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FLUTE
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Sonata Piano E Forte
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Flute Choir
. Composed by Giovanni Gabrieli (1553-1612). Arranged by Arthur Ephross. Woodwind Solos and Ensembles - Flute - Larger Ensemble. Southern Music. Southern Music Company #ST239. Published by Southern Music Company (HL.3774853).
Instrumentation :
Flute ensemble
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Southern Music Ltd
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Wolfgang Amadeus Mozart : Sonatas for Pianoforte Volume II
Piano solo
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Intermediate/advanced
ABRSM Publishing
By Wolfgang Amadeus Mozart. For piano. Published by ABRSM (Associated Board of t...
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By Wolfgang Amadeus Mozart. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).
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Wolfgang Amadeus Mozart : Sonatas for Pianoforte Volume II
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ABRSM Publishing
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Wolfgang Amadeus Mozart : Sonatas for Pianoforte Volume I
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Wolfgang Amadeus Mozart : Sonatas for Pianoforte Volume I
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ABRSM Publishing
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Complete Sonatas For Pianoforte Solo
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Dover Publications
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Anthology of Easier Classical Piano
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Hal Leonard
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A Companion to Beethoven's Pianoforte Sonatas
Piano solo
ABRSM Publishing
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Companion to Beethoven's Pianoforte Sonatas by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. Classical Period, Romantic Period and Instructional. Reference book. 304 pages. Published by ABRSM (Associated Board of the Royal Schools of Music)
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Sonata for Pianoforte and Violin in A major, op. 47 Kreutzer Sonata
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Barenreiter
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Beethoven -- Piano Sonatas, Volume 4
Piano solo
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Advanced
Alfred Publishing
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Sonata for Pianoforte and Violin in F major, op. 24 Spring Sonata
Violin and Piano
Barenreiter
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Piano Sonatas, Volume IV
Piano solo
[Sheet music]
Alfred Publishing
By Muzio Clementi. For Piano. Piano Collection. Masterwork. Level: Advanced. Boo...
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Complete Pianoforte Sonatas Volume II (de luxe
Piano solo
ABRSM Publishing
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A Keyboard Anthology Second Series Book V
Piano solo
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Intermediate/advanced
ABRSM Publishing
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Sochineniia : dlia fortepiano : tom 2
Piano solo
Noten Roehr
By Samuil Evgen'evich Feinberg. Edited by V. A. Natanson. For piano. Keyboard mu...
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Piano solo
ABRSM Publishing
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Complete Pianoforte Sonatas Volume II
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ABRSM Publishing
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A Keyboard Anthology First Series Book I
Piano solo
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Easy
ABRSM Publishing
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Music For Oboe and Piano
Oboe, Piano (duet)
[Listening CD]
Shawnee Press
By Eric Ohlsson, oboe. For Oboe and Piano. Classical. Performance CD
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Sochineniia : dlia fortepiano : tom I
Piano solo
Noten Roehr
By Samuil Evgen'evich Feinberg. Edited by V. A. Natanson. For piano. Keyboard mu...
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By Schubert. For piano. Published by ABRSM (Associated Board of the Royal School...
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Complete Pianoforte Sonatas Volume III (de luxe
Piano solo
ABRSM Publishing
By Schubert. For piano. Published by ABRSM (Associated Board of the Royal School...
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Sonata quasi una Fantasia for Pianoforte E-flat major, C-sharp minor op. 27/1 2 Moonlight Sonata
Piano solo
Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For pi...
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Sochineniia : dlia fortepiano : tom 3
Piano solo
Noten Roehr
(Works : for piano : volume 3). By Samuil Evgen'evich Feinberg. Edited by V. A. ...
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Max Reger - Sonatas and Pieces
Clarinet and Piano
G. Henle
(Clarinet and Piano). By Max Reger (1873-1916). Edited by Michael Kube. For Clar...
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(Clarinet and Piano). By Max Reger (1873-1916). Edited by Michael Kube. For Clarinet, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN909. Published by G. Henle
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Beethoven : Sonata No. 25 in G Major, Op. 79
Piano solo
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Intermediate/advanced
Alfred Publishing
("Sonatine"). By Ludwig van Beethoven (1770-1827). Edited by Stewart Gordon. For...
