Ancient Lands

SKU: CF.YPS240F

ISBN 9781491159644. UPC: 680160918232.

An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed? The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story. Conductor Notes: Measures 45-61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64-73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.
An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed?The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story.Conductor Notes: Measures 45–61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64–73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.

SKU: CF.YPS240

ISBN 9781491159637. UPC: 680160918225.

An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed? The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story. Conductor Notes: Measures 45-61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64-73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.
An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed?The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story.Conductor Notes: Measures 45–61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64–73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.

SKU: AP.41931S

UPC: 038081480299. English.

Here is an enjoyable and energetic piece for young band that depicts the excitement of exploring the ancient lands of Arabia. The dark and aggressive mood portrays the dangers an explorer might encounter. The gentle and flowing contrasting section illustrates the beauty and splendor of this mysterious, ancient world.

SKU: AP.44186S

UPC: 038081506135. English.

Inspired by English and Irish folksongs, this lovely yet brooding composition uses both Dorian and Mixolydian modes and the melody is characteristic of music from long ago. The quarter / eighth ostinato pattern is present throughout the piece---characteristic of the drone that is present in much of the folk music of England, Scotland, and Ireland. (3:35).

SKU: HL.49008102

ISBN 9790001115650. 9.25x12.0x0.097 inches.

A psychoanalytical as well as emotional interpretation of events from ancient greek mythology. Improvisatory in character these pieces explore contemporary playing techniques. (German text).

SKU: HP.1755

UPC: 763628117559.

As the title indicates, there are 13 new hymn texts based on Psalms, 12 as hymns and 24 as new spiritual songs. All are set to tunes ancient and modern, and all have been written since the publication of A Year of Grace (1990) and To Sing God's Praise (1992).

SKU: PR.144406770

UPC: 680160637690. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: CF.PPS60F

ISBN 9781491163825. UPC: 680160922611.

An ancient world calls… Spirit of the Warrior explores both the beauty and the power of a forgotten civilization; man’s mighty force amidst nature’s gentle majesty. It is dedicated to all soldiers and warriors, past and present, who give their all to protect home and nation. The warrior shows courage in the face of danger, and loyalty to a cause beyond self-interest. The warrior sees life’s fragile beauty with eyes few others can understand. Long after warriors fall in battle, their spirit lives on in the people and lands they have protected.  Using only the first six notes of the concert Bb scale, Spirit of the Warrior begins boldly. Separated notes in the low brass and winds represent the warrior’s power. Nature’s inspiring beauty is represented by the high woodwinds and bells, which play in counterpoint to the lower instruments.  Fully separate the staccatos, and shape the accents throughout to help the music feel powerful without being overly heavy or loud. At m. 29, be sure that the countermelody played by the clarinets and alto saxophone can be clearly heard.If you have additional percussionists, consider doubling the snare drum part on a low tom-tom. Experiment with the gong to find the sound you prefer: strike closer to the edge for a brash “crash” sound, or closer to the center for a more mysterious tone. The piece ends with the sound of the sustaining gong . Enjoy the drama and let the sound fade without (much) dampening.  .

SKU: AP.49501

ISBN 9781470649821. UPC: 038081570600. English.

Take a journey on the Silk Road, the ancient trade route that linked the Far East with the Western world in this imaginative piece by Robert Sheldon. Exotic harmonies combine with driving rhythms and colorful percussion to create a soundscape of shifting sands and faraway lands. A solo alto saxophone references the sound of a Turkish sorna to open the piece, leading to the persistent rhythm and modal melodies. Finger cymbals, shakers, and hand drums help to represent the culture of this remote part of the world. (2:19) Correlated to Sound Innovations, Book 2, Level 3.

SKU: PR.14440671S

UPC: 680160637539. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: PR.14440672S

UPC: 680160637560. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: PR.144406720

UPC: 680160637546. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: PR.144406730

UPC: 680160637577. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: PR.14440680S

UPC: 680160637805. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: PR.144406750

UPC: 680160637638. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: AP.49501S

ISBN 9781470649838. UPC: 038081570617. English.

Take a journey on the Silk Road, the ancient trade route that linked the Far East with the Western world in this imaginative piece by Robert Sheldon. Exotic harmonies combine with driving rhythms and colorful percussion to create a soundscape of shifting sands and faraway lands. A solo alto saxophone references the sound of a Turkish sorna to open the piece, leading to the persistent rhythm and modal melodies. Finger cymbals, shakers, and hand drums help to represent the culture of this remote part of the world. (2:19) Correlated to Sound Innovations, Book 2, Level 3.

SKU: PR.14440670S

UPC: 680160637508. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: PR.144406710

UPC: 680160637515. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: PR.14440677S

UPC: 680160637713. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: PR.144406760

UPC: 680160637669. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: PR.14440673S

UPC: 680160637591. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: PR.144406780

UPC: 680160637720. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: PR.144406810

UPC: 680160637812. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: PR.14440679S

UPC: 680160637775. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.

SKU: PR.144406790

UPC: 680160637751. 9 x 12 inches.

Imagining life in the ancient English lands of Mercia (600-900 AD), Martin wrote 12 scenes of what he believed life was like in the kingdom. Martin's twelve quintets were completed in the Spring of 2016 and have already been performed in their entirety. The numbering reflects the composer's suggested performance sequence, but individual quintets may, of course, be performed separately.