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Violin Sonata No. 1
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G Major, Op. 78 for Violin and Piano. Composed by Johannes Brahms (1833-1897). Edited by Bernd Wiechert. Henle Music Folios. Classical. Softcover. 66 pages. G. Henle #HN1568. Published by G. Henle
Instrumentation :
Violin and Piano
Publisher :
G. Henle
9.25x12.25x0.227 inches.<br>
<br>
Brahms's First Violin Sonata in G major is also known by the sobriquet “Regenliedsonate” (Rain Sonata) because its final movement quotes melodic motifs from his two songs “Regenlied” and “Nachklang” (which likewise has rain as its subject). The dotted opening motif of the finale already pervades the first two movements, thereby contributing to the inner cohesion of this wonderfully expressive, elegiac work. Brahms's contemporaries enthusiastically received this sonata, which was completed in 1879. Elisabeth von Herzogenberg, a close friend of the composer, found that one has to “love it like little else in the world.” The musical text of this revised Urtext edition is based on that of the newly completed volume of the New Brahms Complete Edition,which guarantees the highest degree of scholarly precision.
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Composed by Wolfgang Amadeus Mozart (1756-1791). For Violin and Piano. Classical...
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Composed by Wolfgang Amadeus Mozart (1756-1791). For Violin and Piano. Classical; Chamber. Intermediate. Full score, part and 2 Play-Along CDs. Published by Recorder JP
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6 Violin Sonatas op. 4 [W: V 1-6] (Paris, 1788 ?)
Violin, Basso continuo
[Score and Parts]
Musedita
Composed by Giovanni Battista Viotti (1755-1824). Edited by Alessandro Bares and...
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Composed by Giovanni Battista Viotti (1755-1824). Edited by Alessandro Bares and Giuseppe Fochesato. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Classical. Score and set of parts. Published by Musedita Edizioni Musicali
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Johann Baptist Georg Neruda: Sonate a-moll für Violine und Basso continuo:
Violin, Basso continuo
G. Henle
Sonata in a minor for Violin and Basso continuo-There has been increased general...
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Sonata in a minor for Violin and Basso continuo-There has been increased general interest in the Bohemian composer Johann Baptist Georg Neruda (c. 1711 1776) over the past few years especially due to his frequently played trumpet concerto. A respectedviolinist and longstanding member of the Dresden Court Orchestra he did however mainly compose for the Violin. The substantial and technically quite demanding Violin Sonata in a minor was published for the first timeever in 1982 as part of Henle's edition ?Bohemian Violin Sonatas? (HN 334). Henle are now proud to present it in a practical single edition with a new preface as well as an additional unmarked part.
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Tartini G. - Quattro Sonate Per Violino
Violin
Armelin Musica
Giuseppe Tartini (1692 - 1770) Quattro Sonate per Violino - Sonata Il Trillo ...
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Giuseppe Tartini (1692 - 1770) Quattro Sonate per Violino - Sonata Il Trillo del Diavolo (Bg5) per VL/BC - Sonata Didone Abbandonata (Bg10) per VL/BC - Sonata Senti lo Mare per (Be1) per VL/VC - Sonata La mia Filli (Ba3) per VL solo A cura di / Edited by Federico e Giovanni Guglielmo La pubblicazione è composta da: - Partitura - Parte di violino secondo le fonti originale - Parte di Violino con revisione violinistica - Parte del Basso La straordinaria riscoperta in tempi moderni della musica di Antonio Vivaldi è stata strettamente connessa sin dagli anni cinquanta dello scorso secolo alla meritoria prima edizione (più o meno completa) da parte dell?Istituto Italiano Antonio Vivaldi fondato da Antonio Fanna. In seguito, oltre ad avere pubblicato quasi la totalità delle composizioni del Prete Rosso l?Istituto veneziano ha corretto e attualizzato le sue più antiche edizioni alla luce delle nuove conquiste musicologiche e con una precisa attenzione a quelle che erano le istanze che provenivano dagli esecutori ?storicamente informati?. Giuseppe Tartini non ha goduto di