Accompaniment to Tenor Arias: Vocal Solo: Vocal Collection

These tenor arias are culled from the most famous operas and are great fun as well as required learning for the serious singer! Includes a high-quality printed vocal score and a CD G graphics-encoded compact disc with stereo accompaniments to each piece. CD G lyric display requires a CD G-capable compact disc player and a television set (audio content is playable on any compact disc player however). Accompaniment: John Wustman piano

This fantastic collection of Tenor arias contains the most famous of them all 'Vesta la giubba' from I Pagliacci along with other arias from great classics such as Werther and Lucia di Lammermoor. Spectacular music for any tenor!Includes an expansive newly engraved vocal score printed on high-quality ivory paper; and a CD G graphics-enabled compact disc with complete versions (with soloist) in digital stereo followed by digital stereo orchestral accompaniments to each piece minus the soloist.

Cantolopera is a publishing project devoted to students, professionals and enthusiasts who wish to approch the great vocal repertoire for practicing, performing or simply singing opera arias, sacred pieces, songs, standards. The editions include a vocal score and one or more CD containing orchestral accompaniment performed by Compagnia d'Opera Italiana, with its orchestra of over 130 instrumentalists. Each volume also contains the texts to be sung, in both Italian and English, accompanied by a note on their context. / Tenor Et Piano

Piano Vocal Score and CD with instrumental and vocal versions. Par PUCCINI GIACOMO. Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the worlds most famous arias. The CDs feature two versions of each aria:one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and another sung by an established artist for reference. Each volume contains the lyrics of the arias, plus a short plot summary andbackground information on the orchestra and the performers./ Recueil / Chant et Piano

An Introduction to Repertoire. This series of 5 book/audio packs is an introduction to art song in English, French, German, Italian and Spanish. Each volume has a different song list, and includes 30 selections in appropriate keys. Beyond art song, each collection includes two carefully chosen opera arias, an oratorio aria, and an operetta aria by Gilbert and Sullivan. Recorded pronunciation lessons and piano accompaniments are included. Contents: ANONYMOUS: Have you seen but a white loly grow' · ARNE: O come, o come my dearest · BELLINI: Ma rendi pur contento · BLOW: Tell me no more · BRAHMS: Standchen · CACCINI: Tu ch'hai le penne, Amore · DONAUDY: O del mio amato ben · DOWLAND: Come again, sweet love · DE FALLA: Asturiana · FAURE: Chanson · Clair de lune · Lydia · LALO: Vainement, ma bien-aimee · MARTINI: Plaisir d'amour · MENDELSSOHN: If with all your hearts · MOZART: Dalla sua pace · OBRADORS: Del cabello mas sutil · PURCELL: If music be the food of love · I'll sail upon the Dog Star · QUILTER: Hey, ho, the Wind and the Rain · O mistress mine · Take, o take those lips away · SCARLATTI: Sento nel core · SCHUBERT: Standchen · Wohin' · SCHUMANN: Du bist wie eine Blume · Widmung · RICHARD STRAUSS: Allerseelen · SULLIVAN: Oh, Is There Not One Maiden Brest · VAUGHAN WILLIAMS: Linden Lea Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus- the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias./ Répertoire / Choeur Mixte (SATB) et Piano