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Sonatas for Pianoforte and Violin (Volume I and Volume II)
Violin and Piano
Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...
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Franz Schubert: Complete Sonatas For Pianoforte Solo: Piano: Instrumental Album
Piano solo
Dover Publications
All 15 Sonatas including the celebrated 'C Minor' 'A Major' and 'B Flat Major'...
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All 15 Sonatas including the celebrated 'C Minor' 'A Major' and 'B Flat Major' Sonatas. Breitkopf
22.30 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Sonatas For Pianoforte Volume 2: Piano: Instrumental
Piano solo
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Intermediate/advanced
ABRSM Publishing
A highly comprehensive edition of Mozart's Piano Sonatas in two volumes as edit...
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A highly comprehensive edition of Mozart's Piano Sonatas in two volumes as edited by Stanley Sadie and fingered by Denis Matthews. Includes detailed editorial commentaries markings and suggestions. Volume 2.
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Wolfgang Amadeus Mozart: Sonatas For Pianoforte Volume 1: Piano: Instrumental
Piano solo
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Intermediate/advanced
ABRSM Publishing
A highly comprehensive edition of Mozart's Piano Sonatas in two volumes as edit...
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A highly comprehensive edition of Mozart's Piano Sonatas in two volumes as edited by Stanley Sadie and fingered by Denis Matthews. Includes detailed editorial commentaries markings and suggestions. Volume 1.
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Ludwig van Beethoven: Complete Sonatas for Pianoforte III: Piano: Instrumental
Easy Piano
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Intermediate/advanced
Barenreiter
Complete Sonatas for Pianoforte III
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Beethoven, Ludwig Van : Sonata for Pianoforte F minor op. 57
Piano solo
[Sheet music]
Barenreiter
The ?Sonata in F minor? op. 57 (1804/05), a key work in the classical sonata rep...
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The ?Sonata in F minor? op. 57 (1804/05), a key work in the classical sonata repertoire, is part of Bärenreiter?s ongoing publication of selected Beethoven piano sonatas in Urtext editions. The nickname ?Appassionata? was ascribed to the sonata only in 1838, long after Beethoven?s death.'
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This Urtext edition is edited by the Beethoven expert Jonathan Del Mar. His editorial approach and principles are explained in a precisely formulated critical commentary. With a clear well-presented layout and optimum page turns, this edition invites you to discover this fascinating sonata anew.'
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An introduction by Misha Donat examines the genesis and significance of the work, supplemented by informative notes on questions related to historical performance practice by Jonathan Del Mar and Misha Donat.'
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?'Scholarly-critical Urtext edition incorporating the most recent research'
?'Optimum page turns'
?'Includes notes on historical performance practice (Eng/Ger)'
/ [Sonate pour Piano en Fa mineur Opus 57] / Classique / Partition / Agrafé /
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6 Sonates - Ire Oeuvre - Deux Sonates - IIe Oeuvre - Variations
Piano solo
Anne Fuzeau Productions
Six sonates pour le clavecin - Ier oeuvre. Edition : Paris, l'Auteur, s.d. (=176...
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Six sonates pour le clavecin - Ier oeuvre. Edition : Paris, l'Auteur, s.d. (=1763)Deux sonates pour le clavecin ou le piano-forte - IIeme oeuvre. Edition : Paris, l'Auteur, s.d. (=1764)Menuet d'Exaudet avec des variations pour le clavecin - Edition : Paris, l'Auteur, s.d. (=1764)Présentation de Jeanne Roudet : Introduction - Dynamique et agogique - Pédalisation - Ornementation - Appendice I - Appendice II.Fac similé de l'oeuvre intégrale de ce compositeur, que l'on peut jouer au clavecin ou au piano forte. / Clavecin Ou Piano-Forte / 88 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 32.5
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6 Sonates Pour Le Clavecin Avec Accompagnement
Piano solo
Anne Fuzeau Productions
Six sonates pour le clavecin - oeuvre XIV - Les parties d'accompagnement sont ad...
