SKU: PA.H07911
ISBN 9790260104457. 31 x 23.5 cm inches.
Lubos Fiser (1935-1999) was one of the most talented Czech composers of his generation. Born in Prague, he studied at the Prague Conservatoire from 1952-1956 and then at the Academy of Music. He was known to the public for his many film scores but it was his other compositions, many of them written under difficult political conditions, which mark him out as a composer of significance.Fiser's eight piano sonatas have a special place in his oeuvre. Fiser subsequently eliminated his second sonata (1956) from his compositional repertoire. From the third sonata onwards (1960), subtitled Fantasia, the composer wrote a two-movement composition, in which he continued to incorporate as his fundamental musical device the confrontation of sharp contrasts in tempo and mood. Beginning with his fourth sonata (1962-1964), Fiser created a single-movement work in an expressive, formally focused composition which betrays a progression towards greater compactness of musical shape in a concise yet effective musical testimony. The fifth sonata was written in 1974, the sixth sonata in 1978. The seventh sonata from 1985 was dedicated to Frantisek Maxian, the eighth sonata was written in 1995.Piano Sonata No.1 was written in 1955. Fiser worked on it during his last year at the Prague Conservatoire under the supervision of Emil Hlobil. The piece is one of Fiser's early works which still respect a traditional compositional approach. Unlike his major and late piano sonatas, this sonata has three movements, each representing the traditional Classical-Romantic form. The sonata was premiered by Fiser's fellow-student and friend Antonin Jemelik in Theatre D34 on 30 January 1956.The new setting for this piece is based on the single edition to date (SNKLHU, 1957); only with regard to a few inconsistencies in the score was it necessary to consult the composer's manuscript (kept at the National Museum - Czech Museum of Music, acquisition number 297/2006).
SKU: M7.BP-1955
ISBN 9790015195501.
SKU: HL.253938
9.0x12.0 inches.
Sonata for bassoon and piano is one of Swiders first works for a wind instrument. It was written most probably in the years 1953-1954, under a clear influence of neo-classicist stylistics. The only documented performance took place on 5th May 1955 in Katowice, or Stalinogrod, as such was the name of that city in those days. The first part of Sonata is written in a form of scherzando of a light and witty character, where the composer fully uses the facture and bassoons sound potential. The second part, full of meditation and cantilena, bears a particular expression of lower registers of the instrument. Part three is a traditional minuet in moderato tempo, with stylised folk elements in the middle fragment. The last part resumes the scherzo form, capped by a cadenza written by Marek Baranski, in which attempting to imitate the language of Jozef Swider's compositions that include numerous elements of a synthetic finale he included most music concepts outlined in the entire Sonata.
SKU: FG.55011-512-5
ISBN 9790550115125.
Ilmari Hannikainen (1892-1955) was the most important Finnish pianist during the first decades of the 1900s. In his lifetime he also was one of the country's most famous composers. Hannikainen studied composition with Erkki Melartin, Franz Schreker and Maximilian Steinberg. His piano techers include Elli Rangman-Bjorlin and Alexander Siloti. Piano Sonata C minor Op. 1 was completed in 1912, and is one of the largest-scale romantic piano compositions in the Finnish piano repertoire. The work is a joyride of flowing national romanticsm filled with youthful energy. Some technical influence from Chopin and Liszt is evident, as is from master Sibelius, the major figure in Finnish music at the time. The Piano Sonata is published now for the first time - and directly as an Urtext edition. Pianist Dmus Risto-Matti Marin and music engraver Jani Kyllonen have studied all surviving manuscript sources, resulting in a worthy edition of this great work for piano.
SKU: SU.80601090
Violin solo Composed: 1955 Published by: E.B. Marks.
SKU: HL.14029480
8.25x11.75x0.293 inches.
Merseyside composer, writer and poet Cyril Scott composed this work in 1955. Over 30 years after his death, his music is coming into favour, and this, along with many others, are finally being put to wax by Naxos/Chandros.
SKU: BA.BA03505
ISBN 9790006436040. 32.6 x 25.7 cm inches.
World Premiere 03.06.1956, Amriswil.
SKU: HL.50487837
ISBN 9790080018675. A/4 inches. Hungarian, English.
SKU: SU.50019550
Copyright 1979. Published by: Seesaw Music.
SKU: BT.EMBZ1971
'The significance of the Rhapsody composed in 1904 in Gerlicepuszta and Pozsony is well shown by the fact that Bartók subsequently reserved the designation 'Opus 1' of his last, mature opus numbering for this piece. By choosing this genre Bartók was clearly following in Liszt's footsteps. But he did not merely follow the Hungarian Rhapsodies with their parading of folkloristic art songs in a virtuoso instrumental fantasy. The formal coherence of Bartók's work allows us to infer the influence of the large-scale Liszt compositions he then knew, such as the B minor Sonata. Unlike Liszt, Bartók builds his Rhapsody not on familiar melodies but on themes of his own invention, yet hisstyle is still that of nineteenth-century folkiness, and draws on the art-music tradition based on the verbunkos and the csárdás.' (HCD 32524 Bartók New Series Vol. 24, István G. Németh).
SKU: BR.MN-9475
ISBN 9790004790519. 8.5 x 11.5 inches.
Mit der Sonatine begegnen wir einem jungen Komponisten, der sie 29jahrig als Stipendiat in Rom entwarf. Diese dreisatzige Komposition steht ihrer Anlage nach in neoklassischer Tradition und ist von frei gehandhabter Polyphonie mit tonalen Bezugen gepragt. Der erste Satz wurde vom Komponisten nach seinen Studien mit Paul Hindemith uberarbeitet.
SKU: BO.B.3661
The Sonatas de Paris are divided into two books. Comellas began the series in early 1952 and they were finished in 1955. As with most of his works, he composed without having a plan to premier them or a commission. So upon having them completed, he filed them away. On many occasions, his close friend Jordi Giro would read thrue the pieces or Anna Ricci would sing his songs, but very little of his music was performed during his life time.The two books entitled Sonatas de Paris are really to books with totally different character. The first book is made up of short piano pieces in a neo baroque style. More than following strict forms of the baroque suite, the pieces are more a evoking of the baroque style. Book one loosely follows the idea of a suite or ordre, where as book two is much freer in structure being made up of various pieces, a few in memory of his favored composers (Albeniz, Debussy, and Granados) ending with a group of four dances, Las indias danzantes [Dances of the Indian girls], that refer to an Indian dance. This group of dances is not really playable by one pianist and seems to be really meant to be performed piano 4 hands, but since there is no note about this in the score it is hard to say. A few of these pieces were performed by Rosa Sabater in Paris in 1980.The present edition is based on manuscripts that are in the Joan Comellas deposit in the National Catalonian Library in Barcelona.
