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Sonata for Violoncello and Basso continuo
$18.95
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By Willem De Fesch. Edited by Hugo Ruf. For Violoncello, Basso continuo. Violoncello. Playing Score; Single Part. Op. 13/4. Published by Baerenreiter-Ausgaben (German import).
Instrumentation :
Cello
Publisher :
Barenreiter
Sheet music extract
Sonata for Violoncello and Basso continuo
$ 18.95
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Sonate a violoncello solo di Giovanni Platti (1725)
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Complete Sonatas for Violoncello and Basso continuo
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Georg Friedrich Händel: Sonatas - Volume 1: Violin: Instrumental Work
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Giacobbe Cervetto: Sonatas 2 Op 2-9 5 Vc Bc: Cello: Instrumental Work
Violoncello, Basso continuo
[Score and Parts]
Barenreiter
for Violoncello and Basso continuo or two Violoncellos-Two Sonatas For Violoncel...
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for Violoncello and Basso continuo or two Violoncellos-Two Sonatas For Violoncello And Basso Continuo or 2 Violoncelli Nos.5 and 9 from '12 Cello Sonatas' Op.2. Giacomo Basevi Cervetto (ca.1690-1783) born probably in Verona Italy who - following his move to England in around 1738 - became an important classical cellist and composer of Baroque music for Cello. He was a successful dealer in Italian musical instruments and became a member of the Drury Lane theatre Orchestra.
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Sonatas For Cello And Basso Continuo (VIVALDI ANTONIO)
Violoncello, Basso continuo
Wiener Urtext
Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbaue...
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Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co
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Sonate Da Chiesa A Violino Solo E Violoncello O Basso Continuo - Opera Quarta
Violin, Basso continuo
Anne Fuzeau Productions
Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Ed...
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Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Edition : Amsterdam, Etienne Roger, s.d. (=c. 1704)Présentation de Nicolas Fromageot : Notice biographique - Terminologie. / Violon Et Basse Continue / 48 pages / niveau : 1 / Fac-Similés - Format: 24 X 32
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10 Sonate per violoncello e basso continuo: Cello
Violoncello, Basso continuo
Ricordi
Ed. by/ A cura di Cesare Fertonani-The series Eighteenth Century Italian Music i...
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Ed. by/ A cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to off er performers works that satisfy clear critical and musicological criteria.This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of cello music: Luigi Boccherini Sonata VI G. 4 - Antonio Caldara Sonata ottava -Francesco Geminiani Sonata op. V n. 2 H. 104 - Carlo Graziani Sonata op. II n. 3 - Salvatore Lanzetti Sonata op. I n. 5 - Benedetto Marcello Sonata op. I n. 1 - Giovanni Battista Pergolesi Sinfonia avioloncello solo - Giovanni Benedetto Platti Sonata quarta - Nicola Porpora Sinfonia a violoncello solo - Antonio Vivaldi Sinfonia a violoncello solo RV 39
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Sonata II (ZELENKA JAN DISMAS)
Français
2 Oboen (oder Violine und Oboe), Fagott (Violoncello) und Basso continuo
[Score and Parts]
Barenreiter
Par ZELENKA JAN DISMAS. / Répertoire / 2 Hautbois, Basson et Basse Continue
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Antonio Vivaldi: Six Cello Sonatas: Cello: Instrumental Album
Violoncello, Basso continuo
Schott
Includes: Sonata I (RV 47) Sonata II (RV 41) Sonata III (RV 43) Sonata IV (RV...
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Includes: Sonata I (RV 47) Sonata II (RV 41) Sonata III (RV 43) Sonata IV (RV 45) Sonata V (RV 40) Sonata VI (RV 46). Please note this comes with a separate Cello part.
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Sonata Per Flauto Traverso (Oboe, Violino), Oboe (Violino), Violoncello (Fagotto) E Basso Continuo - Rv 801
Flûte Traversières (Hautbois, Violon), Hautbois (Violon), Violoncelle (Basson) Et Basse Continue
Ricordi
/ Flûte Traversières (Hautbois, Violon), Hautbois (Violon), Violoncelle (Bass...
