Matériel : Vocal Score
Uplifting and melodic the unforgettable tunes and infectious optimism of Antonio Vivaldi’s Gloria have helped make it one of the most popular choral works in the Baroque repertoire. For this Oxford Choral Works edition the distinguished Vivaldi scholar Paul Everett has returned to the original autograph manuscripts as the most authoritative source. Also featuring a transcription of Giovanni Maria Ruggieri’s earlier work Cum Sancto Spirito upon which Vivaldi is said to have based his work. This is the Complete Vocal Score of this tremendous work and represents one of the most accurate and authoritative editions available
SKU: HL.48186189
UPC: 888680829599. 7.0x10.5x0.051 inches.
Vivaldi Antonio Durand Gloria Rv589 Voice & Basso Continuo Book.
SKU: HL.48186188
UPC: 888680829551. 7.0x10.5x0.109 inches.
Vivaldi Antonio Durand Gloria Rv589 Mixed Choir Satb A Cappella.
SKU: HL.14035114
Few baroque composers were ever able to create work as sunny, as joyous as Vivaldi did in this beloved Gloria. The contrast of mood throughout the work as it moves through the drama of the Mass to its satisfying double final movement shows the composer at the height of his powers.Vivaldi composed this work in Venice in about 1715, during his fruitful time at the Ospedale della Pieta. In his lifetime this priest, composer and virtuoso Violinist achieved enormous musical success. Considering his great popularity in the modern era, it is difficult to believe that public appreciation of his work declined after his death and that the Gloria languished undiscovered forcenturies. It wasn't until 1957 that the restored work was heard again in its entirety. Since that time, this moving and joyous Gloria has been recorded more than one hundred times and perennially appears on concert series around the world.
SKU: HL.14035116
Full set of parts only.
SKU: CA.4000159
ISBN M-007-25413-1. Key: D major. Latin.
The Gloria in D Major RV 589 is Vivaldi's most famous sacred work and it is among his most important church music compositions. An independent work in one movement, it was probably composed between 1713 and 1717 for the Ospedale della Pieta, one of the orphanages of Venice in which young girls received a thorough musical training. The musically representative work is divided into 12 sections which differ in scoring, movement type, key and expressed emotions. Score and parts available separately - see item CA.4000100.