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Six sonates pour le clavecin - oeuvre XIV - Les parties d'accompagnement sont ad libitumEdition : Paris, l'Auteur, Lyon, Castaud, s.d. (=1766)La première sonate est en quatuor : partie de clavier d'une part, 2 parties de violon et la basse en partition d'autre part. Les cinq autres sonates sont pour clavecin et violon ad libitum : deux parties séparées.Présentation de Jeanne Roudet : Du clavecin au pianoforte - Eléments d'interprétation - Appendice.La première sonate est en quatuor 'ad libitum' (2 violons, violoncelle, clavecin). Les sonates 2 et 6 sont pour clavecin et violon. On peut jouer ces sonates au clavecin ou au piano forte seuls, sans l'accompagnement des cordes. - - / Musique De Chambre / 103 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Sonata Pour Le Clavecin, Forte Piano, Orgue Ou Harpe Qui Représentent La Bataille De Bergen - 1776
Piano solo
Anne Fuzeau Productions
Sonata pour le clavecin - Forte-Piano - Orgue ou harpe, qui représente la Batai...
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Sonata pour le clavecin - Forte-Piano - Orgue ou harpe, qui représente la Bataille de Bergen, composée par C.E. Bach. Edition : Paris, Huberty, (s.d. = 1776).N.B. : Dans cette sonate, La Musique vous montre Le comencement d'une Bataille Le Feu des Cannons et Mousqueterie L'ataque de La Cavalerie et les Lamentations des Blessés. / Clavecin, Orgue Et, Piano-Forte / 12 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
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Sonate Pour Piano Forte Et Violon Op. 47
Violin and Piano
Barenreiter
An autograph fragment of the Violin Sonata op. 47 is titled, in Beethoven?s hand...
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An autograph fragment of the Violin Sonata op. 47 is titled, in Beethoven?s hand, ?Sonata mulattica composta per il mulatto Brischdauer, gran pazzo e compositore mulattico? ? meaning ?Mulatto Sonata composed for the mulatto Brischdauer, great madman and mulatto composer?. The genesis of the sonata, which was to become famous under the name ?Kreutzer Sonata?, is closely connected to a visit to Vienna by George Augustus Polgreen Bridgetower (1778?1860), a violinist with an Afro-Caribbean father and a European mother. In the language of that time, his descent made him a mulatto. Beethoven was apparently deeply impressed by Bridgetower's musicality and virtuosic abilities. However, when the sonata was published in 1805, he dedicated it to Rodolphe Kreutzer under the title ?Sonata per il Pianoforte ed uno violino obligato in uno stile molto concertante come d?un concerto?. The work ?in the style of a concerto? is probably Beethoven?s most demanding violin sonata and since the 19th century has formed part of the core repertoire of the great violin virtuosos.
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Franz Joseph Haydn: Late Piano Sonatas: Piano: Instrumental Album
Piano solo
Barenreiter
Urtext with fingering-Haydn’s late piano sonatas Hob. XVI:40–42 (178...
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Urtext with fingering-Haydn’s late piano sonatas Hob. XVI:40–42 (1784) and Hob. XVI:48–52 (1788-95) reveal him to be a distinctive and consummate master in terms of form and expression. These technically brilliant works the quintessence of his sonata output reflect the fresh inspiration he received in London. This new Urtext edition presents these piano sonatas in a spacious engraving. The early version of the second movement of the Sonata in C major Hob. XVI:50 is reproduced in the appendix. Rounding off this performing edition are historically informed fingering and valuable notes on period performance practice by Rebecca Maurer a highly acclaimed harpsichord andfortepiano player. Critical performing edition at the cutting edge of musicology Valuable notes on period performance practice (Ger/Eng) Includes historically informed fingering Practical page turns Informative Foreword (Ger/Eng) and Critical Commentary (Eng)
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Franz Schubert: Complete Pianoforte Sonatas Volume III: Piano: Instrumental
Piano solo
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Intermediate/advanced
ABRSM Publishing
including the unfinished works-The third volume in the series of Franz SchubertÃ...
