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VIOLIN - FIDDLE
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Charles Wuorinen
Violin Variations
18.94 EUR
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Violin Variations
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Ludwig van Beethoven: Variations, Rondo, Dances for Piano and Violin
Violin and Piano
[Sheet music]
G. Henle
For Violin and Piano. By Ludwig van Beethoven. Edited by S. Brandenburg. This ed...
(+)
For Violin and Piano. By Ludwig van Beethoven. Edited by S. Brandenburg. This edition: HN291. Violin. Henle Music Folios. Pages: Score = 24 * Vl Part = 8. Urtext edition-paper bound. 32 pages. Published by G. Henle
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Variations On America
Violin and Piano
Shawnee Press
By Charles Ives (1874-1954). Edited by Diane Monroe. Arranged by Daniel Dorff. F...
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By Charles Ives (1874-1954). Edited by Diane Monroe. Arranged by Daniel Dorff. For violin and piano
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Violinists' First Solo Album-Vol. II (Intermediate)
Violin and Piano
[Solo Part]
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Intermediate
Carl Fischer
By Various. Arranged by George Perlman. For Violin and Piano. Published by Carl ...
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By Various. Arranged by George Perlman. For Violin and Piano. Published by Carl Fischer.
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Jazz Violin Studies
Violin
[Sheet music + CD]
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Intermediate
Mel Bay
By Usher Abell. For Fiddle and Violin. Technique. Jazz. Level: Intermediate. Boo...
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By Usher Abell. For Fiddle and Violin. Technique. Jazz. Level: Intermediate. Book/CD Set. Size 8.5x10.75. 152 pages. Published by Mel Bay Publications, Inc.
(1)
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Wieniawski : Variations On An Original Theme Op.15 For Violin And Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
By H Wieniawski. VIOLIN/PIANO. PWM. 36 pages. Polskie Wydawnictwo Muzyczne #8739...
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By H Wieniawski. VIOLIN/PIANO. PWM. 36 pages. Polskie Wydawnictwo Muzyczne #8739070. Published by Polskie Wydawnictwo Muzyczne
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Suzuki Violin School, Volume 1
Violin
[Sheet music + CD]
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Beginner
Alfred Publishing
Violin Part. By Shinichi Suzuki, violin performed by William Preucil, Jr., pia...
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Violin Part. By Shinichi Suzuki, violin performed by William Preucil, Jr., piano accompaniment performed by Linda Perry. This edition: International. Method/Instruction; SmartMusic; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Book; CD. 48 pages. Alfred Music #00- 46910. Published by Alfred Music
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Solos for the Intermediate Violinist, Volume 1
Violin and Piano
[Reduction]
-
Intermediate
Last Resort Music Publishing
Edited by Gail Acosta. Arranged by Daniel Kelley. For Violin and Piano. Solos. R...
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Edited by Gail Acosta. Arranged by Daniel Kelley. For Violin and Piano. Solos. Recital. Level: Intermediate. Piano Score and Solo Part. Published by Last Resort Music Publishing.
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Scales for Advanced Violinists
Violin
[Sheet music]
Alfred Publishing
Compiled and edited by Barbara Barber. Instructional book for violin. With finge...
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Compiled and edited by Barbara Barber. Instructional book for violin. With fingerings and progress chart. 36 pages. Published by Preludio Music Inc.
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Violin Duet Collections - Violin Masters' Duet Repertoire
2 Violins (duet)
[Sheet music]
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Intermediate/advanced
Rubank Publications
Edited by Harvey S. Whistler, Herman A. Hummel. For violin duet. Format: duet so...
(+)
Edited by Harvey S. Whistler, Herman A. Hummel. For violin duet. Format: duet songbook. With standard notation, fingerings and bowings. Classical. Series: Rubank Educational Library No. 161. 56 pages. 9x12 inches. Published by Rubank.
(7)
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Baroque Violinist
Violin and Piano
Boosey and Hawkes
Intermediate Pieces for Violin and Piano. By Various. Arranged by Sheila Nelson....
