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--INSTRUMENTS--
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--INSTRUMENTS--
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Vous avez sélectionné:
The Automatic
The Automatic
The Automatic -
PARTITIONS LIVRES
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PARTITIONS NUMÉRIQUES
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101 partitions trouvées
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101
Automatic
Automatic
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Pop musique
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The Pointer Sisters
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Will Corbin
#
Automatic
#
Will Corbin
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1457446 By The Pointer Sisters. By Brock Walsh and Mark Goldenberg. Arranged by Will Corbin...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1457446 By The Pointer Sisters. By Brock Walsh and Mark Goldenberg. Arranged by Will Corbin. Pop. 22 pages. Will Corbin #1036470. Published by Will Corbin (A0.1457446). From the Department of Don't Do It: A brass quintet take on the Pointer Sisters' version of Automatic. Their original had lots of electronic background stuff going on, plus a load of percussion. What's left without that is a lot of tricky rhythms, since the horns have to carry the rhythmic load. A hint: Count it in 8/8 to work it out. That's what I had to do.If you require alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00 ≈
13.47€
Fantaghiro 1 Maintheme/cues/endtheme
Fantaghiro 1 Maintheme/cues/endtheme
#
Film/TV
#
Amedeo Minghi
#
Jo Fulham
#
Fantaghiro 1 Maintheme/cues/en
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Jo Fulham
#
SheetMusicPlus
Electronic Keyboard,Instrumental Solo - Level 3 - SKU: A0.1451467 Composed by Amedeo Minghi. Arranged by Jo Fulham. Film/TV. Individual part. 2 pages. J...
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Electronic Keyboard,Instrumental Solo - Level 3 - SKU: A0.1451467 Composed by Amedeo Minghi. Arranged by Jo Fulham. Film/TV. Individual part. 2 pages. Jo Fulham #1030849. Published by Jo Fulham (A0.1451467). The Fantaghiro Theme in a version for (electronic) keyboard with a keyboard range of at least five octaves.For the audio file (in split mode without automatic accompaniment) GM-Sound No. 73 Piccolo was used for the right hand and GM-Sound No. 51 Synth Strings 1 was used for the left hand.The split point is in the 3rd keyboard-octave at Db 3.
$4.99 ≈
4.48€
Piano Piece The Dance of The Gnomes
Piano Piece The Dance of The Gnomes
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Piano seul
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AVANCÉ
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Friedrich Stern
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Piano Piece The Dance of The G
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Vicente Trompieri
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1015783 Composed by Friedrich Stern. Concert,Contemporary,Romantic Period,Standards. Score. 5 pages. Vicente Trompieri #5...
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Piano Solo - Level 5 - SKU: A0.1015783 Composed by Friedrich Stern. Concert,Contemporary,Romantic Period,Standards. Score. 5 pages. Vicente Trompieri #5955307. Published by Vicente Trompieri (A0.1015783). An original piano piece.Listen to the mp3 to become familiar with the piece,then practice with the metronome. First at a low speed then you gradually increase the speed to the indicated speed. If you want more natural practice use the foot beat as a metronome. It’s important you become aware of the beats during the whole learning process of the piece until it becomes automatic. Also follow the voice leading for each hand. I tried to do the voice leading when I compose this piece the most natural and anatomical for both hands. The piece is very piano-like and has a full sound.
$3.00 ≈
2.69€
The Farmer in the Dell
The Farmer in the Dell
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Piano seul
#
DÉBUTANT
#
Methodes
#
American Folk
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Paul Taylor
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The Farmer in the Dell
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Paul Taylor
#
SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.803290 Composed by American Folk. Arranged by Paul Taylor. Instructional. Score. 2 pages. Paul Taylor #4614941. Published...