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/ Flûte Traversières (Hautbois, Violon), Hautbois (Violon), Violoncelle (Basson) Et Basse Continue
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Johann Sebastian Bach: Three Sonatas For Violoncello And Harpsichord: Cello:
Violoncello, Basso continuo
[Sheet music]
Barenreiter
for Violoncello and Harpsichord-Three Sonatas For Cello And Piano by Johann Seba...
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for Violoncello and Harpsichord-Three Sonatas For Cello And Piano by Johann Sebastian Bach (1685-1750) edited by Hans Eppstein. Set of performance parts (includes separate pull-out cello part) for cello and piano (or harpsichord). Urtext of the New Bach Edition. 71 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5210)
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Sonates Pour Le Violoncelle Et Basse Continue
Violoncello, Basso continuo
Anne Fuzeau Productions
VI 'Sonata' - Oeuvre VePrivilège GénéralOeuvre écrite pour violoncelle et ba...
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VI 'Sonata' - Oeuvre VePrivilège GénéralOeuvre écrite pour violoncelle et basse continue. / Violoncelle Et Basse Continue / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
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Antonio Vivaldi: Two Sonatas RV40 And RV46: Cello: Instrumental Album
Violoncello, Basso continuo
[Sheet music]
-
Intermediate/advanced
Barenreiter
Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Viv...
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Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Vivaldi was familiar with the technique and idiomatic qualities of the cello and writing for the cello seems to have drawn from Vivaldi a special empathy: there is a degree of seriousness and expressive depth which is encountered much less consistently in his violin music. Perhaps it has something to do with the cello's low register since similar qualities inform his writing for bassoon.This Urtext edition edited by Bettina Hoffmann provides you with a clear and accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions. The solo cello part is also included on a separate insert.
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Antonio Vivaldi: Complete Sonatas for Violoncello and Bc. RV 39-47: Cello:
Violoncello, Basso continuo
[Sheet music]
Barenreiter
Performance Score and Parts-This scholarly-critical edition is based on all the ...
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Performance Score and Parts-This scholarly-critical edition is based on all the known sources whether printed or handwritten that have come down to us for these frequently played pieces. By closely scrutinizing the source material the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas .' (Ensemble January 2004) 'This is certainly the definitive edition of these works.'(Strings August/September 2003)
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VI Sonate A Fagoto O Violoncello Col'Basso Continuo. Opera Terzac. 1735
3 Recorders (trio)
[Score]
Noetzel
Edition : Londres, S. Weaver, J. Johnson, s.d. c.1735Présentation de Marc Vallo...
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Edition : Londres, S. Weaver, J. Johnson, s.d. c.1735Présentation de Marc Vallon : note biographique - les sonates pour basson - oeuvres de Merci - agrémentation - ornementation - altérations rythmiques.Une des rares partitions du XVIIIème siècle pour basson et basse continue. L'excellente qualité de la gravure permet une lecture aisée. / Bassons Et Basse Continue, Violoncelle Et Basse Continue / 23 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Willem de Fesch: Sonata in D minor Op.13/4.: Cello: Instrumental Work
Violoncello, Basso continuo
[Score and Parts]
Barenreiter
for Violoncello and Basso continuo-Sonata in D minor Op.13/4.
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Jean-Baptiste Bréval: Sonate C-dur Opus 40 Nr. 1: Cello: Instrumental Work
Violoncello, Basso continuo
G. Henle
fur Violoncello und Bass (Klavier). At the end of the eighteenth century, cellis...
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fur Violoncello und Bass (Klavier). At the end of the eighteenth century, cellist and composer Jean-Baptiste Bréval wrote not only virtuosic concerti for his instrument, but also easier sonatas and duets that still belong to the core repertoire of pedagogical cello literature. Opening with impressive chords, the Sonata in C-major op. 40 no. 1 also offers beginners the chance to savour beautiful melodies and master smaller shifts in position. The Parisian first edition of 1799 leaves the choice of accompanying instrument open. For this reason, this Urtext edition offers several options: a two-part score from which a second cello may comfortably provide accompaniment during lessons, as well as a moderate setting for piano that may be used in concerts. Rounding off this starter kit for cello literature is a carefully marked solo part.
