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FLUTE
SHEET MUSIC
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Twenty Four (24) Artistic Studies Op 15
$14.95
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(Woodwind Solos and Ensemble/Flute Studies). By Joachim Andersen. Arranged by Fenboque. For Flute (Flute). Woodwind Solos and Ensembles - Flute Studies. Southern Music. Grade 4. 48 pages. Southern Music Company #B419. Published by Southern Music Company
Instrumentation :
Flute
Publisher :
Southern Music Ltd
Level :
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Twenty- Four ( 24) Artistic Studies
Tuba
Southern Music Ltd
(Brass Solos & Ensemble/Tuba Methods/studies). By Woodruff, Frank. For Tuba (Tub...
(+)
(Brass Solos & Ensemble/Tuba Methods/studies). By Woodruff, Frank. For Tuba (Tuba). Brass Solos & Ensembles - Tuba Methods/Studies. Southern Music. Grade 5. 32 pages. Southern Music Company #B360. Published by Southern Music Company
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Classical Fake Book - 2nd Edition
Fake Book
[Fake Book]
-
Easy
Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...
(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)
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The Real Little Classical Fake Book - 2nd Edition
Piano solo
-
Intermediate
Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...
(+)
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard
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Dido: Dido Chord Songbook: Piano Vocal Guitar: Artist Songbook
Piano, Vocal and Guitar
Faber Music Limited
Since Eminem's Stan created a storm with a sample from her first release Dido's...
(+)
Since Eminem's Stan created a storm with a sample from her first release Dido's warm flowing and relaxing tones have really made their mark on the world music scene. Dido is now one of the world's most successful female artists and her appeal seems to be universal. This wonderful compilation contains twenty-four of her greatest hits all with complete lyrics guitar chord boxes and chord symbols. Includes all your favourite Dido tracks from Thank You White Flag Life For Rent and I'm No Angel.
9.99 GBP - Sold by Musicroom UK
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Frank Woodruff: 24 Artistic Studies: Tuba Solo: Instrumental Album
Southern Music Ltd
Twenty- Four ( 24) Artistic Studies
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Joachim Andersen: 24 Artistic Studies Op. 15: Flute Solo: Instrumental Album
Flute
Southern Music Ltd
Twenty Four (24) Artistic Studies Op 15
15.99 GBP - Sold by Musicroom UK
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Pat Metheny: The Pat Metheny Real Book: Melody Lyrics and Chords: Instrumental
Bb Instruments
Hal Leonard
Artist Edition B-Flat Instruments-Pat Metheny is one of the most important voice...
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Artist Edition B-Flat Instruments-Pat Metheny is one of the most important voices in modern music. Through his writing recordings and performances he has created a significant body of work that places him among the major musical figures of our time. With his recent induction as the youngest member of the Downbeat Hall of Fame Metheny becomes only the fourth jazz guitarist to be chosen for that honor joining Charlie Christian Django Reinhardt and Wes Montgomery. He has won twenty Grammy® awards in twelve different categories been named Best Guitarist in countless polls over four decades and has sold millions of records worldwide.For all his accomplishments in music hiscompositions have become modern standards beloved by musicians all over the world. With this volume Metheny has selected 147 of his most played tunes to create a new type of Real Book approved and gig-tested by the composer himself! This edition is arranged for all B-flat instruments. Titles include: April Joy • Better Days Ahead • Bright Size Life • Farmer's Trust • (Go) Get It • H & H • Have You Heard • Jaco • James • Lakes • Last Train Home • Midwestern Nights Dream • Phase Dance • Question & Answer • The Red One • So May It Secretly Begin • Sueno Con Mexico • Uniquity Road • Unity Village • Whittlin' • and more!
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Songs II GA/CE vol. 11 (SZYMANOWSKI KAROL)
Piano, Voice
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in ...
(+)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano
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