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Intermediate Pieces for Violin and Piano. By Various. Arranged by Sheila Nelson. (Violin). Boosey and Hawkes Chamber Music. Size 9x12 inches. Published by Boosey and Hawkes.
(2)
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Suzuki Violin School Piano Acc., Volume 1
Violin and Piano
[Sheet music]
Alfred Publishing
By Dr. Shinichi Suzuki. For Violin. String - Violin (Suzuki). The Suzuki Method ...
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By Dr. Shinichi Suzuki. For Violin. String - Violin (Suzuki). The Suzuki Method Core Materials. Book. 28 pages. Published by Alfred Publishing.
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The Hot Cross Buns Book for Violin
Violin
[Sheet music]
C. Harvey Publications
By Cassia Harvey. Edited by Myanna Harvey. For violin. Instructional; string tec...
(+)
By Cassia Harvey. Edited by Myanna Harvey. For violin. Instructional; string techniques. Method book. 31 pages
(1)
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Brahms, Schumann and More - Volume III (Violin)
Violin
[CD Sheet Music]
Hal Leonard
(Complete Violin I and II Parts to 74 Orchestral Masterworks on CD-ROM) For viol...
(+)
(Complete Violin I and II Parts to 74 Orchestral Masterworks on CD-ROM) For violin I and violin II. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
(1)
$19.95 - See more - Buy online
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Medieval Music for Violin
Violin
[Sheet music + Audio access]
ADG productions
Composed by Allan Alexander. Saddle stitch. Medieval/Violin Instruction. Book an...
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Composed by Allan Alexander. Saddle stitch. Medieval/Violin Instruction. Book and digital download. Duration 65 minutes. Published by ADG Productions
(2)
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Violin Sonatas Op. 5 Bd. 1+2 Kplt.
Violin and Piano
Wiener Urtext
Ces sonates sont parmi les oeuvres epoch-making du répertoire pour violon et au...
(+)
Ces sonates sont parmi les oeuvres epoch-making du répertoire pour violon et aujourd'hui figure dans le répertoire standard de tous les violonistes. Il est d'autant plus surprenant, donc, que jusqu'à présent il n'y a pas eu édition Urtext de ces travaux importants.Le score est basé sur une première édition supervisée par Corelli lui-même. D'après ce que nous savons de la performance en temps de Corelli, cependant, était plusattend de la violoniste qu'une lecture musicale de la partition imprimée: il était d'usage d'ajouter des ornements à la limite de l'improvisation, avec l'embellissement et 'variations' comme vous le souhaitez. La partition originale est doncprésenté ici avec le plus documenté l'ornementation d'une réimpression publiée par Roger à Amsterdam en 1708. Cette ornementation n'est pas destiné à être servilement imité, mais de stimuler le lecteur à trouver leur propre interprétation créative et stylistiquement confiant de la partition. Comme Roger n'a pas précisé les ornements pour les sonates dans le deuxième volume, les 'variations que désiré' utilisé par l'élève de Corelli Geminiani ont été reproduites avec la Sonate neuvième exemple. Conseils sur les performances est donnée par la Cologne baroque spécialiste Reinhard Goebel. Ce conseil ne s'applique pas seulement à l'ornementation, mais aussi de l'articulation, coups d'archet et d'autres choses encore, appelant à des marquages ??spécifiques dans la partie de violon séparée.La réalisation de la partie de continuo fait écho à la mode de l'époque. Ici aussi, des conseils sur la performance vise à stimuler la libre interprétation par le joueur de continuo. Une partie basse chiffrée est inclus pour le joueur qui préfère lire l'accompagnement des chiffres. / Violon Et Piano
55.88 EUR - Sold by LMI-partitions
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XII Sonate A Violino Solo E Basso - Opera Sesta
Violin, Basso continuo
Anne Fuzeau Productions
XII sonate à violino solo è basso da camera. Opera sestaEdition : Amsterdam, l...