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Piano Solo - Level 1 - SKU: A0.803290 Composed by American Folk. Arranged by Paul Taylor. Instructional. Score. 2 pages. Paul Taylor #4614941. Published by Paul Taylor (A0.803290). This little tune is a great vehicle for introducing the primary chords in the first five keys of the circle of flats. The familiarity of the tune and the exact repetition of the chord pattern in the keys of C G D A E and B will give the beginning pianist the basis for harmonization and transposition. Automatic hand movement to find the primary chords in the left hand is an essential skill for acquiring anunderstanding of key signatures and their relationship to the circle of 5ths. .
$1.99 ≈
1.79€
Automatic
Automatic
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Chorale SSAA
#
The Pointer Sisters
#
Automatic
#
Tufts Jackson Jills
#
SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - SKU: A0.1495448 By The Pointer Sisters. By Brock Walsh and Mark Goldenberg. Arranged by Abby Sommers (JJ'25) and Gwen ...
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Choral Choir,Choral,SSAA Chorus - SKU: A0.1495448 By The Pointer Sisters. By Brock Walsh and Mark Goldenberg. Arranged by Abby Sommers (JJ'25) and Gwen Draut (JJ'25). A Cappella,Disco,Pop,Soul. 39 pages. Tufts Jackson Jills #1071964. Published by Tufts Jackson Jills (A0.1495448). This arrangement was performed by the Tufts University Jackson Jills in 2023. The Jackson Jills are Tufts University’s oldest all-femme a cappella group, established in 1963. Visit jacksonjills.com for more info.This arrangement is additionally inspired by the cover by Lake Street Dive.
$10.00 ≈
8.98€
A Mansion On The Hill
A Mansion On The Hill
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Piano, Voix
#
FACILE
#
Contemporain
#
Hank Williams
#
Ginny Saltzman
#
A Mansion On The Hill
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Ginny's House of Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.889821 By Hank Williams. By Fred Rose and Hank Williams. Arranged by Ginny Saltzman. Contemporary. Score. 5 pages....
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Piano,Vocal,Voice - Level 2 - SKU: A0.889821 By Hank Williams. By Fred Rose and Hank Williams. Arranged by Ginny Saltzman. Contemporary. Score. 5 pages. Ginny's House of Music #4762593. Published by Ginny's House of Music (A0.889821). A Mansion On The Hill - An old favorite Country-Western song by Hank Williams and Fred Rose. Arranged especially for older piano students on Late Elementary Level - Early Intermediate Level, and adults playing popular arrangements using very basic chords - C, F, G7, and C7. 　 If you happen to have a PSR Keyboard, these basic chords are positionally written so that this could be played with a Country-Western Beat using automatic chords on a PSR Synthesizer.
$4.99 ≈
4.48€
I Saw The Light
I Saw The Light
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Piano, Voix
#
FACILE
#
Country
#
Hank Williams
#
Ginny Saltzman
#
I Saw The Light
#
Ginny's House of Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.889824 By Hank Williams. By Hank Williams. Arranged by Ginny Saltzman. Country. Score. 5 pages. Ginny's House of M...
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Piano,Vocal,Voice - Level 2 - SKU: A0.889824 By Hank Williams. By Hank Williams. Arranged by Ginny Saltzman. Country. Score. 5 pages. Ginny's House of Music #4763123. Published by Ginny's House of Music (A0.889824). I Saw The Light - An old favorite Country-Western song by Hank Williams. Arranged especially for older piano students on Late Elementary Level – Early Intermediate Level, and adults playing popular arrangements using very basic chords- G,C, and D7. 　If you happen to have a PSR Keyboard, these basic chords are positionally written so that this could be played with a Country-Western Beat using automatic chords on a PSR Synthesizer.
$4.99 ≈
4.48€
Automatic Descriptions (Descriptions Automatiques)
Automatic Descriptions (Descriptions Automatiques)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Claudio Amadeo Viggiano
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Automatic Descriptions
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claudio viggiano
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.807852 Composed by Erik Satie. Arranged by Claudio Amadeo Viggiano. 20th Century,Co...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.807852 Composed by Erik Satie. Arranged by Claudio Amadeo Viggiano. 20th Century,Contemporary. Score and parts. 25 pages. Claudio viggiano #4730147. Published by claudio viggiano (A0.807852). 2019 SMP PRESS Composition Competition, Contemporary Music, Smal Instrumental Ensemble. The original piano work by Satie, arranged for String Quartet. My email contact: clavi10@hotmail.com.