altrettanta fortuna. Dopo alcune edizioni assai poco accurate (si potrebbe parlare piuttosto di reinterpretazioni, quali furono tra le altre quelle del leggendario violinista Fritz Kreisler e di Riccardo Zandonai), legate prevalentemente alla sopravvivenza ottocentesca di alcuni brani (in particolare il Trillo del Diavolo, la Didone Abbandonata e le variazioni L?Arte dell?Arco) nel corso del XX secolo poche edizioni davvero attendibili sono state date alle stampe, in primis quelle della collana a cura di Edoardo Farina e Claudio Scimone (Le opere di Giuseppe Tartini, Carisch) ma anche grazie all?azione isolata di violinisti (Giovanni Guglielmo) e musicologi (Enrica Bojan e Agnese Pavanello). Ancora oggi siamo ben lontani dalla possibilità di avere una moderna e completa edizione dell?opere del Maestro delle Nazioni anche se grazie all?instancabile lavoro di Sergio Durante e con l?istituzione del ?Comitato Tartini 2020? si intravedono nuovi slanci e grandi opportunità. La mancanza di edizioni attendibili per gli interpreti si è sovente riverberata sulle esecuzioni - fossero queste inserite in saggi scolastici, concorsi internazionali o recital dei più noti virtuosi - al punto che è stato quasi impossibile liberare le opere tartiniane da tutta una serie di istrionismi e di stilemi ottocenteschi che ormai si erano profondamente radicati alla percezione di queste opere. La presente edizione mira quindi non tanto a fornire una nuova edizione critica (talune, ottime, già esistono) di queste quattro Sonate che sono state scelte per la loro notorietà, rappresentatività e bellezza quanto piuttosto a garantire agli interpreti, siano essi giovani studenti o affermati professionisti, un testo coerente e corretto. Per questo motivo in aggiunta ad una parte di violino priva di segni interpretativi abbiamo ritenuto utile introdurre una seconda parte di violino con diteggiature ed indicazioni dinamiche che potranno essere di giovamento sia per gli interpreti ?tradizionali? che per quelli interessati alle prassi esecutive storiche. Federico Guglielmo
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Schott Violin Library
Violin, Basso continuo
Schott
The Schott Violin Library contains eleven varied Baroque sonatas for violin and ...
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The Schott Violin Library contains eleven varied Baroque sonatas for violin and basso continuo. Including both popular sonatas by Corelli, Vivaldi, Handel and Telemann and lesser known, charming compositions by Dall? Abaco, Pepusch and Finger. Suitable for violinists of intermediate standard. Some of these works can be played entirely in first position, others require only a few position changes and the sonatas by Dall?Abaco, Kirchhoff, Vivaldi and Handel require more fluent shifts between the first three positions. / Violon Et Basse Continue
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Sonatas For Violin and Pianoforte: Violin: Instrumental Album
Violin
Stainer and Bell
Edited by Jeremy DibbleA key figure in the so-called English Musical Renaissance...
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Edited by Jeremy DibbleA key figure in the so-called English Musical Renaissance Parry was a considerable composer of chamber music. His three violin sonatas the first of which in d minor is here published for the first time along with the Fantasie-sonata and Sonata in D major date from the 1870s and 80s and are contemporary with his four symphonies and setting of Milton's Blest Pair of Sirens . They are fine additions to the string repertoire and will be greeted enthusiastically by violinists seeking new material for recitals. Performing editions of each sonata are available separately.First published in 2003. Hardback
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Georg Friedrich Händel: Sonatas - Volume 1: Violin: Instrumental Work
Violine und Basso continuo (Violoncello und Cembalo/Klavier)
[Score and Parts]
Peters
George Frideric Handel's Sonatas Volume 1 for Violin solo and Piano accompanim...
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George Frideric Handel's Sonatas Volume 1 for Violin solo and Piano accompaniment. Includes the works Sonata in A Major for violin and continuo HWV361 Op. 1 No. 3 Sonata in F major for violin and continuo HWV370 Op. 1 No. 12 and Sonata in G minor for violin and continuo HWV368 Op. 1 No. 10.