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Jaccini Giuseppe - Sonata A Minor Op.1/8 - Cello And Basso Continuo
Violoncello, Basso continuo
Schott
Instrumentation : cello and basso continuo Date of Publications : 05/04/2000 Num...
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Instrumentation : cello and basso continuo Date of Publications : 05/04/2000 Number of Pages : 20 Arranger : Darmstadt, Gerhart Series : Cello Library
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Fesch Willem De - Sonata Op.8 - Cello And Basso Continuo
Violoncello, Basso continuo
Schott
No.1 D Major Instrumentation : cello and basso continuo Date of Publications : ...
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No.1 D Major Instrumentation : cello and basso continuo Date of Publications : 26/05/1981 Number of Pages : 17 Arranger : Weigart, Bernhard / Koch, Edwin Series : Cello Library
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Sonata A Minor Op. 1/8
Violoncello, Basso continuo
Schott
Le violoncelliste et maestro di capella Jaccini, élève du joueur violoncelle D...
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Le violoncelliste et maestro di capella Jaccini, élève du joueur violoncelle Domenico Gabrielli, vit et travaille à Bologne. Son 1 opus se compose de deux sonates pour violoncelles - ce sont les premières compositions originales pour violoncelle avec accompagnement de Basso continuo. / Violoncelle Et Basse Continue
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Wolfgang Amadeus Mozart: Sonata In B Flat K.292: Bassoon: Score and Parts
Bassoon, Violoncello
[Score and Parts]
G. Henle
Authoritative Henle Urtext Edition of Mozart's Sonata In B Flat K.292 for Basso...
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Authoritative Henle Urtext Edition of Mozart's Sonata In B Flat K.292 for Bassoon Cello and Continuo.
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Marcello Benedetto - Sonata No. 3 A Minor - Cello And Basso Continuo ; Cello Ad Lib.
Cello
Schott
A minor - VC/BC - cello and basso continuo (harpsichord/piano); cello (viola da ...
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A minor - VC/BC - cello and basso continuo (harpsichord/piano); cello (viola da gamba) ad lib. editor: Ruf, Hugo composer: Marcello, Benedetto Éditeur: Schott Music Série: Cello Library Difficulté: Intermediate pages: 20 Die sechs Sonaten von Benedetto Marcello (1686-1739) gehören neben denjenigen von Antonio Vivaldi zu den bekanntesten Barockkompositionen für Violoncello und Basso continuo. Schon zu Lebzeiten des zu seiner Zeit durchaus berühmten Komponisten wurde die Sammlung in den wichtigen europäischen Musikmetropolen London, Paris und Amsterdam in Drucken angeboten. Auch wenn es einige unbequeme Griffverbindungen in diesen Sonaten gibt, die daher rühren dürften, dass Marcello mit einem fünfsaitigen, um eine e’-Saite ergänzten Cello rechnete, so sind sie doch von moderater Schwierigkeit und gehören zu den Standardwerken des Violoncellounterrichts.
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Carl Philipp Emanuel Bach: Gambensonaten Wq 88 136 137: Cello: Instrumental
Violoncello, Basso continuo
G. Henle
Edition for Violoncello-Like his father Carl Philipp Emanuel Bach wrote three s...
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Edition for Violoncello-Like his father Carl Philipp Emanuel Bach wrote three sonatas for Viola Da Gamba. They were written during his time at the Berlin court of Frederick the Great and gave the excellent Viola Da Gamba player in the courtorchestra a chance to show his virtuosic skills. While the two Sonatas Wq 136 and 137 have a basso continuo Bach followed his father’s example as far as the Sonata in g minor Wq 88 wasconcerned: the right and left hands of the Harpsichord compete with the solo instrument in three equal parts. These sonatas can also be played very effectively on the Cello; the fingerings in the marked copies provide helpfulsuggestions.
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Janson J.b. - Six Sonates, Oeuvre Iv - Violoncelle, Basse - Fac-simile Fuzeau
Français
Violoncello, Basso continuo
Anne Fuzeau Productions
Partition pour violoncelle et basse continue. Edition : Paris, 1774 La préfac...
