C.P.E. BACH Violoncello Concerto in A minor, Wq170/H432

For Cello. Classical (orchestral). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the orchestral accompaniment, minus you, the soloist. Published by Music Minus One

Violoncello

SKU: BR.OB-5509-23

Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: cello part. Stapled. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Solo concerto; Early classical. Part. 12 pages. Duration 27'. Breitkopf and Haertel #OB 5509-23. Published by Breitkopf and Haertel (BR.OB-5509-23).

ISBN 9790004338490. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

Cello and orchestra

SKU: BR.PB-5509

Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Orchestra; stapled. Partitur-Bibliothek (Score Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Solo concerto; Early classical. Full score. 52 pages. Duration 27'. Breitkopf and Haertel #PB 5509. Published by Breitkopf and Haertel (BR.PB-5509).

ISBN 9790004211694. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

Double bass

SKU: BR.OB-5509-27

Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: double bass part. Stapled. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Solo concerto; Early classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 5509-27. Published by Breitkopf and Haertel (BR.OB-5509-27).

ISBN 9790004338506. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

Harpsichord/piano

SKU: BR.OB-5509-12

Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: harpsichord/piano part. Stapled. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Solo concerto; Early classical. Part. 16 pages. Duration 27'. Breitkopf and Haertel #OB 5509-12. Published by Breitkopf and Haertel (BR.OB-5509-12).

ISBN 9790004338452. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

Violin 2

SKU: BR.OB-5509-16

Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: violin 2 part. Stapled. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Solo concerto; Early classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 5509-16. Published by Breitkopf and Haertel (BR.OB-5509-16).

ISBN 9790004338476. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

Viola

SKU: BR.OB-5509-19

Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: viola part. Stapled. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Solo concerto; Early classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 5509-19. Published by Breitkopf and Haertel (BR.OB-5509-19).

ISBN 9790004338483. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

Violin 1

SKU: BR.OB-5509-15

Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: violin 1 part. Stapled. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Solo concerto; Early classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 5509-15. Published by Breitkopf and Haertel (BR.OB-5509-15).

ISBN 9790004338469. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

Flute/recorder and orchestra

SKU: BR.MR-2195B

Score and parts. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Orchestra; stapled. Musica Rara.

A variable solo concerto in A minor

Solo concerto; Early classical. Score and parts. 134 pages. Duration 25'. Breitkopf and Haertel #MR 2195b. Published by Breitkopf and Haertel (BR.MR-2195B).

ISBN 9790004488423. 9 x 12 inches.

The concertos in A minor, B flat major and A major constitute a small but amazingly flexible group in Carl Philipp Emanuel Bach's work catalogue. They were written as violoncello concertos between 1750 and 1753, and have all been transmitted in alternative versions as flute and harpsichord concertos as well. C. P. E. Bach wrote the Cello Concerto in A minor Wq 170 at the Berlin court of King Frederick the Great. The flute version Wq 166 was probably written shortly thereafter, even if the only surviving source dates from after the composer's death. We can see how interchangeable the solo instruments were through the amazing circumstance that editor Ulrich Leisinger was able to draw upon the version for harpsichord solo Wq 26 for this new edition. The cadenzas to the first and second movements proved to be easily adaptable to the flute, which should inspire soloists to create their own versions.

A variable solo concerto in A minor.