The Wedding Singer: Mixed Choir a Cappella: Vocal Score

Oratorio in three parts-Oratorio in three parts The oratorio “Athalia” tells the Old Testament story of the Queen Athalia. Handel composed it in 1733 for Oxford University where it was first performed later that year during the celebrations for the awarding of honorary degrees. The great success of this performance is generally regarded as a reason for Handel’s renewed interest in the oratorio form. As was frequently the case Handel also carried on composing this work after the first performance. Thus for the version which was performed in London in 1735 he introduced numbers in Italian for the Italian singer Carestini in the roleof Joad. He also ended the work with an organ concerto. For the performance in 1756 he drew on other works for the third act. Conversely large parts of the music to Athalia form the basis for other works by Handel such as “Parnasso in festa” (HWV 73) and the Wedding Anthem (HWV 262). The Piano reduction by Andreas Köhs (BA4082-90) based on the Urtext of the “Halle Handel” Edition includes the main version of 1733 together with an appendix containing the versions of 1735 and 1756 as well as the outline of a planned version of 1743 which was not performed. - Based on the Urtext of the “Halle Handel” Edition - Includes all versions - Detailed foreword (Ger/Eng) - Full score (BA4082) and Vocal score (BA4082-90) available for sale - Performance material (BA4082-72) available for hire

Songs Of A Rainbow Nation comprises four great songs from South Africa arranged for soprano alto and combined men's voices with a straightforward piano accompaniment - ideal for beginner choirs and for choirs in which the male singers are few or at the stage when their voices are changing. Included are: Hamba Lulu - a wedding song with a gentle comforting rhythm; Jesu Ukukhanya - featuring a call-and-response structure where a simple solo line is followed by a choral answer; Si Njay Njay Njay - a joyfully exuberant song with an infectious rhythm which can also beperformed a cappella with some optional percussion for greater effect; and Weeping - a South African pop song from the band Bright Blue which uses as its chorus the refrain from the Zulu anthem N’kosi Sikeleli Africa (God Bless Africa).  If you enjoy these songs try L’Estrange’s hit cantata Zimbe! Come sing the songs of Africa!  The arrangements form part of the Choral Basics series which has been carefully designed to provide rewarding varied repertoire for beginner choirs. Perfect for singers of all ages the series offers attractive idiomatic arrangements for SA and SA/Men choirs with carefully considered vocal ranges and straightforward piano accompaniments that support the singers. Embracing world music spirituals folk song pop classics hit shows and original pieces this series offers everything a budding choir could wish for.

A Tender Light is a collection of new choral music by the Welsh composer Paul Mealor, including the Ubi caritas , made famous by its inclusion in the Royal Wedding Ceremony of His Royal Highness Prince William and Catherine Middleton (now TRH The Duke and Duchess of Cambridge) at Westminster Abbey in April 2011. 2.5 billion people (the largest audience in broadcasting history) heard his Motet on that day and since then it has topped the Classical singles charts in the USA, UK, Australia, France and New Zealand and has already entered the standard repertoire for many choirs. For singers wanting to explore further the music of Mealor, this book also contains the luminous She Walks in Beauty , the contemplative O vos omnes and the madrigal sequence Now Sleeps the Crimson Petal. Locus iste and Ave Maria are modern yet timeless settings of well-known texts. This is a must-have collection for any mixed voice choir wanting to explore the latest and best in choral repertoire. 'Serene and Beautful' Gramophone Magazine 'Mealor is the most important composer to have emerged in Welsh choral music since William Mathias' The New York Times Paul Mealor - A Tender Light by DeccaRecords / SATB