Matériel : Partition + CD
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SKU: AP.44446
ISBN 9781470623814. UPC: 038081501901. English.
Belwin's 21st Century Guitar Method is a complete course that puts lessons in the context of popular styles and classic tunes. It introduces new topics at a progressive speed and uses both music notation and tablature (TAB). Correlating supplemental books integrate more advanced concepts and techniques, while keeping the learning process fun. Audio recordings include full instruction---a great resource for students and teachers alike---with demonstration and play-along tracks that will help students optimize their practice time. Detailed video lessons and fun play-along software are also available. Book 1 Features * Online access to play-along and lesson audio included * Covers rock, pop, folk, blues, and classical styles * Features unique Rock Workshop units that teach improvisation and rock rhythm and lead guitar * Uses standard music notation and tablature to aid with learning new material * Optional teacher accompaniment parts * Duets to play with a teacher or with the included audio recording * Complete lesson videos and fun play-along software available.
About 21st Century Guitar Course
Thi s hugely popular basic guitar method series includes numerous supplements (theory workbook, ensembles, song books and a supplemental rock method). The available CD includes full instruction plus full demonstration and play-along tracks. Level 1 lays a foundation with note reading and chords and includes teacher duet parts to encourage the student and teacher to perform together. TAB is used to make learning chords, accompaniments, riffs and other stylistic guitar parts easy and fun, standard music notation is used for melodic playing. Level two goes deeper into common guitar genres such and rock and blues and also introduces applied music theory, chord and scale construction and fretboard understanding. Recommended for 8 years old and up.
SKU: OT.28104
ISBN 9789655051100. 8.27 x 11.69 inches.
Daniel Akiva Alma i Vida i Korason Sephardic Anthology for voice and guitar The 18 songs of the collection Alma i Vida i Korason include romansas, cantigas, life cycle songs and original music composed to poems by Avner Perez, a journey in Ladino song from the Middle Ages through the 21st century. Alma i Vida i Korason was recently recorded by Sivan Goldman, soprano and Daniel Akiva, guitar, together with a special series of short videos filmed at the Ralli Museum in Caesarea, Israel. For further information, please visit the YouTube and Spotify channels of the composer. Contents: 1. A la una Naci yo 2. Kisa Agora el Amor 3. Durme Durme Mi Andjeliko 4. Morena me Yaman 5. La Serena 6. Durme Durme Mi Alma Donzeya 7. Noches Noches 8. Mama Yo no Tengo Visto 9. Ya Abasha La Novia 10. Esta Noche 11. Ya Viene El Kativo 12. Komo La Roza 13. Ay Linda Amiga 14. El Prisionero 15. Kantiga de Kune Para Selanik 16. Puncha Puncha 17. Durme Hermozo Hiziko 18. Sirkiji Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have earned international acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies of lute with Jonathan Rubin and composition with Jean Ballisa at the Geneva Conservatorium in Switzerland. In 1986 he founded the Music Department at the WIZO High School for the Arts in Haifa which he headed for over thirty years. As part of his work at WIZO High School, he developed a method for teaching free improvisation which has been incorporated into the music program at the school. He also served as the Artistic Director of the Guitar Gems Festival from 2006-2018. Mr. Akiva has performed in concerts as a guitarist and lutenist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014. Akiva's work Psalms for guitar solo was awarded the ACUM prize for composition in 1990, and his string quartet Ciclos was awarded the ACUM prize for composition in 2002. In 2006 his CD Hope, recorded with Laurel Zucker (flute) and Ronit Widmann-Levy (soprano) was awarded the Amazon prize. In 2017 Akiva was awarded the Prime Minister's Prize for composers in Israel. A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. A large part of his oeuvre has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue throughout the years with poets and writers Amnon Shemesh, Rivka Miriam, and Avner Perez. 105 pages, softcover.
SKU: HL.48025412
UPC: 196288204657.
In response to a commission from the Nieuw Ensemble Amsterdam, the composer immediately thought of writing a work related to pantomime. In the imaginary theatre of cosmigimmicks, plucked instruments (guitar, mandolin and harp) play the main roles, while the other instruments (prepared piano, violin, trumpet and percussion) disguise themselves in order to join in a play of masques and mimicry. Pantomime stems from a time in which humans did not yet speak, and ever since it has appeared in a great variety of forms. Asian traditions of mime tend to be extremely formalised and highly complex, but in Europe, the art of pantomime, which was often frowned upon by church and ruling bodies, maintained a strong undercurrent in the history of theatre since the Ancient Greeks. Chin remarks that, in cosmigimmicks, she was reluctant to map the history of the pantomime, and instead chose to concentrate on three scenes that are important for her: Shadow Play, which is related to shadow puppetry; Quad, inspired by Samuel Beckett's two homonymous TV plays (which are, in fact, “geometrical pantomimes”); and Thall, a homage to György Ligeti. This title is the Korean for “masque”; the overall character of Thall is both slightly sentimental and macabre, describing the psyche of a torn person. cosmigimmicks is a major addition to 21st-century ensemble repertoire, from one the leading composers of her generation. Instrumentation: trumpet, percussion, mandoline, guitar, harp, prepared piano, violin. HPS 1600.
