SKU: NR.66169
SKU: BA.BA10974
ISBN 9790006522767. 31 x 24.3 cm inches. Key: B-flat major. Language: German/English. Preface: Andreas Friesenhagen.
Haydn’s “Sturm und Drang” symphonies along with the London and the Paris symphonies belong to his most popular works today. The “Sturm und Drang” works contain not only masterpieces such as the already published “Farewell-Symphony” and the “Maria Theresia” symphony but also gems such as the recently published “La Passione” symphony (2013) and now the Symphony in B major No. 46.The publication of this symphony represents a continuation of the collaboration between Bärenreiter and the Henle publishing company in the areas of large vocal compositions, operas and symphonic works. The Symphony in B major is based on the Henle Complete Edition of the “Works of Joseph Haydn” and is published with a full score and large format performing material on sale.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.EMBZ14760
This work, composed in 1971, was intended for professional performers. It was written with post-Webern, free twelve-tone technique its sound is characterized by frequent use of all twelve notes in the construction of the harmony, and by wide spacing of dissonant intervals or the crowding of them into dense blocks. These short character pieces contain a great variety of gestures and emotions, ranging from witty playfulness through violent Sturm und Drang behaviour that shatters every framework, to mournful lamentation and hope of hymnic redemption.Das 1971 komponierte Werk entstand für professionelle Interpreten. Bei seiner Komposition wurde die post-Webernsche, freie Zwölftontechnik angewandt. Seine Klangwelt wird durch den Zusammenbau aller zwölf Töne zu einer Harmonie, durch die Positionierung der dissonanten Tonintervalle in weiten Lagen oder deren Komprimierung in große Blocks charakterisiert. Die kurzen Charakterstücke beinhalten viele Gesten und Emotionen, die von der witzigen Verspieltheit über das aggressive, jegliche Rahmen zersprengendes Sturm und Drang-Verhalten, bis hin zum Trauerlied und der hymnischen Erlösungshoffnung reichen.
SKU: BA.BA10988
ISBN 9790006574933. 31 x 24.3 cm inches. Key: E minor.
Associating the term “Sturm und Drang” with Haydn’s creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his symphonies: works characterised by an impetuous, colourful tonal language, featuring minor keys prominently, with rapid tempo sequences and effects taken from contemporary opera such as tremolos and recitatives.The Symphony in E minor Hob. I:44 was composed towards the end of this creative period and certainly showcases the “Sturm und Drang” dramatic style with its resolute unison main theme in the opening movement, a sustained dance and sensitive slow movement as well as a Presto finale. The work received the nickname “Mourning” Symphony in recent reception history because of its melancholic character and the anecdote that Haydn chose the third movement (Adagio) as his funeral music.Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn’s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydn”.
SKU: HL.48023472
UPC: 888680052591. 10.5x14 inches.
Edward Fairlie's Storm and Urge is a significant work for wind band and portrays a journey of emotional turbulence. The title comes from the German “Sturm und Drang,” a literary and musical movement of the late 1700s which focused on extremes of emotion. Opening with a simple and reflective theme, we are then taken through a range of emotional settings from uncertainty to resistance, and then calm resolve and self-knowledge. With a variety of textures and vivid imagery, this is a masterful work for the contemporary ensemble. Duration: 9:00(Recorded by the University of Minnesota Wind Ensemble – Ingrid Martin, conductor).
SKU: CA.5066403
ISBN 9790007295110. Latin.
The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And rightly so! The Miserere was composed in 1773 during his student years in Erfurt and is evidence of his technical abilities at the age of just seventeen. Even in this early work Kraus showed himself to be a true exponent of the musical Sturm und Drang movement. For all its youthful carefreeness and originality in terms of compositional technique, the music is characterised by great seriousness and depth of expression, abruptness, and at times also brusqueness.
SKU: CA.5066312
ISBN 9790007224271. Latin.
The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And rightly so! He wrote his Requiem in 1775 at the age of 19, probably for his local parish church in Buchen in the Odenwald. Even in this early work Kraus showed himself to be a true exponent of the musical Sturm und Drang movement. For all its youthful carefreeness and originality in terms of compositional technique, the music is characterised by great seriousness and depth of expression, combined with mainly dark instrumental tonal colors, abruptness, and at times also brusqueness. Score and part available separately - see item CA.5066300.
