and Ditchling Arts and Crafts Museum, to be performed by Margarita Balanas as part of the Brighton Festival's 'Dear Nature' project.
First performed by Noriko Kawai for Huddersfield Contemporary Music Festival, in a broadcast from the Radio Theatre, BBC Broadcasting House, November 2020.
Full of beautifully crafted, delicate tintinnabulations - Richard Morrison, The Times
SKU: LP.OR-9316-17
These 50 songs of praise and worship have been arranged into 20 medleys and each song may be used individually or in the arranged sequences. Much like its predecessor, Mighty Is Our God, Ancient of Days features best-loved songs of praise and worship, fully orchestrated, from gifted songwriters like Matt Redman, Lenny LeBlanc, Chris Tomlin, Jamie Harvill, Michael W. Smith, Paul Baloche, and several songs from Lillenas Worship Resources.