$8.00 ≈
7.18€
10 A.M. Automatic
10 A.M. Automatic
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Piano, Voix et Guitare
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Blues
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Rock
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The Black Keys
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Rock
#
10 A.M. Automatic
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By The Black Keys. Blues; Rock. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music ...
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By The Black Keys. Blues; Rock. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.48€
Man On The Moon
Man On The Moon
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Basse electrique
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INTERMÉDIAIRE
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Folk Rock
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Rock
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R
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Jared Plane
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Man On The Moon
#
Jared Plane
#
SheetMusicPlus
Bass Guitar TAB - Level 3 - SKU: A0.1435612 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Berry. Arranged by Jared Plane. Folk,Pop,...
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Bass Guitar TAB - Level 3 - SKU: A0.1435612 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Berry. Arranged by Jared Plane. Folk,Pop,Rock. Score. 5 pages. Jared Plane #1015701. Published by Jared Plane (A0.1435612). Mike Mills' original bass line as played to the R.E.M. song, Man On The Moon from the 1992 album, Automatic for the People. This PDF download comes with both Standard Notation, bass TAB and chord symbols.
$5.00 ≈
4.49€
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
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Guitare
#
INTERMÉDIAIRE
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Renaissance
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Various
#
Socrates Arvanitakis
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RENAISSANCE GUITAR MUSIC - Vol
#
Socrates Arvanitakis
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanita...
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Solo Guitar - Level 3 - SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
$15.00 ≈
13.47€
My Father
My Father
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Chorale SATB
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FACILE
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Contemporain
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Ron and Linda Whiddon
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My Father
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Ron Whiddon
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.816658 Composed by Ron and Linda Whiddon. Contemporary. Octavo. 18 pages. Ron Whiddon #3604667. Published by Ron...
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Choral Choir (SATB) - Level 2 - SKU: A0.816658 Composed by Ron and Linda Whiddon. Contemporary. Octavo. 18 pages. Ron Whiddon #3604667. Published by Ron Whiddon (A0.816658). My wife wrote a poem while in college. After reading it several times a melody and harmony came to me and I decided to compose this music for her poem. This creation is an attempt to elicit an atmosphere and focus for worship, praise and adoration during a musical encounter with our Lord. This piece should be sung slowly observing all dynamic markings.The soundtrack automatically begins nine seconds after version is completed.
$10.00 ≈
8.98€
Automatically Sunshine
Automatically Sunshine
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Piano, Voix et Guitare
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Pop musique
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Soul/R&B
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The Supremes
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Automatically Sunshine
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Hal Leonard - Digital
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SheetMusicPlus
By The Supremes. This edition: scorch. Pop, Soul. Score. 3 pages. Hal Leonard - Digital #56614. Published by Hal Leonard - Digital...
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By The Supremes. This edition: scorch. Pop, Soul. Score. 3 pages. Hal Leonard - Digital #56614. Published by Hal Leonard - Digital
$4.99 ≈
4.48€
EASY RENAISSANCE GUITAR MUSIC - Volume 3
EASY RENAISSANCE GUITAR MUSIC - Volume 3
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Guitare
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DÉBUTANT
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Renaissance
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Various
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EASY RENAISSANCE GUITAR MUSIC
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Socrates Arvanitakis
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SheetMusicPlus
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arv...
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces.
I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).
The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.
The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.
Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher?s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.
Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.
NAVIGATION INDEXES ? External and Internal links
The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.
The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.
The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.
The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.
Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.
This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00 ≈
13.47€
First Love
First Love
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Contemporain
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Hikaru Utada
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Marco Polo C
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First Love
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MARCO POLO IGNACIO
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SheetMusicPlus
Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.880871 By Hikaru Utada. By Hikaru Utada. Arranged by Marco Polo C. Ignacio. Contemporary. Lead ...
