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CHORAL - VOCAL - CHOIR SHEET MUSIC OPERA

In The Locked Room



74.70 EUR - See more - Buy online

Pre-shipment lead time: 3-5 days

Instrumentation :

Opéra



Publisher :

Schott




Seller, price & stock
LMI-Partitions (french language only) : 3-5 days
In The Locked Room
74.70 EUR - Shipped from France

Taking Thomas Hardy's short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person's actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur.Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely.Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan.As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world. / Opéra


Content :
Watkins Huw
EinleitungAbkürzungsverzeichnisBericht über das Symposium 'Carl Maria von Weber und das Viruosentum seiner Zeit' (Dresden 2011):M. Gervink: Merkmale intrumentalen Virtuosentums im 19. JahrhundertH.v. Loesch: Carl Maria von Weber und der brillante StilF. Ziegler: Carl Maria von Weber als KlaviervirtuoseS. Schreiter: Carl Maria von Webers Plan eines 'musikalischen Baedeker' als Dokument des öffentlichen KonzertwesensH. Hein: Visitenkarten des Virtuosen• Zum Genre der Klaviervariationen zwischen 1780 und 1820Eva
Maria von Adam
Schmidmeier: 'Hier hat man nichts als Virtuosenconzertewehe dem, der alle besuchen muss'. Theodor Kirchner und die Katgorie des VirtuosenA. Yefimenko: Das Klavierwerk von Carl Maria von Weber und Michail Glinka im Kontext des Virtuosentums in der ersten Hälfte des 19. JahrhundertsBeiträge zu Weber in Stuttgart und Gotha: J. Veit: 'Ich entsagte also eine Zeitlang der Kunst als ihr unmittelbarer Diener'. Zu Carl Maria von Webers Aufenthalt in WürttembergD. Beck: Carl Maria von Weber in GothaF. Ziegler: 'Ein äußerst wizziger trefflicher Kopf von einem seltenen Phantasie Rechthum'. S. Schreiter: 'Passionirt für Musik'.F. Ziegler: 'Das Theaterchen ist allerliebst'F. Ziegler: Johann David Buschmanns Terpodion im Spiegel früher zeitgenössischer PresseberichteRegister der erwähnten Personen und Werke


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