Format : Vocal Score
William H. Monk's Abide With Me for SATB and piano.
SKU: CF.CM9592
ISBN 9781491154144. UPC: 680160912643. 6.875 x 10.5 inches. Key: Ab major. English. Henry F. Lyte (1793-1847).
Henry Francis Lyte, 19th century Scottish minister and poet, wrote this hymn text during the last year of his life. The opening line of the hymn is misquoted from Luke 24:29, when the disciples meet the resurrected Jesus, but do not recognize him. They ask him to Abide with us, for it is toward evening, and the day is far spent. The change to the singular pronoun gives the hymn its comforting, personal and emotional intimacy. Though Lyte wrote his own tune for the poem, the tune most associated with the text is Eventide by William Henry Monk. Monk, a composer, arranger, and editor wrote this tune for the hymns inclusion in Hymns Ancient and Modern, published in 1861. Be intentional to sing a tall, pure /a/ sound on the word abide. Also be mindful that the original Abide with me hymn melody should be primary with the prayerful Pater Noster providing its support. Overall, bear in mind the prayerful mood of the selection and mold the color of the tone accordingly. For more information visit www.reginalwright.com.Henry Francis Lyte, 19th century Scottish minister and poet, wrote this hymn text during the last year of his life. The opening line of the hymn is misquoted from Luke 24:29, when the disciples meet the resurrected Jesus, but do not recognize him. They ask him to aAbide with us, for it is toward evening, and the day is far spent.a The change to the singular pronoun gives the hymn its comforting, personal and emotional intimacy. Though Lyte wrote his own tune for the poem, the tune most associated with the text is aEventidea by William Henry Monk. Monk, a composer, arranger, and editor wrote this tune for the hymnas inclusion in Hymns Ancient and Modern, published in 1861. Be intentional to sing a tall, pure /a/ sound on the word aabidea. Also be mindful that the original aAbide with mea hymn melody should be primary with the prayerful aPater Nostera providing its support. Overall, bear in mind the prayerful mood of the selection and mold the color of the tone accordingly. For more information visit www.reginalwright.com.Henry Francis Lyte, 19th century Scottish minister and poet, wrote this hymn text during the last year of his life. The opening line of the hymn is misquoted from Luke 24:29, when the disciples meet the resurrected Jesus, but do not recognize him. They ask him to Abide with us, for it is toward evening, and the day is far spent. The change to the singular pronoun gives the hymn its comforting, personal and emotional intimacy. Though Lyte wrote his own tune for the poem, the tune most associated with the text is Eventide by William Henry Monk. Monk, a composer, arranger, and editor wrote this tune for the hymn's inclusion in Hymns Ancient and Modern, published in 1861. Be intentional to sing a tall, pure /a/ sound on the word abide. Also be mindful that the original Abide with me hymn melody should be primary with the prayerful Pater Noster providing its support. Overall, bear in mind the prayerful mood of the selection and mold the color of the tone accordingly. For more information visit www.reginalwright.com.Henry Francis Lyte, 19th century Scottish minister and poet, wrote this hymn text during the last year of his life. The opening line of the hymn is misquoted from Luke 24:29, when the disciples meet the resurrected Jesus, but do not recognize him. They ask him to “Abide with us, for it is toward evening, and the day is far spent.†The change to the singular pronoun gives the hymn its comforting, personal and emotional intimacy.Though Lyte wrote his own tune for the poem, the tune most associated with the text is “Eventide†by William Henry Monk. Monk, a composer, arranger, and editor wrote this tune for the hymn’s inclusion in Hymns Ancient and Modern, published in 1861.Be intentional to sing a tall, pure /a/ sound on the word “abideâ€. Also be mindful that the original “Abide with me†hymn melody should be primary with the prayerful “Pater Noster†providing its support. Overall, bear in mind the prayerful mood of the selection and mold the color of the tone accordingly.For more information visit www.reginalwright.com.
SKU: TM.03103SET
Playable by strings alone; Abide=key of Eb, Sun=key of F (/Hursley). P/C in set.
SKU: GI.G-9918
UPC: 785147991809. English. Text by Henry F. Lyte.
SKU: CF.SGB502
ISBN 9780825856907. UPC: 798408056902. 9 X 12 inches.
A noted church workshop and conference leader, Whitworth has published numerous keyboard collections for the church musician. Thine Is The Glory, one of Whitworth's most useful books, is back in print by popular demand. The updated folio brings the church organist 12 classic hymn settings that are appropriate for the various seasons in the church calendar. The book includes: Thine Is the Glory, We Would See Jesus, What Wondrous Love Is This?, Once in Royal David's City, I Heard the Voice of Jesus Say, O Love That Wilt Not Let Me Go, 'Tis So Sweet to Trust in Jesus, Come, Thou Almighty King, My Shepherd Will Supply My Need, Break Thou the Bread of Life, Come, Thou Fount of Every Blessing, and Abide With Me.
SKU: BT.AMP-091-400
ISBN 9789043153362. English-German-French-Dutch.
In Classic Hymns, Philip Sparke has taken 10 of the best-loved hymn tunes, popular around the world, and used them as the basis of a collection of short recital pieces, ranging from simple descant arrangements to a full-blown theme and variations. Ideal for concert or contest use, these charming pieces range in mood from triumphal to reflective and can provide that ‘musical moment’ and a time for meditation in church services and religious occasions of all kinds.Anglo Music PressBij de keuze van de hymnen voor deze verzameling heeft Philip Sparke grotendeels geput uit de grote Engelse hymnen van de 18e en 19e eeuw - melodieën die niet alleen geschikt zijn voor samenzang, maar ook veel muzikalemogelijkheden bieden voor uitbreiding en variatie. De bijgevoegde cd bevat zowel volledige uitvoeringen als begeleidingstracks. Deze hymnen zijn uitstekend geschikt voor het spelen in concert- of wedstrijdverband, of als muzikaalintermezzo tijdens een kerkdienst.Bei der Auswahl der Hymnen für diese Sammlung bediente sich Philip Sparke größtenteils der großen, englischen Hymnen aus dem 18. und 19. Jahrhundert. Die beiliegende CD enthält sowohl vollständige Aufnahmen als auch reine Begleitversionen. Diese Hymnen eigenen sich perfekt für den Einsatz im Gottesdienst, Konzert und Wettbewerb, aber auch für das Spiel zum eigenen Vergnügen.