Trio in Dm Op3 String Chamber

32 Trios That Can Be Played by Any Combination of String Instruments-If you're a cellist and you have a couple of friends who play another stringed instrument then Compatible Trios for Strings is the book for you! This collection contains 32 trios in a variety of styles from classical to folk music to original pieces that will be fun to play with any combination of three string instruments.Trios are a great way to learn how to play in a chamber music setting and this unique collection gives you the opportunity to do it with anyone else who plays a string instrument making the combinations of instruments that can be used extensive. Compatible Trios for Strings are perfect for use in school setting whenstudents come in at lunchtime or after school and want to play for fun with their friends. The flexibility of these trios makes them a must-have for any string player.Available for:Violin - CFBF83Viola - CFBF84Cello - CFBF85Double Bass - CFBF86

Par SIBELIUS JEAN. Five multi-movement trios for piano and two string instruments by Sibelius are known from the years 1883?1888. The ?large? trios, such as the Havträsk and Korpo Trio (JS 207, JS 209), were written for the classical piano trio scoring of violin, violoncello and piano. Apparently, Sibelius kept composing trios to play among his family and friends, having in mind to be one of the musicians himself. Chamber music was an essential part of social life. When listening to Sibelius? trios, one cannot help but notice that the repertoire included many works of Viennese Classicism. Although Sibelius's feelings towards his youthful works were not exactly uncomplicated, Sibelius biographer Otto Andersson later reported ?that the master, in later years, missed [the Korpo Trio] very much and would have been very pleased to see [it] preserved.? / Date parution : 2023-06-01/ Répertoire / Violon, Violoncelle et Piano

After the Sextet in B-flat major op. 18-A much welcomed edition to the Piano trio literature.Includes an informative introduction (Eng/Ger) and a critical commentary (Eng).In addition to Bärenreiter?s scholarly-critical editions of Brahms? trios an arrangement of Brahms? String Sextet Op.18 for Piano trio by his contemporary and friend Theodor Kirchner is now being published. Simrock Brahms publisher issued it in 1883. Brahms responded to the arrangement of his sextet with total enthusiasm and praise for the skills of his friend Kirchner (1823 1903).Christopher Hogwood?s scholarly-critical edition includes an introduction which sheds light not just on thehistory of the arrangement and its validity in its own right but also on Kirchner and his relationship to Brahms.Chamber Works by Brahms already published:Trio for Violin Violoncello and Piano Op.87 (BA 9436)Trio for Violin Violoncello and Piano Op.101 (BA 9437)Trio for Violin Horn (Viola or Violoncello) and Piano Op.40 (BA 9435)Trio for Clarinet (Viola) Violoncello and Piano Op.114 (BA 9438)

Judith Weir: My Piano Quartet (2000) is part of an extended series of works for piano and strings which I have written over the last twenty years - although I didn¹t know it was going to be a series when I wrote the first of these works Music for 247 Strings in 1980. During this period it has been far more usual for composers to write for mixed wind and string ensembles. But I continued (and still continue) to be fascinated by the potential of strings and piano; particularly the chance to write for the instruments as soloists or as a group and often to use both these options simultaneously.String Parts.Premiered July 2000 at the Cheltenham Festival by the SchubertEnsemble.Piano Score available: CH61794

This delightful String Trio is straightforward technically and will be fun to play for student and amateur alike. This arrangement follows the facsimile faithfully simply writing out the first Violin and Cello parts of the trio sonata with the second Violin part transposed down an octave in places to suit the Viola. This edition follows Purcell's original text without the dynamics and bowing that later editors added.

Bien des connaisseurs et amateurs comptent le Trio en Mi b?mol majeur K. 563 de Mozart comme ?tant l?une de ses compositions les plus extraordinaires. Cette ?uvre magistrale qualifi?e de ?Divertimento? dans le catalogue d??uvres autographe de Mozart confronte l??diteur Urtext ? de grands d?fis. L?autographe est en effet perdu depuis toujours et l?on ne poss?de aucune autre source de premier plan. La source la plus fiable quoiqu?? l??vidence impr?cise est la premi?re ?dition parue deux mois apr?s la mort de Mozart. De nombreuses ?ditions du XXe si?cle ont malheureusement reproduit le texte musical de ?l?ancienne ?dition int?grale? de Breitkopf & H?rtel due au grand violonisteJoseph Joachim mais reposant sur des mod?les fautifs et qui de ce fait est totalement corrompue. De m?me la ?Nouvelle ?dition Mozart? n?est pas d?pourvue de fautes. L??dition Henle suit pour l?essentiel la premi?re ?dition non sans avoir recours ? de nombreuses interventions rectificatrices qui sont comment?es dans l?apparat critique. En appendice ? l??dition on trouvera le mouvement pour trio ? cordes en Sol majeur K. Anh. 66 (562e) parvenu seulement de mani?re fragmentaire. Quel malheur que Mozart n?ait pas achev? cette tout aussi merveilleuse page ? elle va toutefois un peu au-del? de l?exposition et convient ainsi parfaitement ? un petit bis. Gr?ce ? une mise en page soign?e comme par exemple divers d?pliants et des pages blanches les trois parties s?par?es offrent une parfaite fluidit? de lecture et de jeu. L??dition de travail disponible s?par?ment (HN 9625) propose la partition correspondant ? ces parties s?par?es.

Fling a contraction of FLute and strING owes its name partly to the violin parts which imitate the flute as well as the short length of the piece and its fast pace.

Though not nearly as well-known as the 'London Trios ' these six delightful divertimentos are Haydn's first pieces of chamber music to expressly call for the flute. Straightforward and full of Haydn's esprit they are a treasuretrove for all lovers of music-making in the home. The stylistic variety of these cheerful pièces d'occasion surely reflects the fact that they are partly based on earlier models: Haydn's baryton trios as well as arias and otheritems from his opera 'Il mondo della luna' ('The World on the Moon').