Berlin Music

Performer: Agnes Baltsa, Antonia Fahberg, Audience Applause, Barbara Hendricks, Berliner Philharmoniker, et al. Orchestra: Berliner Philharmoniker, Orchestre Philharmonique de Berlin Conductor: Alfred Hertz, Arthur Nikisch, Bruno Walter, Carlo Maria Giulini, Claudio Abbado, et al. Compositeur: Alban Berg, Anton Bruckner, Anton Webern, Antonin Dvorak, Antonio Vivaldi, et al. CD (16 septembre 2013) Nombre de disques: 50 Format : Coffret, CD Label: Deutsche Grammophon

Par BERLIN IRVING. Spartito Canto, Piano di Bianco Natale (White Christmas) di Irving Berlin/ Feuillet / Chant et Piano

Irving Berlin a écrit certains des chansons les plus populaires de tous les temps et ils les grands sonores à la guitare. Dans ce DVD, Fred joue et enseigne six favoris de Berlin, y compris les versions instrumentales et sauvegarde de guitare de chaque morceau. Cette leçon vous aidera jouant certains des airs jazz plus classe jamais écrits ! / Guitare

Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their task to experience and communicate the rich spiritual possibilities offered in the music. The work is devout and transparent. For the willing listener, it can be a clear window into the soul. (Richard Brown) The Berlin Mass was given its first performance (by Theatre of Voices) at the Catholic Days in Berlin during May 1990. The occasion was a celebration of Mass, and the music, scored for four singers and organ, had a strictly liturgical function. Pärt subsequently decided to orchestrate the work for strings and chorus, and also made many changes to details of the composition, most substantially to the accompaniment of the Sanctus. (Paul Hillier)/ Répertoire / Chœur Mixte [SATB] et Orchestre à Cordes

Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their task to experience and communicate the rich spiritual possibilities offered in the music. The work is devout and transparent. For the willing listener, it can be a clear window into the soul. (Richard Brown) The Berlin Mass was given its first performance (by Theatre of Voices) at the Catholic Days in Berlin during May 1990. The occasion was a celebration of Mass, and the music, scored for four singers and organ, had a strictly liturgical function. Pärt subsequently decided to orchestrate the work for strings and chorus, and also made many changes to details of the composition, most substantially to the accompaniment of the Sanctus. (Paul Hillier)/ Répertoire / Chœur Mixte [SATB] et Piano

Coffret hommage au chef d'orchestre tchèque Rafael Kubelik Fils du grand violoniste Jan Kubelík, il sera le directeur de la Philharmonie tchèque avant de prendre l?Orchestre symphonique de Chicago, puis la direction de Covent Garden à Londres, et sera jusqu?à sa disparition en 1996 l?invité régulier de la Philharmonie de Berlin comme de celle de Vienne. Dans les années 60, le catalogue symphonique de Deutsche Grammophon est à construire : si Karajan se voit confier les cycles Beethoven et Brahms, c?est à Kubelik qu?incombe la lourde tâche d?enregistrer ceux de Mahler, Dvorak et Schumann (son cycle Beethoven viendra plus tard). La présence régulière, encore aujourd?hui, de ses intégrales au catalogue est le meilleur gage d?une excellence qui défie le temps. Elles sont pour la première fois réunies dans un somptueux coffret de 23 CD en édition limitée qui ravira les mélomanes qui ne posséderaient déjà ces joyaux de l?histoire de disque.

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score

With a musical career spanning a century the 20th century was Irving Berlins own and his music was Americas music. This spectacular choir band and optional string medley of some of Irving Berlins classic songs offers a variety of entertainingperformance options. Includes: Alexanders Ragtime Band Theres No Business Like Show Business Puttin on the Ritz Always Blue Skies God Bless America. Available: SATB SAB 2-Part Concert Band (Gr. 3) String Pak ShowTrax CD. PerformanceTime: Approx. 7:00.

Par CAUVIN JORDAN. Je parcours le monde avec ma guitare depuis plus de 15 ans, le projet Cities est né de cette promenade autour de la terre. Ici et là, je rencontre des compositeurs et nous écrivons des musiques pour raconter des villes. Naturellement, j'ai demandé à mon frère Jordan de me composer l'un de ces contes musicaux. Nous avons choisi Berlin, il est parti là-bas un temps, puis revenu avec cette partition que j'aime... Derrière la force apparente de la ville se cache une grande poésie, Berlin est aussi le berceau des musiques électroniques, des nuits étonnantes, de la puissance de l'instant. Il y a tout cela dans ce Berlin Solo Guitar. Cette oeuvre prend place dans mon album Cities II sous une autre version, l'idée de ce disque étant les rencontres et le mélange des genres, le Berlin qui s'y trouve et en duo avec le formidable DJ Thylacine. Hâte d'entendre Berlin sous vos doigts, j'espère que vous aurez autant de plaisir à le jouer que j'en ai. Thibault Cauvin / Niveau : Avancé / Classique / Répertoire / Guitare

Par BERLIN IRVING. Irving Berlin a écrit des centaines de chansons qui ont résisté à l'épreuve du temps et sont tout aussi aimés et appréciés aujourd'hui comme ils étaient quand ils ont été d'abord effectués. Cette exceptionnelle collection comporte plus de 165 chansons de Berlin - de Broadway à hits de Hollywood - et devenue sans doute une référence propre incontournable pour tout musicien ou un fan de Berlin./ Recueil / Divers

Par BERLIN IRVING. Il s'agit de recueil de chansons de Berlin en définitive - vraiment magnifique collection contenant 50 des meilleures chansons de Irving Berlin pour piano et voix avec les accords de guitare dans un grand volume de 216 page. Il s'agit de la troisième d'une série de nouveau intitulée ' The Platinum Collection '. Toutes les chansons dans cet ouvrage sont nouvellement gravé et ont été soigneusement fait des recherches et publié sous la direction de fournir la meilleure édition publiée. Aucune autre série ne peut prétendre être comme définitives comme nouvelle Collection la musique Faber Platinum./ Recueil / Piano, Chant et Guitare

With a musical career spanning a century the 20th century was Irving Berlin's own and his music was America's music. This spectacular choir band and optional string medley of some of Irving Berlin's classic songs offers avariety of entertaining performance options. Includes: Alexander's Ragtime Band There's No Business Like Show Business Puttin' on the Ritz Always Blue Skies God Bless America. Available: SATB SAB 2-Part Concert Band (Gr.3) String Pak ShowTrax CD. Performance Time: Approx. 7:00.

Originally a runaway 1935 RKO musical hit on the big screen starring Fred Astaire and Ginger Rodgers Top Hat is now a critically acclaimed theatre production featuring Summer Strallen (Meg Giry in Andrew LloydWebber?s Love Never Dies) and Tom Chambers (Winner of Strictly Come Dancing). Accompanying the Top Hat world premiere in London?s West End we're proud to present the matching sheet musicsongbook Selections from Top Hat The Musical. For the first time ever the fantastic music of Irvin Berlin has been adapted for the stage with his six songs from the film?s original soundtrack joined bysome of the legendary songwriter?s best loved tunes from other works. This sheet music selection features thirteen Irving Berlin classics from Top Hat The Musical arranged for Piano Vocal and Guitar with a lavish eight page colour photo section featuring exclusive stills of the show that won the 2013 Olivier award for Best New Musical.With Guitar chord symbols full lyrics and the melody line nowyou can capture the magic of this new musical favourite as it makes its grand début on the renowned stage of the Aldwych Theatre London.