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including the unfinished works-The third volume in the series of Franz Schubertâ??s Complete Piano Sonatas has been carefully edited annotated and fingered for the ABRSM by Howard Ferguson. Published within the â??Signatureâ?? Series a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars including informative introductions performance notes and detailed editorial markings. Volume Three includes the final four of his twelve fantastic Sonatas as well as several unfinished pieces. All composed between 1815 and 1828 these range from popular favourites to mere fragments only a few bars long. Even in the earliest of thesesonatas Schubert demonstrates his compositional poeticism sensitivity and skill in the romantic idiom. For a broad scope of emotion and feeling they are second only to Beethovenâ??s sonatas.
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Sonate Pour Piano Forte Et Violon Op. 24
Violin and Piano
Barenreiter
In May of 1802, the ?Allgemeine musikalische Zeitung? praised the violin sonatas...
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In May of 1802, the ?Allgemeine musikalische Zeitung? praised the violin sonatas op. 23 and 24 as being ?... among the best Beethoven has written, which is to say that they are among the best being written at all. The composer?s original, fiery and bold spirit ... becomes more and more apparent now ...? The time during which Beethoven composed his ?Spring Sonata?, which was to become increasingly popular during the course of the 19th century, was marked by a frantic surge of compositional creativity. ?I live only in my notes, and with one work barely finished, the other is already started; the way I write now I often find myself working on three, four things at the same time.?, he wrote in a letter to Wegeler on 29 June 1801. However during this time, Beethoven also suffered from the rapid deterioration of his hearing, a fact he was still trying to hide and that the enchanting ?Spring Sonata? certainly does not divulge.
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Complete Sonatas For Keyboard Solo II
Piano solo
[Sheet music]
Barenreiter
Comme le principal représentant de la musique tchèque à Vienne du 18e siècle...
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Comme le principal représentant de la musique tchèque à Vienne du 18e siècle, Leopold Kozeluh (17471818) a été observée principalement comme compositeur, pianiste et professeur de clavier. Ses 50 sonates pour clavier couvrent toute sa carrière et marquent non seulement la transition entre le clavecin et clavicorde manière le style fortepiano entièrement idiomatique, mais aussi le développement de la 'sonate classique' de l'ordre de trois décennies (17731806) .Jusqu'à présent, les pianistes ont eu peu de chance de se familiariser avec la gamme complète des sonates de Ko?eluh depuis quelques existait dans les éditions modernes. Cette nouvelle édition complète par Christopher Hogwood présente pour la première fois toutes les sonates de Ko?eluh pour solo de clavier.Le projet est divisé en quatre volumes qui paraîtront en 2007 et 2008, allant chronologiquement à travers les séries publiées. Volume 4 contient également ces sonates qui ne se trouvent que dans les sources manuscrites. La première édition complète des Sonates pour clavier du compositeur tchèque Leopold Kozeluh Remplit un vide dans le répertoire du répertoire classique tchèque et de l'Europe centrale Convient pour les amateurs et les professionnels, et idéal pour les fins d'enseignement Introduction détaillée (Cz / Eng / Ger...), Commentaire critique (Fr.) et facsimilés / Clavier
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Sonata A Major
Cello, Piano
Schott
L'autographe de cette sonate, composée en 1789, a été initialement existante ...
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L'autographe de cette sonate, composée en 1789, a été initialement existante en Bückeburg sous le titre de ' Sonate per il Cembalo o piano-forte et obligato Violoncello' mais a été perdu dans la seconde guerre mondiale. La version publiée ensuite était simplement une version sensiblement révisée qui avait été transposée à ré majeur. Notre nouvelle édition reconstruit état d'origine son (en la majeur), tenant compte des principes communs performance pratique d'articulation et de la dynamique. Enrichissant, mais assez facile morceau convenant de leçons et de concerts qui peuvent être considérées comme un maillon important de sonates de Beethoven. / Violoncelle Et Piano
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Ludwig van Beethoven: Complete Pianoforte Sonatas - Volume I: Piano:
Piano solo
ABRSM Publishing
Beethoven Complete Piano Sonatas Volume I. Edited by Harold Craxton. Annotated b...
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Beethoven Complete Piano Sonatas Volume I. Edited by Harold Craxton. Annotated by Donald Francis Tovey.
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Sonates Pour Piano Forte Et Violon Op. 30
Violin and Piano
Barenreiter
Beethoven?s ten sonatas for piano and violin, along with those by Mozart, consti...