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Claude Debussy: Sonata For Violin And Piano In G Minor: Violin: Instrumental
Violin and Piano
G. Henle
Debussy wrote his solitary Violin Sonata in the closing days of his life plague...
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Debussy wrote his solitary Violin Sonata in the closing days of his life plagued by the distress of the ongoing Great War financial difficulties and health issues of a terminal cancer. Shortly afterits completion in April the first performance took place on May 5th 1917 with Debussy himself at the Piano. This was the composer?s last public appearance before his death in 1918.The Sonata For Violinand Piano was the third and final composition in a cycle intended to consist of six sonatas for various instruments. It has an overall atmosphere of melancholy while also capturing contradictory characteristics such asjoy and silliness presented in a form closer to a fantasia than a sonata. The three expressive movements (Allegro vivo Intermede and Finale) are written in a French nationalistic spirit withdistinctive influences from Spanish and gypsy music throughout. This ambiguousness and ambivalence in form sound and character all attribute to Debussy?s innovative language of ?musical impressionism? which has become afavourite of musicians and audiences alike.The comments at the end of this Urtext edition provide detailed information on the sources and alternative readings while the preface by François Lesure in German English andFrench gives historical and biographical context. Two copies of the Violin solo are included as separate inserts.
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Camille Saint-Saëns: Sonate Nr. 1 d-moll op. 75 für Klavier und Violine: Violin:
Violin and Piano
-
Intermediate/advanced
G. Henle
Sonata no. 1 in d minor op. 75 for Piano and Violin-Violin Sonata No. 1 D Minor ...
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Sonata no. 1 in d minor op. 75 for Piano and Violin-Violin Sonata No. 1 D Minor Op. 75 was originally planned only as a little duo for Violin and Piano the composition grew into a Sonata in autumn 1885.Saint-Saëns implied that the Violinpart could only be played by a mystical figure. Violin Sonata No. 1 D Minor Op. 75 has lost its horrors and is now one of the best loved chamber music works by the French master.
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Wolfgang Amadeus Mozart: Violin Sonatas - Volume 3: Violin: Instrumental Album
Violin and Piano
G. Henle
(Spätere Wiener) Urtextausgabe mit einer bezeichneten und einer unbezeichneten ...
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(Spätere Wiener) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Streicherstimme-This is the third volume of Mozart’s Complete Sonatas for Piano and Violin and contains fully revised versions of his five sonatas for Piano and Violin K.454 K.481 K.526 and K.547 also known as Die spateren WienerSonatas and also includes the Violin Sonata In B Flat K.570.This authoritative Henle Urtext edition has been carefully edited by Wolf-Dieter Seiffert with fingerings by Walther Lampe and Karl Rohrig and provides you with the most accurate realisation of the composer’s original intentions with thoroughly comprehensive and detailed editorial markings and suggestions.
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Trinity Violin 2020-2023. Grade 6: Violin: Instrumental Album
Violin
-
Intermediate/advanced
Trinity College London
Violin 2020-2023. Grade 6. This book contains a selection of eight pieces for Tr...
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Violin 2020-2023. Grade 6. This book contains a selection of eight pieces for Trinity Violin Grade 6 exams 2020?2023, carefully chosen, graded and edited by a panel of experts. Encompassing a wide range of styles and including accompanied and unaccompanied pieces at every grade and duets up to Grade 3, this progressive series provides a wealth of engaging repertoire for any violin player. CD available separately, or stream or purchase audio from Amazon, Google Play, iTunes, Spotify and other platforms.
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Sonata Per Il Flauto, Violino E Basso
Flute, Violin, Keyboard (basso continuo)
Fuzeau
Sonata per il Flauto, Violino e Basso. Trio fürs Clavier mit einer Violine oder...