(+)
XII sonate à violino solo è basso da camera. Opera sestaEdition : Amsterdam, l'Auteur, s.d. (=1737).Présentation de Nicolas Fromageot : bibliographie - l'école romaine de violonLa partition qui a servi à réaliser ce fac-similé a été approuvée par le compositeur. Edition de 1737, conservée à la bibliothèque de l'Université de Leiden. / Violon Et Basse Continue / 78 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Fiser Lubos - Variations On An Unknown Theme - For String Quartet
String Quartet: 2 violins, viola, cello
Barenreiter
Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music i...
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Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music in the 20th century and composed the Variations on an Unknown Theme in 1976. The ?unknown theme? was a prankish eight-bar theme from Fi?er?s student days. In the elation following the home-team win over Canada on 15 March 1959, he made a bet with his colleague Kalach to compose a concert piece for violin and orchestra with the working title ?Canada-Rondo?. The whimsical contest was abandoned, but Fi?er did not forget the theme and he later created variations on it for his new composition for the Talich Quartet. The Variations on an Unknown Theme have now been published for the first time ever. This edition is based on the autograph of the score which is housed in the Czech Museum of Music in Prague.
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Violinist's Guide To Fiddling (WEEG MARK)
Violin
Mel Bay
Par WEEG MARK. Pas votre livre typique violon-tune, ces mélodies allant de vari...
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Par WEEG MARK. Pas votre livre typique violon-tune, ces mélodies allant de variations de mélodies régulières à obscurcir polkas écossais, duos classiques, tzigane fiddle tunes, airs cajuns et même deux ou trois tunes originales, avec de nombreux en troisième et cinquième position. Soins sans compromis a été prise dans la transcription de ces pièces, et pratiquement rien n'a été simplifié. Il y a plusieurs pièces pour piano classiques parés down pour violon solo et duos, Americana et même les variations de l'auteur sur 'Carnaval de Venise. ' Inclus est une section de vaste à jouer le violon de back-up à un autre instrument, logement sur les patrons de la corde, double-stops, patrons, la prosternation ' couper fois, 'et toutes sortes d'accompagnement et toutes les mélodies de violon ont inclus des symboles de corde. / Niveau : Débutant à Intermédiaire / Fiddle Tunes - Solos / Recueil / Violon
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Works For Piano And Violin (MOZART WOLFGANG AMADEUS)
Violin and Piano
G. Henle
Works for Piano and Violin I. Par MOZART WOLFGANG AMADEUS. Mozart ne sÂ’est adon...
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Works for Piano and Violin I. Par MOZART WOLFGANG AMADEUS. Mozart ne s’est adonné à aucun autre genre de musique de chambre autant qu’à celui des duos pour piano et violon, qu’il s’agisse de sonates ou de variations. Exploitant les possibilités d’interaction de ces deux instruments par des combinaisons et des croisements toujours renouvelés, en particulier dans les sonates, il composa ainsi des oeuvres d’une beauté pure et intemporelle alliant force dramatique, élégance et profondeur de sentiments. Cette édition de travail offre le texte complet et non modifié des partitions publiées dans les trois éditions pratiques «bleues» Henle Urtext HN 77, 78 et 79, respectivement l’édition sous reliure lin de l’ensemble des sonates pour violon deMozart HN 80. / Partition brochée / Répertoire / Violon et Piano
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Johannes Brahms: Doppelkonzert A-Moll Op. 102: Violin & Cello: Miniature Score
Violine, Violoncello und Orchester
[Study Score / Miniature]
G. Henle
Entre 1859 et 1885 avec ses quatre symphonies ses deux concertos pour piano u...