SKU: BA.BA10986
ISBN 9790006569106. 31 x 24.3 cm inches. Key: B-flat major. Preface: Andreas Friesenhagen.
Haydn composed his Symphony No. 77 along with his Symphonies Nos. 76 and 78 for a planned journey to England that never took place. Nonetheless, H.C. Robbins Landon calls these works the “English symphonies” as they are stylistically closely linked to the “London Bach”, Johann Christian Bach. Haydn himself, in a letter of 1783 to his Parisian publisher Charles-Georges Boyer, described the symphonies as ‘Leicht und nicht vil Concertirend”, meaning that they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form.Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn’s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydn”. The Bärenreiter catalogue now includes the complete performance material for several “Sturm und Drang” symphonies as well as all the London and Paris symphonies.
SKU: CA.5066311
ISBN 9790007224264. Latin.
SKU: AP.36-52250492
ISBN 9781628764772. UPC: 660355038037. English.
This work is an energetic introduction to "Sturm und Drang" style written by the father of modern astronomy. Dotted rhythms, hooked bowings, and detailed attention to dynamic changes allow for many opportunities to work on fundamentals. Chromatic fingerings are a must: violin 1 uses third position, and all other parts use extensions.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: CA.5066411
ISBN 9790007296698. Latin.
SKU: CA.5066313
ISBN 9790007224288. Latin.
SKU: HL.50512030
ISBN 9790080147603. A/4 inches. Laszlo Dubrovay.
This work, composed in 1971, was intended for professional performers. It was written with post-Webern, free twelve-tone technique; its sound is characterized by frequent use of all twelve notes in the construction of the harmony, and by wide spacing of dissonant intervals or the crowding of them into dense blocks. These short character pieces contain a great variety of gestures and emotions, ranging from witty playfulness through violent -Sturm und Drang- behaviour that shatters every framework, to mournful lamentation and hope of hymnic redemption.
SKU: CA.5066319
ISBN 9790007141271. Latin.
The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And rightly so! He wrote his Requiem in 1775 at the age of 19, probably for his local parish church in Buchen in the Odenwald. Even in this early work Kraus showed himself to be a true exponent of the musical Sturm und Drang movement. For all its youthful carefreeness and originality in terms of compositional technique, the music is characterised by great seriousness and depth of expression, combined with mainly dark instrumental tonal colors, abruptness, and at times also brusqueness. Score and parts available separately - see item CA.5066300.
SKU: CA.5066449
ISBN 9790007296735. Latin.
SKU: HH.HH466-IPT
Wolff’s Concerto in C major for flute, strings and basso continuo has the customary three movements (Allegro Moderato, Affettuoso, Allegro), all of which are extended in form and poetic in expression, often using striking dynamic contrasts and orchestral unison writing in a way that prefigures the Sturm und Drang of the 1760s. The third movement is a true ‘applause finale’, putting the soloist through some challenging technical hoops.
SKU: BR.EB-9386
ISBN 9790004188569. 0 x 0 inches.
The Violin Sonata No. 1 in E minor, op. 73, a Grand Sonata for Violin and Piano, occupies an important position in Joachim Raff's oeuvre: it reflects numerous artistic, aesthetic, biographical, and reception-historical aspects characteristic of Raff. The work was composed in Weimar in 1854, when Raff was going through a process of artistic self-discovery. He increasingly distanced himself from his mentor Franz Liszt and intensively explored Wagner as well as the ideal of absolute music - this is also reflected in the music of the sonata. While Raff described the first two movements as objectified, he perceived the last two movements as a piece of him, that is, not free of extra-musical influences.The 1st movement, with its expansive main theme, is reminiscent of Mendelssohn; the 2nd movement reveals the refinement of classical-romantic work with musical material. The 3rd movement, with its partly rhythmic, virtuoso accompanying figures and harmonically advanced passages, allows a deeply romantic, almost tormented insight into a soul life a la Sturm und Drang. The partly irascible last movement revisits already familiar themes and thus creates a musical framework.In collaboration with the Joachim-Raff-Archiv Lachen (CH)First Urtext Edition of the Grand Sonata for Violin and Piano.
SKU: BA.BA10984
ISBN 9790006567294. 31 x 24.3 cm inches. Key: F major. Preface: Armin Raab.