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Sonata per il Flauto, Violino e Basso. Trio fürs Clavier mit einer Violine oder Flöte. Deux oeuvres extraites de Musikalisches Vielerley publié par Carl Philipp Emanuel Bach.Edition : Hamburg, M.C. Bock, 1770oeuvres publiées en partition.La sonate peut de jouer, soit avec une flûte, un violon et une basse continue - soit avec une flûte et un clavecin.Le trio peut se jouer soit avec une flûte et un clavecin - soit avec un violon et un clavecin. / Flûte Traversière Et Clavecin, Oeuvres Pour Instruments Divers Ad Libitum Dont La Flûte Traversière, Sonates En Trio Pour Violon Et Instruments Divers, Violon Et Clavecin, Clavecin Et Violon / 28 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
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Johann Sebastian Bach: Sonatas Und Partitas (BACH JOHANN SEBASTIAN)
Violin
[Sheet music]
Barenreiter
For Violin Solo. Par BACH JOHANN SEBASTIAN. Monument der solistischen Violinmusi...
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For Violin Solo. Par BACH JOHANN SEBASTIAN. Monument der solistischen Violinmusik, Prüfstein für jeden Geiger mit Anspruch - diese Superlative werden den „Sei Solo', besser bekannt als „Sonaten und Partiten für Violine solo' von Johann Sebastian Bach, beigegeben. Bach schafft vielerlei Beziehungen auf vielerlei Ebenen, teils klar erkennbar, teils subtil: ein Kosmos der Formenvielfalt und des Violinspiels, von der einstimmigen Linie bis zum kontrapunktischen Satz. Dem nachzuspüren, Zusammenhänge zu erkennen vor dem Hintergrund der biographischen, musikhistorischen und kompositorischen Voraussetzungen, ist Zweck dieses Buches. Zugleich liefert Bernhard Moosbauer Hilfestellungen für eine fundierte, aus dem kompositorischen Verständnis der Soli gespeiste Interpretation für Violinisten gleich welcher Couleur. - Einführung in die Musikgeschichte und Struktur der berühmten Solowerke - Beschreibung und Einordnung aller Sätze in die Gesamtanlage - Für professionelle und nichtprofessionelle Geiger sowie für alle Musikinteressierten Bernhard Moosbauer studierte Schulmusik, Komposition, Musikwissenschaft und Barockvioline in Stuttgart, Tübingen und Straßburg. Er widmet sich hauptsächlich der Kammermusik des Barock und spielt außerdem in diversen Ensembles und Orchestern mit Originalinstrumenten im süddeutschen Raum. Seine Forschungsschwerpunkte sind die Instrumentalmusik des 17. und 18. Jahrhunderts und die Sinfonik der Wiener Klassiker. Er ist mit Editionen von Werken Corellis, Vivaldis, Bibers und Händels sowie mit Fachartikeln und Buchpublikationen hervorgetreten. Bei Bärenreiter erschien seine Monographie zu Vivaldis „Vier Jahreszeiten' (BVK 1583)./ Répertoire / Violon
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Ludwig van Beethoven: Sonata For Violin And Piano Volume 1: Violin: Instrumental
Violin and Piano
G. Henle
Violin Sonatas Volume I-The Sonaten Fur Klavier Und Violine (Sonatas For Piano ...
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Violin Sonatas Volume I-The Sonaten Fur Klavier Und Violine (Sonatas For Piano And Violin) Volume 1 is a beautiful collection of works for Violin and Piano composed by Beethoven. These sonatas provide a wonderful addition to the repertoireand will present an enjoyable challenge to the violinist and pianist alike.This Urtext edition provides you with a clear and accurate representation of the composer's original intentions. The solo violin part is alsoincluded on a separate insert.
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Schott Violin Library
Violin, Basso continuo
Schott
Separate bass part for performance e.g. with cello accompaniment.Schott Violin L...
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Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott. / Violon Et Basse Continue
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Ludwig van Beethoven: Violin Sonatas - Volume 2: Violin: Instrumental Album
Violin and Piano
G. Henle
Violin Sonatas Volume II-Volume II of Ludwig van Beethoven’s Sonatas for ...