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Beethoven?s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart?s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown?s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today?s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven?s ?Tempo di Minuetto? from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach?s ?Versuch über die wahre Art das Clavier zu spielen? to denote a rest. This musical symbol, which was included in the first edition published during Beethoven?s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions; this denotes an arpeggiated chord.
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Sonates Pour Piano Forte Et Violon Op. 12
Violin and Piano
Barenreiter
Beethoven?s ten sonatas for piano and violin, along with those by Mozart, consti...
(+)
Beethoven?s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart?s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown?s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today?s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven?s ?Tempo di Minuetto? from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach?s ?Versuch über die wahre Art das Clavier zu spielen? to denote a rest. This musical symbol, which was included in the first edition published during Beethoven?s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions; this denotes an arpeggiated chord.
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Ludwig van Beethoven: Complete Pianoforte Sonatas - Volume III: Piano:
Piano solo
ABRSM Publishing
Beethoven Complete Piano Sonatas Volume III. Edited by Harold Craxton. Annotat...
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Beethoven Complete Piano Sonatas Volume III. Edited by Harold Craxton. Annotated by Donald Francis Tovey.
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Sonatas for Pianoforte and Violin Volume I and Volume II (BEETHOVEN LUDWIG VAN)
Violin and Piano
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. BeethovenÂ’s Sonatas for Pianoforte and Violin are now...
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Par BEETHOVEN LUDWIG VAN. Beethoven’s Sonatas for Pianoforte and Violin are now available at a special set price. The set consists of volume I (BA 9014) and volume II (BA 9015). Beethoven’s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart’s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown’s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today’s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven’s “Tempo di Minuetto” from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach’s “Versuch über die wahre Art das Clavier zu spielen” to denote a rest. This musical symbol, which was included in the first edition published during Beethoven’s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions - this denotes an arpeggiated chord./ Recueil / Violon et Piano
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Wolfgang Amadeus Mozart: Sonata In B Flat K.281: Piano: Instrumental Work
Piano solo
ABRSM Publishing
Sonatas For Pianoforte by Mozart. This includes Sonata In B Flat K.281 edited by...
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Sonatas For Pianoforte by Mozart. This includes Sonata In B Flat K.281 edited by Stanley Sadie.
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Mozart, Wolfgang Amadeus : Piano Sonata D major K. 284 (205b)
Piano solo
[Sheet music]
G. Henle
La Sonate en Ré majeur est la dernière des six Sonates K. 279?284 que Mozart e...
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La Sonate en Ré majeur est la dernière des six Sonates K. 279?284 que Mozart emporta dans ses valises lorsqu?il s?apprêtait à se rendre vers Paris en septembre 1777. Il rapporta à son père qu?il exécuta ces sonates avec succès déjà à Munich, Augsbourg et Mannheim.
Il les pourvut de nombreuses indications de dynamique et trouva aussi en ce qui concerne leur forme des solutions inhabituelles, comme par exemple le lent Rondeau en Polonaise qui fait office de mouvement central de la Sonate en Ré majeur.
Jusqu?alors réunies dans les recueils (HN 1 et 3), ces six sonates sont désormais éditées séparément avec, en sus, de nouvelles préfaces.
Mozart a dédié cette sonate à un certain Freiherr Thaddäus von Dürnitz, ce qui explique qu?on l?ait souvent appelée la «Sonate à Dürnitz». De ces six premières sonates c?est conteste la meilleure, la plus brillante et celle qui requiert le plus d?habileté technique. On peut comprendre pourquoi Mozart l?affectionnait particulièrement et qu?il ait continué à l?exécuter lui-même.
C?est de cette incomparable lorsqu?elle était interprétée sur un des nouveaux pianofortes de Stein.
