Format : Score
SKU: BA.BA04680-75
ISBN 9790006503964. 32.5 x 25.5 cm inches. Key: G major.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.
SKU: BA.BA04686-74
ISBN 9790006532155. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04698-82
ISBN 9790006533824. 32.5 x 25.5 cm inches. Key: D major.
SKU: BA.BA10987-74
ISBN 9790006569830. 32.5 x 25.5 cm inches. Key: E-flat major.
Urtext from: Joseph Haydn Works, G. Henle Verlag Munich.
SKU: BR.PB-4488
ISBN 9790004203941. 9 x 12 inches.
SKU: HL.51489059
UPC: 840126932898. 6.75x9.5x0.22 inches.
Haydn's three Symphonies nos. 90-92 might rightly be dubbed his “Paris Symphonies Part II,†as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already composed his six “Paris Symphonies†nos. 82-87 just a few years earlier. Ironically enough, Haydn would later sell these three a second time to Prince von Oettingen-Wallerstein who requested he “receive 3 new symphonies from him.†Regardless of such mercantile entanglements, Haydn shows himself to be at the full height of his mastery as a symphonist in these works. Completed in 1788 according to the autograph manuscript, the Symphony in E flat major no. 91 astonishes, even for Haydn’s standards, with its many idiosyncrasies, such as the Baroque, contrapuntal theme of the first movement or the strings of trills in the slow variation movement. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy scorean ideal companion for all current and soon-to-be Haydn fans.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HL.51489060
UPC: 840126932843. 6.75x9.5x0.226 inches.
SKU: HL.51489058
UPC: 840126932904. 6.75x9.5x0.232 inches.
Haydn's three Symphonies nos. 90-92 might rightly be dubbed his “Paris Symphonies Part II,†as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already composed his six “Paris Symphonies†nos. 82-87 just a few years earlier. Ironically enough, Haydn would later sell these three a second time to Prince von Oettingen-Wallerstein who requested he “receive 3 new symphonies from him.†Regardless of such mercantile entanglements, Haydn shows himself to be at the full height of his mastery as a symphonist in these works. According to the autograph manuscript, the Symphony in C major no. 90 was completed in 1788 and highlights its festive character with the addition of timpani and trumpets. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
SKU: BR.PB-4375
ISBN 9790004202968. 9 x 12 inches.
SKU: BR.OB-4375-06
ISBN 9790004306574. 10 x 12.5 inches.
SKU: HL.51489068
UPC: 840126951967. 6.75x9.5x0.278 inches.
Haydn arrived in London at the beginning of February 1794 for his second stay in England. Two movements of the Symphony in G major Hob. I:100 had already been completed by then, and the finished work was premiered on 31 March. The trumpet fanfare in the second movement and the use of “janissary†percussion gave the symphony its nickname “Military Symphony,†which Haydn himself even used. Its success in London was enormous; in 1794/95 alone, the work was performed nine times and thus quickly became one of the most popular Haydn symphonies of all time. To everyone wishing to become more acquainted with this symphony, let this inexpensive study edition be commended - with reliable commentaries on its genesis, sources, and edition as well as an unassailable musical text taken from the Haydn Complete Edition.
SKU: BA.BA10989
ISBN 9790006575534. 31 x 24.3 cm inches. Key: C major.
Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon†Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works†published by G. Henle Verlag.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.51489069
UPC: 840126951905. 6.75x9.5x0.291 inches.
Haydn arrived in London at the beginning of February 1794 for his second stay in England. By this time, he had completed three movements of the Symphony in D major Hob. I:101, and the finished work was premiered on 3 March. Even the members of the audience at the premiere took note of the pendulum-like accompanying figure in the second movement, which was in fact explicitly mentioned in a review: “The management of the accompaniments of the andante, though perfectly simple, was masterly.†The even tick-tock oscillations sparked the imagination of listeners so much, apparently, that the nickname “Clock†came into use later in the nineteenth century. And while this name may have nothing to do with Haydn, is it even possible to listen to the famous second movement today without making the association? To everyone wishing to become more acquainted with this symphony, let this inexpensive study edition be commended - with reliable commentaries on its genesis, sources, and edition as well as an unassailable musical text taken from the Haydn Complete Edition.
SKU: HL.51489062
UPC: 840126951950. 6.75x9.5x0.263 inches.
The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. To this day, the G-major symphony, first performed in March 1792, numbers among Haydn's most popular works. It owes its English nickname “Surprise†to the striking tutti chords in the Andante, which apparently caught the audience off guard. Haydn had consciously incorporated this effect at a later stage - and was thus subsequently also perfectly willing to authorize this nickname that had been dreamt up by a London musician. This popular work also spread rapidly through German-speaking countries, where it is still firmly established in the repertoire as the “symphony with the drumbeat.†This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
SKU: HL.51489061
UPC: 840126932836. 6.75x9.5x0.22 inches.
The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
SKU: HL.51489070
UPC: 840126989410. 6.75x9.5x0.259 inches.
The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The energetic, surging B-flat-major Symphony no. 102 belongs to the group of the last three symphonies premiered in early 1795. Exceptionally, Haydn here dispenses with the clarinets that are otherwise generally featured in his late symphonies. The instrumentation of the Adagio is also unusual, in that Haydn includes trumpets and timpani, both muted. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
SKU: HL.51489071
UPC: 840126989397. 6.75x9.5x0.268 inches.
The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The E-flat-major Symphony no. 103 was composed in 1795 as the penultimate of the London Symphonies. It owes its epithet to its unique beginning; a solo drumroll in the timpani ushers in the slow introduction. This opening bar, marked with Haydn's heading “Intrada†and a pause, even inspires many a performer to venture a short timpani improvisation. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
SKU: BA.BA04689-65
ISBN 9790006534128. 32.5 x 25.5 cm inches. Key: D major.
SKU: BA.BA04689-74
ISBN 9790006534135. 32.5 x 25.5 cm inches. Key: D major.
SKU: BA.BA04689-75
ISBN 9790006534142. 32.5 x 25.5 cm inches. Key: D major.