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Violin Sonatas Volume II-Volume II of Ludwig van Beethoven’s Sonatas for Piano and Violin includes Violin sonatas No. 6-10 - Beethoven wrote 10 sonatas for Violin and Piano in total (No. 1-5 can be found inVolume I of this edition). Out of these 5 sonatas Violin Sonata No. 9 (commonly known as the ‘Kreutzer Sonata’) is the most widely known because of its demanding Violin part unusual length of slightlyless than 40 minutes (with the other four averaging at ca. 23 minutes) and emotional scope - while the first movement is predominantly furious the second is meditative and the third joyous and exuberant. This Urtextedition provides you with a clear and accurate representation of the composer's original intentions. Two copies of the Violin score are included as separate inserts as well as a preface in German English and French.
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Handel George Frideric - Violin Sonatas Vol 2 - Violin And Piano
Violin and Piano
Peters
Instrumentation: Vln—Pf(Vc/VdG ad lib) Editor: Burrows Format: Sheet...
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Instrumentation: Vln—Pf(Vc/VdG ad lib) Editor: Burrows Format: Sheet Music Details: Sonatas in F major, D major, G minor, F major; Sonata à cinque in Bb; Allegro in C minor; Sonatina from 'Il trionfo del tempo'; Sonata Movement in A minor; Fantasia in A; Allegro in G for solo violin Contents: ...there's quite a bit of question as to what exactly constitutes Handel's violin sonatas....Editor Donald Burrows feels that, because of range and style, some of these suspect works also were intended as violin sonatas....The advantage of the newly reprinted Peters edition is that there are more pieces to choose from, the music is clear and easy to read, the page turns considerate, and the keyboard realization simple, but effective.--Sarah Freiberg, for STRINGS (September 2010)
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Maurice Ravel: Violin Sonata In G Major: Violin: Score
Violin and Piano
G. Henle
Violin Sonata in G major-Inspired by Béla Bartók’s Violin sonatas Ravel...
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Violin Sonata in G major-Inspired by Béla Bartók’s Violin sonatas Ravel planned his own sonata for Violin and Piano in 1922 but at first did not get beyond sketches. Many interruptions ensued and the work was onlyfinished in 1927. He dedicated it to his violinist friend Hélène Jourdan-Morhange. Regarding the sonata’s sparse thinned out compositional structure and instrumentation Ravel later emphasized thatthe sonata proved the tonal incompatibility of the Violin and Piano. Yet it still succeeded in winning a permanent place in Violin repertoire – not least because of its middle movement inspired by jazz elements and the“blues”. The fingerings in this Henle Urtext edition have been provided by two masters of their instruments: Christian Tetzlaff and Pascal Rogé.
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Sonata No 2 for Violin and Piano (SAINT-SAENS CAMILLE)
Violin and Piano
[Sheet music]
Barenreiter
In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th cen...
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In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months by the composer in Egypt: he began the main themes of all four movements as well as the canonic trio in Luxor and Aswan. The sonata was then completed on the Nile journey back to Cairo. That same year the sonata was premiered by Saint-Saëns and Pablo Sarasate in a concert celebrating the composer?s fiftieth stage anniversary. Astoundingly, he had first appeared on stage when he was only ten years old. This performing edition edited by Fabien Guilloux and François de Médicis is based on ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4. It reflects the most up-to-date state of research on this work which the edition presents in a spacious engraving. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-08/ Répertoire / Violon et Piano
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Sonate A Violino E Basso Per Il Cembalo
Violin, Basso continuo
Anne Fuzeau Productions
Sonate a violino, e basso per il cembalo - Edition : Bortoli, Venise, 1709.Sonat...
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Sonate a violino, e basso per il cembalo - Edition : Bortoli, Venise, 1709.Sonate a violino, e basso per il cembalo - Edition : E. Roger, Amsterdam, s.d. (= c. 1710).Présentation par Nicolas Fromageot : bibliographie de l'oeuvre - quelques points de comparaison entre les deux éditions - annexe : titre et première page de l'édition Walsh (c.1721).Sonate a violino, e basso per il cembalo. Bortoli, Venise, 1709 : Fac-simile en taille réduite de l'édition originale italienne, à titre de documentation - (4 images par page). Nous avons choisi de reproduire en grand l'édition d'Amsterdam, qui est beaucoup plus lisible. / Violon Et Basse Continue / 88 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Rued Langgaard: Kort Violinsonate / Short Violin Sonata: Violin: Score and Parts
Violin
[Partitions]
-
Intermediate/advanced
Rued Langgaard Edition
Kort Violinsonate / Short Violin Sonata (1949) BVN 372 - for Violin and Piano. ...
