Format : Score
SKU: M7.BP-2717
ISBN 9790015271700.
SKU: M7.BP-2718
ISBN 9790015271809.
SKU: KN.16752
UPC: 822795167528.
This collection of treasured selections are arranged here for grade 3-3+ woodwind quintets. From Bach to Tschaikowsky, you'll find it to be a resource for practically any type of performance. Contents:Fantasy On Ode To Joy; In The Hall Of The Mountain King (Grieg); March (from The Nutcracker Suite) (Tschaikowsky); La Rejouissance (Handel); Prelude In E Minor (Chopin); March (from Anna Magdalena's Notebook) (Bach); Menuets (from Music For The Royal Fireworks) (Handel); Simple Gifts; Sheep May Safely Graze (Bach); Trepak (from The Nutcracker Suite) (Tschaikowsky); Wie Shon Leuchtet Der Morgenstern (Bach); Kind In Einschlummern (Schumann); and Habanera (from Carmen) (Bizet).
SKU: HL.14011053
UPC: 884088433604. 7.75x11.0x0.43 inches.
Purcell Society Volume 31. Full Score.
SKU: AP.1-ADV7689
ISBN 9783892218500. UPC: 805095076899. English.
Subtitled A Little Suite for Four, the first movement features a unison melody written in B minor. In the second movement, a leitmotiv with variations and the use of repeated jazz phrases is presented; all four instruments take turns in assuming primary and supporting roles. The third movement is a ballad-like theme featuring soprano and baritone sax sharing a pleasant conversation. The fourth movement goes on a joyful melodic ride passing through all the saxophones parts, one after the other.
SKU: BR.EOS-882
ISBN 9790004785560. 8.5 x 11.5 inches.
SKU: TL.TCL014689
ISBN 9780857364418.
Selected pieces for Trinity College London violin exams for 2016-2019, expertly graded and edited by leading music educators. This item contains both the full score and violin part.
SKU: HL.49009566
ISBN 9790200210828. UPC: 884088075422. 5.25x7.5x0.174 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: HL.44011072
UPC: 884088646097. 9x12 inches. English-German-French-Dutch.
Diese Suite in c-Moll zollt einem berühmten klassischen Blaserwerk Tribut - der Ersten Suite in Es-Dur von Gustav Holst von 1909 - und erscheint zu deren 100-jahrigem Jubilaum. Die viersatzige Suite erinnert an die Stilistik von Holst, enthalt aber auch charakteristische Klangidiome sowie Strukturmerkmale von Jacob de Haan. Eine erfrischende originale Komposition, inspiriert von einem durchaus nicht angestaubten Klassiker. En 1909, Gustav Holst composa une œuvre audacieuse et novatrice, la Premiere Suite en Mib Majeur, op. 28 ndeg1 (First Suite in Eb major, Op. 28, No. 1), une suite exclusivement ecrite pour instruments a vent. A l'occasion du centenaire de cette piece, devenue un classique du repertoire pour Orchestre d'Harmonie, Jacob de Haan a compose la Memorial Suite en Ut mineur. Cette composition en quatre mouvements fait reference aux qualites stylistiques de l'œuvre de Holst, tout en s'appuyant sur le langage sonore et l'ecriture caracteristiques du style de Jacob de Haan. Le resultat est original.Comme Gustav Holst, Jacob de Haan a choisi d'ouvrir sasuite avec une chaconne, une forme de variation contrapuntique (a l'origine une danse espagnole a trois temps) dans laquelle un theme revient de facon recurrente accompagne a chaque fois par un nouveau contre-chant. Ce theme ostinato est utilise de differentes manieres tout au long des quatre mouvements, assurant ainsi l'unite de l'œuvre. Le second mouvement est un scherzo. Par sa progression et son caractere, il s'apparente a l'intermezzo central de la suite de Holst. Le troisieme mouvement, Song Without Words (Chanson sans paroles), porte le meme titre que le second mouvement de la Deuxieme Suite en Fa, op. 28 ndeg 2 (Second Suite in F, Op. 28, No. 1) composee par Holst en 1911. A mi-chemin de ce mouvement tres expressif apparait un solo de saxophone alto. Jacob de Haan conclut son œuvre par une Marche comme le fit jadis Gustav Holst.
SKU: HL.49009567
ISBN 9790200210835. 5.25x7.5x0.157 inches.
SKU: BR.PB-5397
ISBN 9790004211311. 10 x 12.5 inches.
The Urtext new edition presented here is based above all on the original parts of Bach's Overture (Suite) No. 2 in B minor BWV 1067 presented in the Staatsbibliothek zu Berlin, Preussischer Kulturbesitz.The copies made by Christian Friedrich Penzel (parts 1755c, score 1760c), which are also located there, were consulted for purposes to use these sources for this edition.When the concertante flute and the first violin play in unison, the performance instructions and expression marks are often not identical in the score. In this edition, the markings missing in one instrument were borrowed from the other, albeit designated as additions so that performers are free to adjust their parts at will.In his arrangement for flute and harpsichord (piano), Werner Breig has consistently opted for the elegance and lightness of the original version for flute, strings and continuo. Wherever it was difficult to adapt the string part of the famous B minor Suite to the piano, he followed the precept that less is more and showed his true mastery as an arranger by leaving things out. The flute part, however, has remained unchanged, which allows this new edition for flute and harpsichord (piano) to be used for studying and rehearsing the piece in its original setting.The Urtext new edition presented here is based above all on the original parts of Bach's Overture (Suite) No. 2 in B minor BWV 1067 presented in the Staatsbibliothek zu Berlin, Preussischer Kulturbesitz.
SKU: BT.DHP-1012586-070
ISBN 9789043141628.
Many of Grieg’s compositions have a strong Norwegian character and the three songs used for this suite are no exception. The first movement Fremad!, Fremad! has a majestic character, the second, Stille Nu, sounds rather sad due to its minor key, and the final movement, Fola Fola, Blakken is a cheerful allegro. Bring a bit of Scandinavian magic to your concert with this exciting suite. Die Titel der Lieder lauten: 1. Fremad!, Fremad! 2. Stille Nu! und 3. Fola, Fola, Blakken. Das erste Lied hat einen majestätischen Charakter, während das Zweite eher traurig klingt, was vor allem von seiner Molltonalität her rührt. Diese kleine dreiteilige Suite endet in einem fröhlichen Allegro. Trois mélodies norvégiennes d’Edvard Grieg. Tre melodie norvegesi di Edvard Grieg: Fremad!, Fremad!, una canzone dal carattere maestoso, Stille Nu!, più malinconica per la sua tonalit minore e Folo, Fola, Blakken, un allegro gioioso.
