The Baroque Guitar

Frank Koonce: Baroque Guitar In Spain And The New World is an anthology containing representative selections from the publications and manuscripts of four important Spanish Baroque guitarists namely GasparSanz Antonio de Santa Cruz Francisco Guerau and Santiago de Murcia.In addition to being fun and entertaining music for all to enjoy this collection is intended to help bridge the gap betweenscholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance on the modern Guitar.

12 Original Works & Transcriptions-The fourth and final volume in this successful series 'Romantic Guitar Anthology' is a graded repertoire book suitable for advanced students of c. 8-10 years of playing experience. Well-established teaching pieces by leading 19th Century composers Sor and Coste are presented alongside more rarely available works by José Ferrer and Johann Kaspar Mertz. This volume includes several pieces which would make effective and charming concert pieces.Composer biographies and extensive teaching notes on each piece are included together with a CD recording of all the works in the anthology performed by the series editor Jens Franke.Also available: Baroque GuitarAnthology: Vol 1 – ED 13357 Vol 2 – ED 13437Vol 3 – ED 13446Vol 4 – ED 13489Romantic Guitar Anthology: Vol 1 – ED 13110 Vol 2 – ED 13111 Vol 3 – ED 13112Bewährte Unterrichtsstücke der führenden Komponisten Sor und Coste aus dem 19. Jahrhundert finden sich darin ebenso wie seltenere Werke von José Ferrer und Johann Kaspar Mertz. Dieser Band enthält mehrere Stücke die sich als wirkungsvolle und reizvolle Konzertstücke eignen würden.Ergänzt wird die Ausgabe durch Komponistenbiografien und umfangreiche Unterrichtshinweise zu jedem Stück sowie eine CD mit allen Werken dieser Sammlung in einer Einspielung des Herausgebers der Reihe Jens Franke.

Une édition moderne de transcription et de la performance d'oeuvres choisies de premiers compositeur Baroque italien Girolamo Frescobaldi pour la guitare classique. La collection comporte également un commentaire d'introduction écrit par Dr Vivian Montgomery, détaillant la pratique de l'histoire, l'interprétation, l'ornementation et rendement par rapport à chaque pièce. oeuvres de Frescobaldi depuis longtemps une référence incontournable dans le répertoire de guitare classique et un favori de nombreux guitaristes. Cet ensemble comprend la célèbre 'Aria detto Balletto,' 'Aria detta La Frescobalda,' le ' Toccata per Spinettina sola sur Liuto,' et autres ouvrages, soigneusement transcrits, édité et doigts. Ecrit en notation standard, pour les joueurs intermédiaires à avancé / Guitare Classique / 32 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5

16 Guitar and Lute Pieces-The third volume is the latest addition to the Baroque Guitar Anthology series and contains 16 original works by composers of the 17th and 18th centuries transcribed for guitar by co-author Stuart Willis. Including pieces by Weiss de Visée Hagen and Daube amongst others it presents a carefully selected range of work and as with the other volumes in the series is ideal for any players interested in gaining an insight into the richness and variety of the Baroque guitar and lute repertoire. The book contains composer biographies and teaching notes on all of the works and is accompanied by CD recording of all pieces performed by Jens Franke. Suitable for students ofca. 6-7 years of playing experience or those of grades 5-6 level. Also available: Baroque Guitar Anthology: Vol 1 – ED 13357 Vol 2 – ED 13437 Romantic Guitar Anthology: Vol 1 – ED 13110 Vol 2 - ED 13111 Vol 3 – ED 13112 Vol 4 – ED 13113

First 50 Baroque Pieces You Should Play on Guitar. If you're looking for a comprehensive collection of the best Baroque guitar repertoire, this is it! This one-of-a-kind collection includes selections by Johann Sebastian Bach, Robert de Visée, Ernst Gottlieb Baron, Santiago de Murcia, Antonio Vivaldi, Sylvius Leopold Weiss and more. Each piece is written in standard notation (no tab) and includes essential right- and left-hand fingerings.

Pieces For Classical Guitar-Turlough O'Carolan Irish Harp Pieces For Classical Guitar contains 24 compositions by the legendary Irish harpist Turlough O’Carolan scored for classic Guitar solo. The solos areintermediate in difficulty and convey the beautiful lyrical quality of the original Harp compositions. As a bonus two of the solos are also scored for baroque Guitar. A companion recording is available as an internetdownload.