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Kort Violinsonate / Short Violin Sonata (1949) BVN 372 - for Violin and Piano. Critical edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition.
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Robert Schumann: Sonatas Vol. 1: Violin: Instrumental Work
Violin
Wiener Urtext
Schumann’s Violin Sonatas were taken up with enthusiasm very soon after th...
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Schumann’s Violin Sonatas were taken up with enthusiasm very soon after they were first performed. The Second Sonata was described at the time as 'Second only to Beethoven's Sonata in A'. Sonatas Op. 105 and Op. 121 are now presented in the first volume of this Wiener Urtext edition. It is based on the score in the new complete Schumann edition which draws not only upon the authorised first editions of both works but also upon Schumann’s working manuscripts and – in the case of the 2nd Sonata – the score used by the engravers and extensive correspondence between the composer and the originalpublishers. Meticulous comparison of these original documents has made it possible to determine numerous details regarding dynamics and articulation. Schumann’s autograph manuscript has been of significant help in this respect. The edition is part of the ABRSM syllabus (grade 8).
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Edvard Grieg: Sonata in G major op. 13: Violin: Score and Part
Violin and Piano
G. Henle
Of Grieg?s three Violin sonatas the great C-minor Sonata op. 45 is the best kno...
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Of Grieg?s three Violin sonatas the great C-minor Sonata op. 45 is the best known today. And unjustly so because the two early sonatas are captivating in their joy to play and their fresh youthful tone. And what is more they can also be played by advanced students due to their somewhat lesser technical demands. Written in 1867 the G-major Violin Sonata op. 13 palpably draws on Grieg?s enthusiasm for Norwegian folk music; the lively outer movements in particular take as their model the traditional ?jumping dance.? Aside from the second print edition of 1887 revised by Grieg himself the autograph manuscript in Stockholm wasalso consulted for this edition thus offering an optimally ascertained musical text.
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Gabriel Fauré: Sonata No.1 For Violin And Piano In A Major: Violin: Instrumental
Violin and Piano
G. Henle
Faur? composed his Violin sonata in 1875/76 and in so doing opened up a new trad...
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Faur? composed his Violin sonata in 1875/76 and in so doing opened up a new tradition for this genre in French music. In a review Saint-Saëns expressed his enthusiasm for this work by his friend and pupil: 'In thissonata you can find everything to tempt a gourmet: new forms excellent modulations unusual tone colours and the use of unexpected rhythms. And a magic floats above everything encompassing the whole work causing the crowd ofusual listeners to accept the unimagined audacity as something quite normal. With this work Monsieur Fauré takes his place amongst the masters.'
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George Antheil: Violin Sonata No. 2: Violin: Instrumental Work
Violin and Piano
Schirmer
Edited by Ron Erickson. Sonata No.4 completed in 1948 was entitled 'No. 2' by ...
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Edited by Ron Erickson. Sonata No.4 completed in 1948 was entitled 'No. 2' by Antheil. It appears from the list of workds he made in 1944 that of the works from the Paris years he wanted to consolidate the Sonata No. 1 withthe third and ignore the second so that all the violin and piano sonatas before 1940 would be known as one work - called Sonata No. 1. Modern notation conventions have been adapted to Antheil's chromatic-polytonal language inorder to make the text as definite and as readable as possible. In this edition poytonal key signatures sometimes are substituted for masses of accidentals.
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Georg Friedrich Händel: Sonatas: Violin: Instrumental Work
Violin
Wiener Urtext
Georg Friedrich Handel's Sonatas for Violin and Basso Continuo belong to the cor...