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Partition pour violoncelle et basse continue. Edition : Paris, 1774 La préface donne une biographie de Jean-Baptiste Janson et une explication détaillée de sa notation. Présentation de : Philippe Lescat : Biographie de Jean-Baptiste Janson Jean Saint-Arroman : Lecture de la partition Compositeur : JANSON Jean-Baptiste Auteur : LESCAT Philippe - SAINT-ARROMAN Jean Collection : Musique Française classique de 1650 à 1800 Titres : Sonata I en sol majeur : allegro, adagio, tempo di minuetto - Sonata II en ré majeur : allegro, adagio, rondo - Sonata III en ut majeur : allegro moderato, andante, aria con variatione - Sonata IV en sol majeur : allegro moderato, adagio, rondo - Sonata V en si b majeur : andante, allegretto - Sonata VI en ré majeur : allegro moderato, adagio, aria con variatione. Nombre de pages : 38 Format : 24,5 x 33,5 Parution : 02/2000
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Sonate C-Dur: Cello: Instrumental Work
Violoncello, Basso continuo
[Sheet music]
Barenreiter
Domenico Della Bella was active as a chorus master and most likely as a cellist...
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Domenico Della Bella was active as a chorus master and most likely as a cellist as well in Treviso toward 1700. Besides music for church use his compositions also include some instrumental pieces. This sonata is an example of early authentic Cello literature. With its charming melodies this concise work is guaranteed to delight cellists and their audiences today as much as in the composer's own time.
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Schott Cello Library
Violoncello, Basso continuo
Schott
13 pieces of easy to intermediate standard ideal for lessons and concerts. As we...
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13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Basse Continue
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Georg Philipp Telemann: Sonata In D: Cello: Instrumental Work
Cello
Barenreiter
for Violoncello and Basso continuo-Telemann Sonata In D for Cello and Basso Cont...
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for Violoncello and Basso continuo-Telemann Sonata In D for Cello and Basso Continuo. ABRSM Grade 8 Syllabus title. Edition no.: HM 13
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Giuseppe Tartini: Sonate in G-Moll Teufelstriller: Violin: Instrumental Work
Violin, Basso continuo
Barenreiter
The “Devil’s Trill” Sonata is the most famous of the Violin so...
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The “Devil’s Trill” Sonata is the most famous of the Violin sonatas of Giuseppe Tartini (1692–1770). In the new scholarly-critical edition it holds many a surprise in store. For the first time all available contemporary sources have been consulted to produce an edition closely approximating Tartini’s lost autograph. The solo part offers several ossia passages and alternative articulation marks and the score have been given an eminently playable realization of the continuo part offering ample scope for improvisation. Also for the first time this edition includes a separate part for violoncello or violone.Adetailed preface sheds light on the genesis and subsequent reception of this sonata. There is also a critical report discussing and evaluating all sources used and providing explanations of a number of important passages including the famous trill itself.
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Giovannino: Sonata In F Major: Viola: Instrumental Album
Double Bass
[Sheet music]
Yorke Edition
For Violone-Very little is known about the two sonatas which appear here in thei...
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For Violone-Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata Violino e Violoncino … di Giovannino del Violone. Giovannino (=Little or Young John) musthave been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that are known today (see Dart
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Joseph Bodin de Boismortier: Sonata: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Barenreiter
By Joseph Bodin de Boismortier. Edited by Hugo Ruf. For Cello/Bassoon Basso Con...
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By Joseph Bodin de Boismortier. Edited by Hugo Ruf. For Cello/Bassoon Basso Continuo. Violoncello. Playing Score; Single Part. Op. 50/3. Published by Baerenreiter-Ausgaben (German import). (BA3963) ISBN M006442058.
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Antonio Vivaldi: 9 Sonatas For Cello And Piano: Cello: Instrumental Album
Cello
EMB (Editio Musica Budapest)
per violoncello e basso continuo-Similar to Vivaldi's concertos and compositions...
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per violoncello e basso continuo-Similar to Vivaldi's concertos and compositions for violin his 9 cello sonatas also bear the mark of a genius of exuberant temperament. Since they belong to the basic repertory of the cello it increases the importance of the edition that the music includes the partly deviating performing marks of the surviving authentic sources of the pieces for the first time.
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