SKU: GI.G-9879
ISBN 9781717025753.
Weâ??re delighted to distribute this book of duets for piano and organ! Included are eleven pieces drawn mainly from the organ chorale preludes of J. S. Bach. The book also contains concerto movements by J. S. Bach, C. P. E. Bach, and Antonio Vivaldi. While envisioned for piano and organ, these arrangements by Noel Jones can also be played on organ and harpsichord or two pianos. For those congregations that are used to encountering piano and organ duets, these pieces are a welcome expansion of the literature for that pairing of instruments. These pieces are most suitable for preludes and postludes and will also have a home in your churchâ??s recital series. A listing of suggested organ registration is included in an appendix.
SKU: KN.19535
UPC: 822795195354.
These 8 duets are destined to become a staple of school music libraries as they can be mixed or matched using any combination of the 10 different books for wind and string instruments. They can also be combined and played by a larger ensemble that has challenging instrumentation. Duets in more comfortable keys for F Instruments are also provided. When playing a selection with 2 F Instruments, use the F Instrument Duet page. When playing a selection with another instrument, use the Flexible Duet page.Contents:Blue Light Special (Halferty); Canon In Two Parts (Halferty); Crescent Moon Rising (Chinese folk song); Dirty Dish Rag (Halferty); Farandole (Bizet); March (Bach); The Rakes Of Mallow (Irish folk song); and Two Russian Folk Songs.
We†™re delighted to distribute this book of duets for piano and organ! Included are eleven pieces drawn mainly from the organ chorale preludes of J. S. Bach. The book also contains concerto movements by J. S. Bach, C. P. E. Bach, and Antonio Vivaldi. While envisioned for piano and organ, these arrangements by Noel Jones can also be played on organ and harpsichord or two pianos. For those congregations that are used to encountering piano and organ duets, these pieces are a welcome expansion of the literature for that pairing of instruments. These pieces are most suitable for preludes and postludes and will also have a home in your church’s recital series. A listing of suggested organ registration is included in an appendix.
SKU: MB.30932M
ISBN 9781513466255. 8.75x11.75 inches.
First Lessons Violin Duets contains 47 violin duets for beginning through easy level performance. Duet violin parts and a piano accompaniment part for all the tunes presented in Mel Bay?s First Lessons Violin are included. This versatile duet book works hand in hand with First Lessons Violin, Suzuki and other violin methods. It is useful for violin classes, ensembles, recitals, and performances.This book has accompanying online audio of the duets. The two violin parts are split right and left so that the violinist may perform either part with the recording by changing the stereo balance. Includes access to online audio.
SKU: KN.19532
UPC: 822795195323.
These 8 duets are destined to become a staple of school music libraries as they can be mixed or matched using any combination of the 10 different books for wind and string instruments. They can also be combined and played by a larger ensemble that has challenging instrumentation.C ontents:Blue Light Special (Halferty); Canon In Two Parts (Halferty); Crescent Moon Rising (Chinese folk song); Dirty Dish Rag (Halferty); Farandole (Bizet); March (Bach); The Rakes Of Mallow (Irish folk song); and Two Russian Folk Songs.
SKU: KN.19531
UPC: 822795195316.
SKU: KN.19542
UPC: 822795195422.
SKU: KN.19536
UPC: 822795195361.
SKU: KN.19533
UPC: 822795195330.
SKU: KN.19534
UPC: 822795195347.
SKU: M7.AHW-411
These duets are wonderful in every way! Mr Barranco has chosen excellent musical selections which are so playable and attractive for the horn. He has adhered to the original musical notation as much as possible while ensuring beautiful, fluid, interesting and eminently playable lines for both players. The range is excellent - neither too high nor too low - and the lines are close enough to each other to make a very pleasant and satisfying playing and listening experience. The phrasing and articulations work so well for horn players but are also pleasing to the listener who may know the original work.