Along with Symphonies Nos. 80 and 81, Haydn’s Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wished to be entertained with new music. The symphonies were tailored for the twenty-five to thirty musicians who were in the prince’s court orchestra.Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydn”. Bärenreiter has already published the complete performance material for several “Sturm und Drang” symphonies and all the Paris and London symphonies.
SKU: BA.BA10983
ISBN 9790006565573. 31 x 24.3 cm inches. Key: G major. Preface: Armin Raab.
Haydn’s Symphony in G major Hob. I:81 comes from a series of three symphonies completed in late 1784 (nos. 81, 80 and 79, presumably in that order). No autograph score survives for Hob. I:81, thus our Urtext edition is based on copyists’ manuscripts and first editions. As with so many of his symphonies, Haydn wrote this one to provide new music for his employer, Prince Nikolaus Esterházy.Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn’s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has now published the complete performance material for several Sturm und Drang symphonies and all the London and Paris symphonies (Nos. 81 to 104).
SKU: CA.5066413
ISBN 9790007296711. Latin.
SKU: CA.5066314
ISBN 9790007224295. Latin.
SKU: HH.HH466-KBD
ISBN 9790708146780.
SKU: HH.HH466-FSC
ISBN 9790708146766.
SKU: BA.BA10982
ISBN 9790006565504. 31 x 24.3 cm inches. Key: D minor. Preface: Armin Raab.
Along with Symphonies Nos. 79 and 81, Haydn’s D-minor Symphony Hob. I:80 belongs to a set of symphonies that he completed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy, his task being to entertain the prince with new music. The symphonies had to be suitable for the twenty-five to thirty musicians who were in the prince’s orchestra. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn’s large choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydn”.Bärenreiter has already published the complete performance material for several “Sturm und Drang” symphonies and all the London and Paris symphonies.
SKU: M7.DOHR-17600
ISBN 9790202036006.
Von der Existenz der sieben verschollenen Klaviersonaten Hob. XVI: 2a-e und g-h wissen wir lediglich durch die Eintragungen in den sogenannten Entwurf-Katalog, dessen Hauptteil Ende 1765 entstand. Haydn führte den Katalog bis 1777 fort, indem er von Zeit zu Zeit die jeweils neu komponierten Werke ergänzte. Entstanden sind die Sonaten vermutlich in der Zeit zwischen 1766 und 1772. Die Tatsache, dass die Sonaten verschollen sind, wird häufig mit dem Brand, dem Haydns Haus in Eisenstadt im Jahr 1768 zum Opfer fiel, in Verbindung gebracht. Der Zeitraum 1766 bis 1772 deckt sich ziemlich genau mit der häufig, jedoch nur unzureichend charakterisierend Sturm und Drang-Zeit genannten Schaffensphase des Komponisten, die den Höhepunkt einer Phase intensiven Experimentierens und Suchens nach neuen Wegen auf fast allen für Haydn besonders bedeutsamen Gebieten der Instrumentalmusik, der Symphonie, dem Streichquartett und der Klaviersonate, bildet. Da die Eintragungen im Entwurf-Katalog lediglich die ersten zwei bis vier Takte der je ersten Sätze der Sonaten wiedergeben, musste der Verfasser nicht nur den restlichen Verlauf der Eröffnungssätze weitgehend selbst erdichten, er war auch bei der Gesamtanlage der Sonaten (Anzahl und musikalischer Inhalt der übrigen Sätze) insofern auf sich allein gestellt, als der Entwurf-Katalog hierüber keine Auskunft gibt. Als stilistische Vorbilder dienten naturgemäß die im genannten Zeitraum komponierten und erhaltenen Sonaten. Darüber hinaus hat der Verfasser versucht, eine möglichst große Bandbreite der verschiedenen Formen, die in Haydns Musik dieses Zeitraums zu finden sind, abzubilden. Ebenso differenziert und zur Nachahmung herausfordernd ist der Abwechslungsreichtum der Satztechniken, die Haydn verwendet. Dem Vorbild Haydns folgend sind vor allem die dynamischen Angaben auf ein Minimum reduziert und sollen bewusst Raum zur eigenen fantasievollen Interpretation lassen. (Thomas Enselein).