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Entre 1859 et 1885 avec ses quatre symphonies ses deux concertos pour piano un concerto pour violon des danses des variations et des ouvertures Brahms était devenu le représentant incontournable de la grande musique orchestrale. En 1887 il choisit d?écrire son double concerto en la mineur op. 102 pour le violon et le violoncelle car il disposait pour ces instruments de solistes de premier plan: après la création de la deuxième sonate pour violoncelle de Brahms le violoncelliste Robert Hausmann lui avait demandé une pièce de concert quant au fameux violoniste Joseph Joachim il entretenait avec Brahms des liens d?amitié et avait notamment créé son concerto pourviolon. Après la tonalité sombre de la quatrième symphonie ce concerto apparaît comme particulièrement optimiste et réconciliateur. Également paru dans le cadre de la nouvelle édition complète des ?uvres de Brahms il est proposé ici sous la forme très maniable de partition d?étude.
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Trinity Violin 2020-2023. Grade 5: Violin: Instrumental Album
Violin
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Intermediate
Trinity College London
Violin 2020-2023. Grade 5. This book contains a selection of eight pieces for Tr...
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Violin 2020-2023. Grade 5. This book contains a selection of eight pieces for Trinity Violin Grade 5 exams 2020?2023, carefully chosen, graded and edited by a panel of experts. Encompassing a wide range of styles and including accompanied and unaccompanied pieces at every grade and duets up to Grade 3, this progressive series provides a wealth of engaging repertoire for any violin player. CD available separately, or stream or purchase audio from Amazon, Google Play, iTunes, Spotify and other platforms.
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Ede Poldini Nikolai Rimsky-Korsakov: Collection 2: Violin: Instrumental Work
Violin and Piano
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Intermediate/advanced
Carl Fischer
Original compositions in the style of, transcriptions and arrangements for Violi...
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Original compositions in the style of, transcriptions and arrangements for Violin and Piano. Compilation and introductory notes by Eric Wen, and foreword by Isaac Stern.
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X Sonate, VIA Violino Solo E Basso, E IV E Tre. Op. VIII
2 Violins and Basso
Anne Fuzeau Productions
X Sonate, VI à violino solo è basso, è IV a trè. Opera Ottava. Edition : Ams...
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X Sonate, VI à violino solo è basso, è IV a trè. Opera Ottava. Edition : Amsterdam, l'Auteur, s.d. (=1744)Présentation de Nicolas Fromageot : Bibliographie - Comparaison des première et seconde éditions - Lecture de la partition. Exemplaire déposé par le compositeur à l'Université de Leiden. La préface apporte la comparaison avec la seconde édition hollandaise et avec l'édition française. - Fac-similé de l'exemplaire conservé - à la bibliothèque de l'université de Leiden.Edition en parties séparées : partie de premier violon, avec la basse, en partition, pour les six premières sonates et sans la basse pour les sonates VII à X - partie de second violon (sonates VII à X) - basse continue (sonates VII à X) / Violon Et Basse Continue, 2 Violons Et Basse Continue / 84 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Arcangelo Corelli: Violinsonaten op. 5 Band 2: Violin: Instrumental Work
Violin
Wiener Urtext
Wiener Urtext-These sonatas are among the epoch-making works of the Violin reper...
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Wiener Urtext-These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli's time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the Continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.
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Arcangelo Corelli: Violinsonaten op. 5 Band 1: Violin: Instrumental Work
Violin
Wiener Urtext
These sonatas are among the epoch-making works of the Violin repertoire and nowa...
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These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli’s time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.
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Theme et Variations: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Leduc, Alphonse
As a passionate composer organist and ornithologist many of Olivier Messiaen's...
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As a passionate composer organist and ornithologist many of Olivier Messiaen's works incorporate these three elements. However he took a different stance for his Thème et Variations for Violin and Piano composing it as a wedding present for his first wife Claire Delbos in 1932. The couple gave its first performance during the same year. Admitted to the Paris Conservatoire at the mere age of eleven Olivier Messiaen (1908-1992) was an outstanding pupil winning many prizes. Thème et Variations was composed shortly after his appointment as titular organist at the Sainte Trinité church inParis and is often considered to be characteristic of his famous Quatour pour la fin du temps. Made up of a theme and five variations it begins simplistically before entering the complex variations. The theme is composed in common time and at a moderate tempo. Each variation varies in dynamics time signature tempo tonality and rhythm among other elements; however Messiaen cleverly retains suggestions of the theme all throughout. Challenging as it is Thème et Variations is an exciting varied and compelling performance piece for all advanced violinists.