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Georg Friedrich Handel's Sonatas for Violin and Basso Continuo belong to the core repertoire of Baroque Violin music some of them even being among the most famous repertoire pieces of their time. The new edition in the Wiener Urtext Edition series is based on Handel's autographs contemporary copies and first prints. In addition to Handel's nine violin sonatas it contains two minuets for Violin and Basso Continuo which have been handed down in the environment of the sonatas. Apart from the solo Violin part and a Continuo score with a realised easily playable Basso Continuo the edition also includes a figured Bass partwhich gives experienced Continuo players the opportunity to improvise on the Basso Continuo part. The notes on interpretation by the renowned Baroque expert Reinhard Goebel provide insight into a sonata performance that was common practice at the time of Handel.
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XII Sonate A Violino Solo E Basso - Opera Sesta
Violin, Basso continuo
Anne Fuzeau Productions
XII sonate à violino solo è basso da camera. Opera sestaEdition : Amsterdam, l...
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XII sonate à violino solo è basso da camera. Opera sestaEdition : Amsterdam, l'Auteur, s.d. (=1737).Présentation de Nicolas Fromageot : bibliographie - l'école romaine de violonLa partition qui a servi à réaliser ce fac-similé a été approuvée par le compositeur. Edition de 1737, conservée à la bibliothèque de l'Université de Leiden. / Violon Et Basse Continue / 78 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Edvard Grieg: Sonata For Piano And Violin In C Minor Op.45: Violin: Instrumental
Violin and Piano
G. Henle
Grieg?s third Violin Sonata is one of his major creations and stands alongside t...
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Grieg?s third Violin Sonata is one of his major creations and stands alongside the sonatas of Johannes Brahms and César Franck at the pinnacle of late nineteenth century chamber music. One small measure of the work?srenown is its occurrence in Thomas Mann?s novel 'Doktor Faustus'. The sonata has been growing more popular ever since its first publication and it is now high time for it to appear in an urtext edition from Henle. A preface anddetailed editorial notes provide interesting background material on the work?s source tradition.
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Rudolf Kreutzer: 42 Studies or Caprices: Violin: Instrumental Album
Violin
[Sheet music]
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Intermediate/advanced
Peters
Well known for his style of bowing his splendid tone and the clearness of his e...
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Well known for his style of bowing his splendid tone and the clearness of his execution French violinist teacher and composer Rodolphe Kreutzer (1766-1831) composed nineteen Violin concertos and forty operas during his life time and is perhaps best known for his 42 Études or Capriccios 1796. Born in Versailles Kreutzer was initially taught by his German father who was a musician in the royal chapel with later lessons from Anton Stamitz. He quickly rose to fame as a Violinist appearing as a soloist until 1810. In 1798 when at Vienna in the service of the French ambassador Jean-Baptiste Bernadotte (later King ofSweden and Norway) Kreutzer the made the aquaintance of Beethoven and became the dedicatee of his Violin Sonata No. 9 Op. 47 (1803). Kreutzer however never played the work declaring it unplayable and incomprehensible. From 1795 until 1826 Kreutzer taught at the Conservatoire de Paris where he became co-author of the Conservatoire's Violin method with Pierre Rode and Pierre Baillot. He was also leader of the Paris Opera for a time. This volume contains Kreutzer's 42 Études which are to this day considered fundamental studies for student Violinists.
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Arcangelo Corelli: Adagio And Allegro: Violin: Instrumental Work
Violin
Bosworth
Arcangelo Corelli (1653 - 1713) was an Italian violinist and composer. He was on...
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Arcangelo Corelli (1653 - 1713) was an Italian violinist and composer. He was one of the earliest pioneers of the modern Violin and helped define its capabilities for generations after. He only published 6 opuses in his lifetime but they are arguably the most influential collection of baroque music that survives today. His Opus 5 was a collection of 12 Violin Sonatas the only Sonatas he published. They were written for the composer’s own use and performed by him many times showcasing the Violin technique he had developed over his career. Adagio and Allegro are the last two movements in Corelli’s Sonata No.1 in DMajor. Originally written for Violin and Harpsichord they are published here for Violin and Piano.
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