1er MOUVEMENT Une première version du début du premier mouvement rédigée sur une page et demie a été supprimée par Mozart. Il a commencé à réécrire la version définitive au bas de cette même page. Le matériau thématique de ce mouvement d?ouverture (et, à un moindre degré, celui des mouvements suivants) est disposé sur une échelle plus vaste, presque plus orchestrale, ce qui constitue une rupture avec le ton d?intimité des premières sonates. L?effet de tremolo dans les mesures 13 à 16 et les annonces répétées à l?unisson du premier thème peuvent très bien se lire comme la réduction d?un tutti orchestral. Le deuxième thème, ligne mélodique plus souple, sans accompagnement dans sa mesure d?introduction, contient une chaîne descendante de premiers renversements ? formule harmonique fort prisée aux siècles baroque et classique (il y a des passages analogues dans les thèmes subsidiaires de l?ouverture de l?Iphigénie en Tauride de Gluck et le premier mouvement du Concerto Italien de Johann Sebastian Bach). Cela fonctionne comme un passage de solo par opposition aux entrées de tutti qui suivent dans la mesure 30. Le développement traverse un cycle de tonalités mineures avant le début de la réexposition dans la mesure 72.
2eme MOUVEMENT Mozart a intitulé le second mouvement: Rondeau en Polonaise. Il s?agit donc d?une danse. Les quatre premières mesures constituent une forme de dialogue (comme le thème du premier mouvement de la sonate précédente en sol majeur) et Mozart les soumet à des variations avec un certain bonheur. Il accentue le contraste entre l?exposition et la contre-exposition par des indications de dynamique.
3eme MOUVEMENT Le dernier mouvement de la sonate est une suite de variations joyeuses qui est un régal pour le pianiste, et présente, jusqu?à la variation en adagio les caractéristiques d?une gavotte. Le don spécial de Mozart pour l?écriture en variations s?y manifeste de la manière la plus brillante. L?impression superficielle de forme diffuse ne résiste pas l?examen approfondi: il ne serait guère facile d?oublier une des douze variations ou d?en ajouter une. La variation Adagio est d?un intérêt tout particulier pour les spécialistes de Mozart, car elle nous donne quelque a perçus de sa conception de l?ornementation impromptue: l?autographe n?est que pudiquement orné et il est probable que Mozart enjolivait son texte lors de l?exécution au gré de sa fantaisie. Mais une version richement ornée a survécu dans la première édition publiée du vivant de Mozart ; et il ne fait pas de doute que cette version enjolivée est l??uvre de Mozart lui-même ? qui d?autre pourrait enjoliver une musique d?une manière aussi ingénieuse? Cela nous éclaire sir les idées de Mozart en matière d?ornementation en général et en particulier. / [Sonate pour piano en Ré majeur K. 284 (205b)] / Classique / Partition / Agrafé /
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Felix Mendelssohn Bartholdy: Complete Works For Pianoforte Solo Volume 1: Piano:
Piano solo
Dover Publications
in Two Volumes-Mendelssohn's complete works for pianoforte solo are now containe...
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in Two Volumes-Mendelssohn's complete works for pianoforte solo are now contained in this two-volume republication of the outstanding Breitkopf and Hartel edition. Included in volume one are: 'Capriccio In F Sharp Minor Op.5' 'Sonata In E Major Op. 6' and 'Rondo Capriccioso Op. 14'.
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Ottorino Respighi: Sonata Per Pianoforte In Si Min.: Violin: Instrumental Work
Violin and Piano
Ricordi
Sonata Per Pianoforte In Si Min.
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Ludwig van Beethoven: Sonata for Pianoforte and Violin op. 24: Violin: Full
Violin and Piano
Barenreiter
Spring Sonata
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Ludwig van Beethoven: Sonata for Pianoforte and Violin op. 47: Violin: Full
Violin and Piano
Barenreiter
Kreutzer Sonata
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Felix Mendelssohn Bartholdy: Complete Works For Pianoforte Solo Volume II:
Piano solo
Dover Publications
in Two Volumes-The second volume of the outstanding Breitkopf and Hartel edition...
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in Two Volumes-The second volume of the outstanding Breitkopf and Hartel edition of Mendelssohn's complete works for solo piano.
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Kazimierz Serocki: Sonata: Piano: Instrumental Work
Piano solo
PWM (Polskie Wydawnictwo Muzyczne)
per pianoforte
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Composizioni Per Pianoforte
Piano solo
Barenreiter
/ Piano
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Adagio Sostenuto (Dalla Sonata Quasi Una Fantasia, Op. 27 N. 2 'Al Chiaro Di Luna')
Piano solo
Ricordi
/ Piano
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