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Chansons Russes Variées Pour Deux Violons. Op. 2
2 Violins (duet)
Anne Fuzeau Productions
Chansons Russes variées pour Deux Violons. oeuvre 2. Edition : Saint-Petersbour...
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Chansons Russes variées pour Deux Violons. oeuvre 2. Edition : Saint-Petersbourg, Gotha, Gerstenberg, 1796.Présentation de Pavel Serbin : introduction - mélodies des chansons - erreurs.Oeuvres très agréables, à deux violons seuls, qui viennent enrichir le répertoire du XVIIIe siècle. La préface donne les sources des chansons russes qui ont servi de fondement aux variationsEdition en parties séparées : violino primo - violino secondo. / 2 Violons / 40 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Johann Pachelbel: Canon D: Violin: Instrumental Work
Violin and Piano
Peters
While Pachelbel has been most admired as a composer of organ works and Lutheran ...
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While Pachelbel has been most admired as a composer of organ works and Lutheran church music his Canon in D has long been one of his most celebrated compositions. It combines two time-honored compositional devices. The first of these is of course the canon a procedure whereby a melody in one part is strictly imitated by one or more other parts; a round (such as for example Frère Jacques) is a type of canon. The second device involves a short bass line (refeered to as a ground bass) that is repeated constandly over which the composer writes continuous variations. In its original form the work consists of an initial statement of an eight note ground bass followed by27 variations in strict canonic style for three violins above that bass. In addition to these four essential parts an appropriate harmonic background would have been improvised on harpsichord lute or organ. In the present arrangement Pachelbel's note values have been doubled for greater ease of reading and the work's canonic structure has been somewhat modified in order to make it more readily playable by violinists and pianists at an intermediate level. Since dynamics bowing indications articulations and slurs were not customarily provided by composer of the Baroque era the arranger and the editor have added them here as well as a metronome indication and a few cadential trills. Obviously these editorial additions should be regarded only as suggestions.
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Raymond Gallois Montbrun: Solo De Concert N09: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Leduc, Alphonse
Part of the collection “Concert Solo”  Neuvième Solo is a contemp...
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Part of the collection “Concert Solo”  Neuvième Solo is a contemporary and modern piece by Raymond Gallois Montbrun for Violin and Piano. Quite difficult this piece should prepare upper-intermediate players to play classical concertos. This really nice piece is composed of a main theme four variations and a final. The theme is quite lyrical and has an Allegretto tempo. The fourth theme stands out by its extensive use of harmonies. The Piano accompaniment also evolves based on the variations. The piece finishes on a really harmonious final. Raymond Gallois Montbrun (1918-1994)was a French violinist and composer who won the Premier Grand Prix de Rome and the Grand Prix de Paris. He later became the director of the Paris Conservatoire. He composed many symphonic pieces an opera a quartet and many pieces for Solo Piano Violin and Piano and other instruments.
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Otakar Sevcik: Vierzig Variationen Für Violine Op. 3: Violin: Instrumental Work
Violin and Piano
Barenreiter
Otakar ?evcik?s single-volume Forty Variations for the Violin occupies a special...
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Otakar ?evcik?s single-volume Forty Variations for the Violin occupies a special position in his extensive oeuvre of teaching material. Here he follows up on his systematic ?step by step? work for the right hand which he covered in detail in his previous Op.2.Nonetheless this volume can be used as a self-contained unit enlivening the violinist?s daily regimen and offering a concise and highly effective method for mastering the right hand from elementary exercises to virtuoso technique.The editor Pavel Kudelásek is a teacher at the Prague Conservatory.New edition of another ?evc k opus for training the right handA follow-up to School ofBowing Technique Op.2Foreword by the editor (Cz/Eng/Ger)Medium to high level of difficulty
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