Symphony No. 88 (13) in G

A beautifully-presented cloth-bound volume of Elgar's First Symphony Op.55. / Orchestre

Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts – The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition – To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of “Wie stark ist nicht dein Zauberton!”Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible Flutist“The Flutist,” Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1“Spring,” Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]“Appearance of the Thirteen Enchanted Princesses,” 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for Orchestra“Hagrid’s Friendly Bird,” bars 127-151Star WarsSuite for OrchestraPrincess Leia’s themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company

Niels Viggo Bentzon's Symphony No. 8 Opus 113 was composed in 1957. Parts are available on hire: hire@ewh.dk

Along with the London and Paris symphonies Haydn?s Sturm Und Drang symphonies are amongst his most popular works today. The Sturm Und Drang works contain not only masterpieces such as the already published Farewell Symphony and the Maria Theresia symphony but also gems such as the recently published La Passione symphony (2013) and now Symphony No. 46 In B.The publication of this symphony represents a continuation of the collaboration between Bärenreiter and the Henle publishing company in the areas of large vocal compositions operas and symphonic works.This Urtext edition full score for the Orchestra is based on the Henle CompleteEdition Of The Works Of Joseph Haydn.

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score performance material and study score for all symphonies are available for sale. Symphony No.1 in D major D 82 (BA5601 TP401) Symphony No.2 in B-flat major D 125 (BA5602 TP402) Symphony No.3 in D major D 200 (BA5603 TP403) Symphony No.4 in C minor D 417 Tragic (BA5604 TP404) Symphony No.5 in B-flat major D 485 (BA5645 TP405) Symphony No.6 in C major D 589 (BA5646 TP406) Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407) Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Composed in 1898 Sibelius’ first symphony does not closely resemble the brass-heavy compositional style of his later symphonic works such as Finlandia for which he is well known. Instead the symphony reflects the lyrical style of works by Tchaikovsky and Brahms. Although Sibelius later denied having been influenced by either Tchaikovsky or Brahms the lyrical style and fewer use of Brass signifies that the piece emulates the symphonies of both composers.Sibelius’ Symphony No.1 in E Minor Op.29 is characterised by its use of string and woodwind solos; a Clarinet solo opens the first movement while Violin Viola and Cello solos featurein the later movements. Although classified originally as ‘Romantic’ some music historians argue that this piece composed at the turn of 20th Century should in fact be classified as ‘Modern’ as it certainly is a forward-looking and ground-breaking work.Available here is the miniature score of Sibelius’ first symphony which is ideal for study and perusal usage.

Symphony No. 3-La troisi?me symphonie de Philip Sparke A Colour Symphony fut command?e par le Sinfonisches Blasorchester Wehdel dont le chef d???orchestre est Thomas Ratzek. Dans chacun des cinq mouvements (white yellow blue red and green) le compositeur ?tablit un rapport entre l???instrumentation et les ?l?ments harmoniques et la couleur r?elle attribu?e au mouvement sp?cifique. Pour cr?er autant de richesse que possible Philip Sparke utilise une instrumentation vari?e qui comprendles bois de registre grave harpe piano et violoncelles. A Colour Symphony est un ajout impressif et iconique au r?pertoire de norme des grands orchestres d???harmonie.

The composer writes:'My Symphony is in two movements which however are played without a break. Taken together they progress from the extremely high almost unison screams and glissandi of the opening via blurred melodic and swarming rhythmic formations towards the slow ending with its simple and more clearly out-lined melodic fragments. The designation 'symphony' is in this case much more a title than a genre indication. During my work on the piece I never considered having any other title than this magical and associative word: 'Symphony'.'

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world.Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widely used publication ofthe Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.

Symphony no. 2 D major op. 73-Lorsqu?il composa sa premi?re symphonie Brahms ?tait encore largement influenc? par l??uvre de Beethoven. Mais ce n??tait plus le cas pour la deuxi?me qui s?en d?marque tr?s nettement. Le principe de traitement des motifs ne se cantonne plus uniquement au d?veloppement mais s??tend ? tout le premier mouvement. Dans les mouvements suivants tout semble d?ailleurs aussi ?tre apparent?. La cr?ation de cette symphonie dans la salle du Musikverein de Vienne fut pour Brahms l?un des plus grands triomphes de son existence qu?il d?crivit avec enthousiaste: ?L?orchestre ici a r?p?t? et jou? avec passion et m?a f?licit? comme cela ne m?est encore jamais arriv?.? Gr?ce ? cette partitiond??tude les chefs d?orchestre ?tudiants et passionn?s de Brahms pourront appr?cier la partition tir?e de l??dition compl?te des ?uvres de Brahms (?galement parue chez G. Henle) en version urtext dans un petit format facile ? manier. Dans la pr?face l??diteur et sp?cialiste de Brahms Robert Pascall apporte des informations int?ressantes sur la gen?se et l?histoire de l??dition de cette ?uvre.

15 timeless and familiar classical themes in arrangements perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Includes: Blue Danube Waltz (Strauss) ? Can Can (from Orpheus in the Underworld) (Offenbach) ? Jesu, Joy of Man's Desiring (J.S. Bach) ? Morning Mood (from Peer Gynt) (Grieg) ? Ode to Joy (from Symphony No. 9) (Beethoven) ? William Tell Overture (Rossini) ? and more.