25 Guitar and Lute Pieces-The second volume of this anthology series contains 25 original works by composers of the 17th and 18th centuries transcribed for guitar by co-author Stuart Willis. Including pieces by Corbetta Falkenhagen Gallot and Weiss amongst others it offers a wide stylistic range of works many of which are rarely available. The collection is accompanied by a CD recording of all pieces performed by Jens Franke and is suitable for students of c.4-5 years of playing experience or those of grades 3-4 level (UK and Commonwealth). The book also includes composer biographies and teaching notes on each of the pieces.Content - Reusner: Aria - deRichée: Aria - Daube: Menuet I - Menuet II - Richée: Sarabande - Richée: Menuet - Corbetta: Prelude - Matteis: Prelude - Anon. (Rosani Lautenbuch): Minuetto - Anon. (Rosani Lautenbuch): Air Gracieux - Daube: Arioso - Conradi: Menuet - Gallot: Sarabande 'La Pièce de Huit Heures' - Hagen: Aria - Hagen: Andante - de Visée: Chaconne transposé du théorbe - de Visée: La Montfermeil Rondeau transposé du théorbe - de Visée: Allemande - Mesangeau: Sarabande - Bittner: Courante - Falckenhagen: Cantabile - Kellner: Pastorel - Hagen: Minuetto - Anon. (Rosani Lautenbuch): Allegro - Weiss: Minuet - Weiss: Minuet

Century Spain. Par KOONCE FRANK. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. * A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. * A companion volume to The Baroque Guitar in Spain and the New World (MB21122). * Intended to help bridge the gap between scholarly editions and performance editions. * An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open firststring as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuelathat were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology, edited for modern guitar, from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. / Niveau : Intermédiaire / Tablatures / Guitare Tablatures

The duets in Ten Concert Pieces for Classic Guitar Duo are written in different musical styles and varying degrees of difficulty. In addition to several pieces emulating the Baroque and Classical periods the collectionincludes compositions inspired by the bossa nova jazz blues and even the musical cross-pollination of the stride piano style. Ideal for recital concert or festival settings audiences as well as intermediate to moderatelyadvanced guitarists will enjoy the timeless international flavor of these engaging original compositions. Written in standard notation only.

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Bach Prelude From The 1St Cello Suite Guitar Tab qui a été écrite pourGuitare. Les éditions ID Music qui ont éditées cette oeuvre l'ont répertoriée sour la référence 5876PGTX. / Guitare / Partition

Le guitariste classique complète est une méthode simple et accessible à l'apprentissage de la guitare classique, qui combine des méthodes traditionnelles avec une approche nouvelle et moderne. La méthode facile à utiliser est complétée par un CD audio avec les pistes de démonstration, ainsi que des exemples téléchargeables gratuites des pistes présentées à un rythme plus lent. Ce livre explique toutes les techniques de base de guitare classique, y compris les AVC libre, accident vasculaire cérébral reste, Arpèges, insultes et beaucoup plus, tous présentés d'une manière facile à comprendre avec l'aide de photographies et de diagrammes. Il y a aussi des directives claires sur la façon de régler correctement et lire la musique avant de vous guider à travers une sélection de musique célèbre solos de guitare classique. Le guitariste classique complète aussi comews avec une section de répertoire de 60 pages supplémentaires mettant en vedette plus de 50 pièces dans tous les styles de Renaissance au Baroque - tout ce dont vous avez besoin dans un seul livre ! / Guitare / 160 pages / Partition Cd

Intermediate-level guitarists will enjoy playing through this varied collection of pieces all in one volume. A wide gamut of composers from the Renaissance to the nineteenth century is included along with a few anonymous contributions. Continuing with the techniques and carefully thought-out fingerings and notation employed in Dr. Afshar???s previous publication (Beginning Pieces for Classical Guitar) selections like ???Carcassi Study #3??? and ???Sor Studies Nos. 5 and 6??? require the execution of rest stroke technique on their melodies in order to distinguish them clearly from the concurrent free-stroke accompaniment. In the same spirit ???Study No. 5??? by Fernando Sor has beenwritten out in a way that clearly shows the melody as it appears on beats one and three. The nine-movement suites by Gaspar Sanz and Robert de Vis?e introduce the student guitarist to Baroque dances and ornamentation

This collection of 16 Guitar duets offers professionals teachers or students a wide variety of styles from the Baroque to the Post-Romantic periods. Some of this music is unique to the Guitar repertoire. For example the six Serenades introduce some of the most popular music of the late 19th century by Georges Bizet Franz Drdla Enrico Toselli Moritz Moszkowski Ricardo Drigo and Sigmund Romberg. The collection ends with selectedworks by Tchaikovsky and Brahms. These arrangements are skillfully crafted and will delight the intermediate student.

La référence EFM1780 de l'éditeur Billaudot dont l'auteur célèbre est Lacome Jacques, qui a pour titre 5 PIECES BAROQUES, a été écrite et composée pour Guitare et plus particulièrement pour 2 Guitares. Cette partition musicale appartient à la catégorie Classique. / 2 Guitares / Partition