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Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.880871 By Hikaru Utada. By Hikaru Utada. Arranged by Marco Polo C. Ignacio. Contemporary. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6132943. Published by MARCO POLO IGNACIO (A0.880871). First Love is the debut Japanese-language studio album (second overall) by Japanese recording artist Utada Hikaru, released on 10 March 1999 on Toshiba-EMI. Born and raised in New York City to music-oriented parents, Utada moved to Tokyo to attend Seisen International School and American School in Japan. From there, she began writing and composing music for her debut effort. Utada, her father Teruzane Utada and producer Akira Miyake produced the album and remain her two main co-producers and composers.An R&B and dance-pop album, First Love centres on the theme of love and relationships. Songs like Automatic and First Love are prime examples of these themes. A 2014 re-issue of the album was released simultaneously, featuring a bonus live DVD and the special edition featured two additional discs.
$4.99 ≈
4.48€
Music Box Etudes (for Carillon)
Music Box Etudes (for Carillon)
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Adam Lenhart
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Music Box Etudes
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 1 - SKU: A0.1495274 Composed by Adam Lenhart. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Ind...
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Carillon,Instrumental Solo - Level 1 - SKU: A0.1495274 Composed by Adam Lenhart. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Individual part. 5 pages. Adam Lenhart #1071793. Published by Adam Lenhart (A0.1495274). From the Composer “I was listening to a small music box one night–quite old–which spun the same 8 bars of music again and again. I listened for several minutes and amazingly never grew tired of the old tune. Between the percussive nature of the instrument and the unique intervals the out-of-tune comb robotically produced, I could not help but imagine what the tune would sound like when played by the large, rotating drum found on so many carillons. I remember visiting Belgium and seeing these extremely large automatic-playing drums. They resembled so much, on a larger scale, the music boxes I had been so intrigued by since I was a child. The human desire for and fascination in automatic music has long been a part of our musical tradition. While this dream has long since been achieved, these short etudes celebrate the bond between two past efforts to make this fascination a reality: the music box and the carillon.”Adam Lenhart, 2024Performance Notes These short etudes are written to be practiced and performed on any octave of your instrument. You may find certain etudes are even more effective when displaced, depending on the timbre of the carillon in question. Repeats may be executed indefinitely; upon repeating, you may choose to transpose to one octave higher/lower if desired. Let these short pieces provide a foundation to improvise upon, or as an exercise in ornamentation. After a final repeat or variation, some etudes provide a final bar or chord. Titles that do not should treat the repeat as a double bar line.
$4.99 ≈
4.48€
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 5 - SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Perio...
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Medium Voice,Vocal Solo - Level 5 - SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95 ≈
6.24€
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (F major, extra-low key)
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (F major, extra-low key)
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Voix basse, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 5 - SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. ...
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Low Voice,Vocal Solo - Level 5 - SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916380. Published by Nicole Elyse DiPaolo (A0.1328390). The first of its kind, and the first entry in the Accessible Accompaniments libraryâ??s collection of small-hand-optimized song literature publications, this is Richard Straussâ??s beloved â??Zueignung,â? from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. â??Smallâ? is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâ??s excellent small-hand edition of Frank Bridgeâ??s â??Love Went A-Ridingâ? (erroneously labeled â??simplifiedâ? on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâ??s op. 10 collection is much more widespread on todayâ??s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâ??s songs are often so orchestral in spiritâ??much more so than the Bridgeâ??that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâ??s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâ??s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ?? distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donâ??t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâ??and that goes for singers, too!
$6.99 ≈
6.28€
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key)
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key)
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 5 - SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. ...
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Low Voice,Vocal Solo - Level 5 - SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916320. Published by Nicole Elyse DiPaolo (A0.1328327). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95 ≈
6.24€
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99 ≈
6.28€
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95 ≈
6.24€
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The Automatic
