Langue : Français
/ Piano Et Chant
SKU: HL.360516
ISBN 9781789361711. UPC: 840126990607. 9.0x12.0x0.294 inches.
Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. For Rockschool's piano series, Rockschool has commissioned arrangements of titles reflecting popular music's rich heritage in all its forms. Each piece has been tailored to fit the relevant grade level and support progression while learning your instrument. The music has been arranged and performed by top session musicians and was recorded at Abbey Road Studios. Songs include: Africa (Toto) • Cantaloupe Island (Herbie Hancock) • Defying Gravity (from Wicked) • He's a Pirate (from Pirates of the Caribbean) • In the End (Linkin Park) • The Way It Is (Bruce Hornsby and the Range). Plus: • Band and artist fact files with recommended listening • In-depth walkthroughs of every track • Easy-access downloadable audio of backing tracks and full recordings of all performance pieces • Example tests and exercises.
SKU: BT.RSK200095
ISBN 9781789360516. English.
The essential syllabus for the aspiring, contemporary pianist. Piano Grade 6 will provide you with everything you need for your Grade 6 exam, including a diverse range of repertoire, a truly innovative range of supporting tests and a vast array of professionally recorded backing tracks and audio examples.
SKU: GI.G-5655
ISBN 9781579997670. English. Text source: James Abbington (editor).
In one major volume, Readings in African American Church Music and Worship brings together 40 chapters, essays, articles, and previously unpublished papers written during the twentieth century on music and worship in the African American church. The contents represent some of the greatest writings on the subject, from the wisdom of W. E. B. DuBois in 1903 to the scholarly development, practices, scholarship, and reflection on African American sacred music through 2000. .
SKU: BT.DHP-1002028-010
Right from Toto’s foundation in 1977, the band grew into a living legend, not only because of international superhits, but also because of the ongoing urge of its members to develop their special musical style - a mix of rock and a more symphonic sound. This arrangement binds adaptations of Africa, Rosanna and Stop Loving You into a glorious whole, reminding us of those glory days of Toto hits. De band Toto, die werd opgericht in 1977, scoorde internationale superhits met een bijzondere mix van rock en een meer symfonische sound. In de jaren 1982 en 1983 kon je de radio niet aanzetten of je hoorde de klanken van Rosannaof Africa. Klaas van der Woude maakte een arrangement waarin hij deze beide nummers en Stop Loving You verwerkte tot een meeslepend geheel.Die Popmusik der 80er-Jahre erlebt derzeit ein großes Revival. Viele Hits von damals werden erfolgreich neu aufgelegt und kommen bei Alt und Jung gleichermaßen gut an. Die drei Tophits der kalifornischen Popgruppe Toto, für Blasorchester eingerichtet von Klaas van der Woude, liegen also voll im Trend!
SKU: BT.DHP-1002028-020
De band Toto, die werd opgericht in 1977, scoorde internationale superhits met een bijzondere mix van rock en een meer symfonische sound. In de jaren 1982 en 1983 kon je de radio niet aanzetten of je hoorde de klanken van Rosannaof Africa. Klaas van der Woude maakte een arrangement waarin hij deze beide nummers en Stop Loving You verwerkte tot een meeslepend geheel.Die Popmusik der 80er-Jahre erlebt derzeit ein gro�es Revival. Viele Hits von damals werden erfolgreich neu aufgelegt und kommen bei Alt und Jung gleicherma�en gut an. Die drei Tophits der kalifornischen Popgruppe Toto, für Fanfareorchester eingerichtet von Klaas van der Woude, liegen also voll im Trend!
SKU: BT.DHP-1002028-120
De band Toto, die werd opgericht in 1977, scoorde internationale superhits met een bijzondere mix van rock en een meer symfonische sound. In de jaren 1982 en 1983 kon je de radio niet aanzetten of je hoorde de klanken van Rosannaof Africa. Klaas van der Woude maakte een arrangement waarin hij deze beide nummers en Stop Loving You verwerkte tot een meeslepend geheel.Die Popmusik der 80er-Jahre erlebt derzeit ein großes Revival. Viele Hits von damals werden erfolgreich neu aufgelegt und kommen bei Alt und Jung gleichermaßen gut an. Die drei Tophits der kalifornischen Popgruppe Toto, für Fanfareorchester eingerichtet von Klaas van der Woude, liegen also voll im Trend!
SKU: SU.00220618
This CD Sheet Music collection brings together over 250 works for piano by Spanish and Latin American composers from the 18th, 19th and early 20th centuries. Works include: Albéniz (Cantos de España, Doce Piezas CaracterÃsticas, España, Iberia, Mazurkas de Salón, Navarra, Recuerdos de Viaje); Cabezón; Falla (El Sombrero de Tres Picos, Nights in the Gardens of Spain, Pièces Españoles); Granados (Bocetos, Cuentos de la Juventud, Danzas Espñolas, Escenas Poéticas, Books 1&2, Goyescas, Seis Piezas sobre Cantos Populares Espñoles); Soler (Fandango); Turina (Coins de Séville, Contes d'Espagne, Danzas Fantasticas, Femmes d'Espagne, Suite Pittoresque); Villa-Lobos (Carnaval das Crianças, Danças CaracterÃÂsticas Africanas, Histórias da Carochinha, Prole do Bebê, Volume 1, Simples Coletânea, SuÃte Floral); Yradier, and more Also includes composer biographies and relevant articles from the 1911 edition of Grove’s Dictionary of Music and Musicians 2000+ pages.
SKU: HL.50607050
UPC: 196288292401. 9.0x12.0x0.073 inches.
Deux Airs populaires cubains (Dos aires populares cubanos) and Deux Thèmes populaires cubains (Dos temas populares cubanos) were written in the 1960s and published by Ãditions Max Eschig in 1972 and 1978. These two pieces belong to the genre of arrangements of popular songs for solo instruments that was a widespread presence in the plucked-string repertoire from the sixteenth century on. In these two cycles, Leo Brouwer reworks Cuban popular music with his usual instrumental originality. In the first cycle, Brouwer did not alter any of the melodic or structural elements of the original songs, only embellishing these with introductions, harmony, and some structure. In the second cycle however, the original dance was composed by Brouwer himself, imitating Cuban popular music characterised by both Spanish and African influences. Rather than being based on actual folk repertoire, it draws its inspiration from it and attempts to recreate its sonic ambiance. Zigante interventions, made on the scores published during the 1970s, consist of the correction of a few errors and restoring some of the original repeat signs as conceived by Brouwer. Any fingering indicationswere added by Leo Brouwer himself.
