Format : Vocal Score
For Two-Part Choir (SA or TB) and Piano.
SKU: CF.CM6652
ISBN 9781491144824. UPC: 680160902323. 6.875 X 10.5 inches. Key: C major. English.
Persichetti was a big fan of the poetry of e.e. cummings, having set a number of texts to music. Four Cummings Choruses, Op. 98, Flower Songs (Cantata No. 6), Op. 157, Glad and Very (5 Cummings Choruses, Cantata No. 5), Op. 129, Spring Cantata (Cantata No. 1), Op. 94, and Two Cummings Choruses, Op. 33 (G. Schirmer) are among his best-known choral works. The two poems in Opus 46 are very dissimilar; while Hist Whist may best be performed in a Halloween concert (little ghost-things, twitchy witches, the old woman with the wart on her nose), This Is the Garden is a flowing, layered, multi-colored descriptive choral. The Two cummings Choruses was premiered at the 1952 MTNA Conference in Dallas, TX by the Sigma Alpha Iota Chorus.
SKU: CF.CAS105
ISBN 9781491146651. UPC: 680160904150. 9 x 12 inches. Key: E minor.
Shadow Run is a secret mission under the cover of night. The motor-driven accompaniment present throughout the piece is inspired by the minimalist works of Steve Reich and Philip Glass, while the melodic and harmonic content reflect the polychordal harmony of composers like Roy Harris, William Schuman, and Vincent Persichetti. Composer George Sweet has written a new tour de force for the more advanced string orchestra.Shadow Run is inspired by the idea of a dangerous secret mission under the cover of night . The motor driven accompaniment present throughout the piece is inspired by the minimalist works of Steve Reich and Philip Glass, while the melodic and harmonic content reflect the polychordal harmony of composers like Roy Harris, William Schuman, and Vincent Persichetti . The piece begins with a brief motor introduction, which sets the mood for what is to follow . Make sure all elements of the motor are equal in volume and articulation so that the voices create a blended whole . The A-theme is stated in a legato fashion by the upper voices at m . 9 . This should be played as legato as possible to contrast with the motor in the lower voices . The voices unite for an aggressive B-section at m . 25 . The A-section returns at m . 33; however, the melodic material has mutated and features variations on a melodic fragment found in the first violin back in m . 24 . After a return of the B-material, the piece enters a subdued C-section at m . 57, in which the motor and melodic roles are reversed . Following a transitional section in which the motor returns, both A- and B-sections are repeated one final time . At m . 115, a dark and mysterious coda appears and drives the piece to a dramatic conclusion .
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
