Format : Part
SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
About CD Sheet Music (Version 1)
CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: BR.EOS-522-19
ISBN 9790004785386. 8.5 x 11.5 inches.
The Sinfonia in E-flat major was probably written by Johann Christian Bach in his first decade in London, around 1765-70. Because of its small instrumentation and ease of performance, this E-flat major symphony enjoyed great popularity even during Bach's lifetime.
SKU: BR.PB-14613
The study score (,,Studien-Edition) is available at G. Henle Verlag.
ISBN 9790004214886. 10 x 12.5 inches.
The Eroica according to the Complete EditionExploring the Eroica is the name of the essay with which the editor made herself known back in 1998 and which contributed decisively to the research into the complex transmission. Written in 1803, the autograph of the work is lost today. The title Sinfonia Eroica is already found in the first edition (but only there as well). The main source of the edition is the copy of the score, which was carefully examined and emended by Beethoven, and into which he made corrections even after the appearance of the first printed set of parts. In addition, the copies of the parts used for first performances (before publication) as well as the extremely error-filled first edition of the instrumental parts are also relevant; more so, however, is another printed set that Beethoven personally revised. Thanks to the new performance material, the musical text of the new Beethoven Complete Edition can now also be heard alternatively to the Breitkopf Urtext edition by Peter Hauschild (PB/OB 5233).
SKU: BR.OB-14613-23
ISBN 9790004342619. 10 x 12.5 inches.
SKU: BR.OB-14613-16
ISBN 9790004342596. 10 x 12.5 inches.
SKU: BR.OB-14613-19
ISBN 9790004342602. 10 x 12.5 inches.
SKU: BR.OB-14613-30
ISBN 9790004342633. 10 x 12.5 inches.
SKU: BR.OB-14613-27
ISBN 9790004342626. 10 x 12.5 inches.
SKU: BR.OB-14613-15
ISBN 9790004342589. 10 x 12.5 inches.
SKU: HL.49044773
ISBN 9783795765873. UPC: 841886019829. 6.25x8.75x0.273 inches.
Volume 87 includes a Naxos CD with performances by the Nicolaus Esterhazy Sinfonia under the direction of Bela Drahos.
SKU: HL.50510046
ISBN 9790080400050. UPC: 073999711769. 5.5x8.0x0.324 inches. Ludwig van Beethoven; Gabor Darvas.
The original manuscript of the work has been lost, but a copy with corrections in the composer's hand, dating presumably from 1804, has come down to us. Beethoven added the following comment on the title page: 'geschrieben auf Bonaparte', which lends authenticity to the familiar story that oroginally the composer had named the symphony after Napoleon Bonaparte, but when he learnt that the revolutionary whom he idolized had let himself crown emperor, he tore off the cover page of the score in disillusion and rage, and changed both its title and dedication in the following way: 'Sinfonia EROICA, composta per festeggiare il sovvenire d'un grand' uomo, e dedicata a Sua Altezza Serenissima il Principe di Lobkowitz.'.
SKU: HL.49009991
ISBN 9783795763510. UPC: 841886002340. 5.25x7.5x0.11 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: TM.01616SC
Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz’s players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G’s. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F’s on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.
