Sound Matters

SKU: HL.49030359

English.

SKU: CF.BE24

ISBN 9781491156780. UPC: 680160915323. 9 x 12 inches. La.

Based on Wallace Stevens' poem The Planet on the Table this string quartet's world is made of the music and sounds of remembered times or of something heard that the composer, Martin Bresnick, liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems as a point of departure or pathway into those remembered sounds and music. What matters is that my music, like his (Stevens') poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part..
Wallace Stevens' poem The Planet on the Table begins - Ariel was glad he had written his poems, They were of a remembered time Or of something seen that he liked. In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music: I. Mrs. Anderson's Swedish Baby II. She Measured the Hour III. Scene 10 Becomes 11 IV. Someone Has Walked Across the Snow V. His Self and the Sun Like Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work. What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part. *Sources for the titles: I. The Pleasures of Merely Circulating II. The Idea of Order at Key West III. Chaos in Motion and Not in Motion IV. Vacancy in the Park V. The Planet on the Table.
Wallace Stevens' poem The Planet on the Table begins -Ariel was glad he had written his poems,They were of a remembered timeOr of something seen that he liked.In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked.The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music:I. Mrs. Anderson's Swedish BabyII. She Measured the HourIII. Scene 10 Becomes 11IV. Someone Has Walked Across the SnowV. His Self and the SunLike Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work.What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part.*Sources for the titles:I. The Pleasures of Merely CirculatingII. The Idea of Order at Key WestIII. Chaos in Motion and Not in MotionIV. Vacancy in the ParkV. The Planet on the Table.

SKU: HL.276208

ISBN 9781540026927. UPC: 888680745981. 7.5x9.25x0.242 inches. Craig Anderton The Musician's Guide to Home Recording Series.

Everything in the studio starts and ends with audio – both analog and digital – yet many musicians know a lot more about the principles of music than the principles behind audio. The Musician's Guide to Audio will include: • Audio theory – sound waves in the real world • Bit resolution • Sample rates • Distortion • The different types of decibels • The meaning of audio specifications • Frequency response • The different types of distortion • Signal-to-noise ratio • Dynamic range • How the human ear hears sound, and more The book then segues into specifications regarding levels, connection standards (both analog and digital), and resolving potential incompatibilities among different pieces of gear. Additional topics include information on the practical ramifications of audio, such as the basics of room acoustics, why speaker placement matters, audio distribution methods including data-compressed formats like MP3, the unique constraints of vinyl, and more. Filled with illustrations and featuring selected “tech talk” sidebars to give details on specific topics for those who want to know “why” as well as “how,” The Musician's Guide to Audio fills a unique need by avoiding overly-technical details, and instead emphasizing the practical implications involved in working with audio in the studio.

SKU: ST.CD0087

Sydney Carter's Lord of the Dance CD is a brilliant compilation that matches the finest work of this much-loved songwriter with some of the leading lights in contemporary music.

The distinguished musicians and performers appearing on the disc include Sarah-Jane Morris, Why?, Norma Winstone, The Kingdom Choir, Martyn Joseph, Whirling Pope Joan, Matt Redman, Ian Shaw, Isla Blair, Carrie and David Grant and The Swingle Singers. Sydney Carter himself reads two of his own poems.

It has been the inspiration of producers Craig McLeish and Jeremy Taylor to intertwine the most popular songs - and a few unfamiliar gems - with some of Carter's searching poetry. With great sensitivity, the essential religious content of his words, whether sung or spoken, has been faithfully preserved, along with a sense of the music's origins in folksong and dance. At the same time, Carter's universal message about matters of doubt and faith is proclaimed in terms of the plenitude of contemporary sound resources, and the rich plurality of musical styles that is the hallmark of our present age.