Symphonie Nr. 38 D-dur KV 504

Mit Leichten Originalstücken Und Bearbeitungen. Par TCHAIKOVSKI PIOTR ILITCH. La série ' Get to Know compositeurs ' présente des oeuvres de maîtres célèbres dans des arrangements faciles ainsi que des compositions originales pour piano. Une brève notice biographique avec illustrations en couleurs contemporaines ainsi que la liste des oeuvres plus importantes fournissent un accès facile au compositeur respectif. Ainsi, les pianistes amateurs et jeunes élèves piano peuvent embarquer une excursion vive dans la vie et les oeuvres de compositeurs importants.Tchaïkovski a été le premier compositeur russe ayant acquis une renommée internationale. Ses symphonies, des concertos et des ballets font partie du répertoire standard de la scène musicale. En plus de oeuvres pour piano originale, ce volume contient des extraits des compositions les plus connues de Tchaïkovski : Concerto pour violon et son Piano Concerto #1, Symphonies nos 5 et 6, les ballets ' SwanLake ', ' The Sleeping Beauty ' et ' Casse-noisette ', ainsi que les ' Capriccio Italien ' et autres oeuvres./ Répertoire / Piano

Par SIBELIUS JEAN. 2. 2. 2. 2 - 4. 2. 3. 0 - Timbales - Strings - Durée: 32 min/ Répertoire / Partition D'Orchestre

New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his symphonies, Franz Schubert also wrote and handed down to posterity a total of eight finished concert overtures (two of them in two versions) between ca. 1811 and 1819. With the exception of the “Overture in D” (D 4) to the comedy “Der Teufel als Hydraulicus” (“The Devil as Engineer”) and the “Overture in D” (D 26), whose original title was cut out of the manuscript, they are all compositions which are associated neither with a drama nor a programme. They thus embody the type of the pure concert overture at an astonishingly early point in the history of music and are also in keeping with this terminologically by virtue of explicitly not having any other appellations whatsoever in the title: the epithet common for two works “in the Italian style” was only added posthumously. Our volume sees publication for the first time of the “Italian Overture in C” (D 591) in its two authentic versions, this being in contrast to the performance tradition based on a potpourri of the sources. The widely handed-down but corrupted musical course of the “Overture in D” (D 590) has likewise been rectified for the first time. Overshadowed by his symphonies, Schubert’s overtures have hitherto been largely undervalued both in their reception and in musical practice – including the “Overture in E minor” (D 648), which sees Schubert venturing into radically new spheres of expression to a greater extent than in virtually any other of his works./ Recueil / Orchestre

The twelve ?London Symphonies? comprise the sublime final statement of Haydn?s symphonic ?uvre. They were written for the London impresario Johann Peter Salomon and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Hailing from 1791 the Symphony in D major no. 96 numbers among the first symphonies written in and for London. The epithet given to it by posterity ?The Miracle? was bestowed erroneously for the miracle ? that no one was injured when a chandelier fell during a concert ? took place during a performance of a different Haydn symphony. And yet it is a miracle of musical esprit nonetheless from the subtlerelations between the motives consisting of broken triads that open all four movements to the virtuosic shifts in mood owing to surprising harmonies Haydn here submits a prime example of how he develops musical ideas. This study edition adopts the musical text of the Haydn Complete Edition thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans. The twelve ?London Symphonies? comprise the sublime final statement of Haydn?s symphonic ?uvre. They were written for the London impresario Johann Peter Salomon and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Hailing from 1791 the Symphony in D major no. 96 numbers among the first symphonies written in and for London. The epithet given to it by posterity ?The Miracle? was bestowed erroneously for the miracle ? that no one was injured when a chandelier fell during a concert ? took place during a performance of a different Haydn symphony. And yet it is a miracle of musical esprit nonetheless from the subtlerelations between the motives consisting of broken triads that open all four movements to the virtuosic shifts in mood owing to surprising harmonies Haydn here submits a prime example of how he develops musical ideas. This study edition adopts the musical text of the Haydn Complete Edition thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

Référence unique par son ISBN 9790044031887 cette partition musique de Lalo n'est autre que SYMPHONIE ESPAGNOLE 2 PIANOS qui a été composée pour 2 Pianos. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Durand. La référence catalogue de cette oeuvre est DF00635600. / 2 Pianos / Partition

Par PRICE FLORENCE. Florence Price (1887-1953) is noted as the first African-American female composer of symphonic works, and is only in recent years beginning to receive the recognition so richly deserved. Her Symphony No. 1 was completed in 1932 and first performed in 1933 by the Chicago Symphony Orchestra. Here is a sparkling transcription for band of the third movement (Juba Dance). (Grade 4) Dur: 3:50 / Date parution : 2022-07-23/ Répertoire / Concert Band

Edition : study score Catalogue of works : Hob. I: 42 Duration : 31' Date of Publications : 12/08/1981 Number of Pages : 40 Series : Eulenburg Miniature Scores

Using two distinctive themes from Dvorák's Symphony No. 9 (From The New World) Paul Murtha has crafted an effective piece for beginning bands. The opening slow section from the 2nd movement is followed by thefamiliar powerful strains of the 4th movement. An excellent introduction for beginners to one of the great classical composers. Dur: 2:30 (Grade 1)

From Beethoven's Symphony No. 7 this movement is one of the master's most recognizable and performed themes. Recently featured in the Oscar-winning film The King's Speech here is a skilled and effective adaptationfor young bands by Robert Longfield. A great way to showcase the classical period of musical history on any program. Dur: 2:45

Richard's first symphony for winds is a tour de force of orchestrational textures and rhythmic vitality. Movement 1 opens with a virtuosic display of solo statements followed by a layering of sounds and soaring melodies allleading to a dynamic finish. Dur: 4:00 (Includes full performance CD)

Heres the famous march from Tchaikovskys Symphony No. 2 skillfully arranged for younger players. Opening and closing with a solo timpani this arrangement provides a wide range of dynamic contrasts and variety in scoring. From the delicate woodwindpassages to the powerful full ensemble strains this one works great! Dur: 2:45

G. Schirmer Autograph Edition-Originally commissioned by Google/YouTube for the inaugural YouTube Symphony Orchestra project this edition represents Academy Award winner (Crouching Tiger Hidden Dragon) and UNESCO Goodwill Ambassador Tan Dun's firstcontribution for Wind Band. A four-and-a-half minute micro-symphony that combines multicultural influences Beethoven's iconic theme from Eroica some extended techniques for the brass players and a collection of car parts forthe percussion section! A work that is sure to excite and entertain your ensembles and audiences by one of the world's unique contemporary voices. Dur: 4:30.

The skillful concert band transcriptions of the late Glenn Cliffe Bainum have proven to be a standard by which others are measured. This transcription is one of Mr. Bainum's most monumental works. Vasily Kalinnikov a contemporaryof Tchaikovsky died prematurely at 35 just as he was establishing himself as one of the great Russian composers. Originally published in 1958 this new edition features a revised full score and parts for optional antiphonal brasschoirs. Dur: ca. 9:00

Creative instrument combinations characterize this unique and appealing movement. Short solos for piano string bass alto sax clarinet flute oboe euphonium trombone trumpet and horn are featured along with fresh harmoniesand pulsating ostinatos. Dur: 4:00 (Includes full performance CD)