SKU: HL.48011668
UPC: 073999975567. 9.0x12.0x0.083 inches.
Contents: from Margot la Rouge: Prelude (bars 1-65) * Duet (bars 643-666; 676-693) * from Irmelin: Prelude to Act 2 (bars 1-91) * Act 2 (bars 92-97) * Act 3, Scene 1 (bars 39-58 from Prelude and 664-704 from Closing Scene) * Interlude from Act 2 (bars 264-314) * Duet and Finale from Act 3 (bars 1015-1072).
SKU: HL.14017752
ISBN 9781846096594. UPC: 884088442149. 9.0x12.0x0.075 inches.
Auf einem Persischen Markt - Intermezzo-Scene by Albert W.Ketelbey. This edition features an adaption for two four-handed pianos. English edition.
SKU: BT.WH31101
ISBN 9788759819708. International.
Preface / Programme Note (UK-TEXT TO FOLLOW)Slagtøjssolisten er den gennemgÃ¥ende skikkelse og hovedperson i musikkensâ€tre scenerâ€.Begrebet â€scene†kan forstÃ¥s flertydigt, bÃ¥de som det fysiske sted, platformen,hvor man optræder og spiller musik og drama og som betegnelsen for defortællende forløb og afsnit i en dramatisk forestilling.Mine musikalske â€scener†udfolder sig i tre forskellige sceniskefremtrædelsesformer og ensembler. Den første scene er præget af diskrete ogmelodiske slagtøjsinstrumenter, vibrafon og marimba, med modspil fra de trestrygere.I den anden scene er spotlightet pÃ¥ slagtøjssolisten alene, vi møder hovedpersonen/solisten i en monolog, fremførthovedsageligt pÃ¥ â€syngende savâ€, der skal trakteresmed den yderste mikrotonale præcision. Vi hører ogsÃ¥ solisten spille pÃ¥ Kalimba,ligeledes et folkeligt instrument, men nu med afrikansk baggrund i modsætningtil den hjemlige gÃ¥rdsangers â€musikalske sav†et ofte hørt lydbillede frakomponistens barndom pÃ¥ Nørrebro.I den tredje scene er det en blæsertrio, der indledningsvis spiller op til slagtøjetsforskellige kraftfulde trommer. Efter en tromme-kadence sætter alle syv musikereind sammen, for første og eneste gang. Værket afsluttes med en kort slagtøjssolo.I en â€programmatisk tolkning†kan de tre scener ses som repræsenterende tretilbagevendende stadier:det indadvendt/drømmendedet udadvendt/agerendedet daglige drama mellem os alle.Per NørgÃ¥rd, februar 2010.
SKU: HL.14023334
ISBN 9788759863299. Danish.
Balkonscene by Per Norgard, a four-minute instrumental work for Flute or Recorder with Guitar.
SKU: HL.14015603
ISBN 9788759858882. 8.25x11.75x0.112 inches.
Work for Violin and Piano by Jeno Hubay.
SKU: HL.49020155
Ferdinand Leeke.
Ferdinand Leeke (1859-1923) was the creator of a serial of paintings showing scenes from the operas of Richard Wagner.These images provide much more than a simple illustration of Wagner's music dramas. Like no other artist Leeke managed to create the exact atmosphere that Wagner had established by his compositions.The works by Leeke are exhibited in several well-established art-museums, as for example the Neue Pinakothek in Munich and the Richard Wagner Museum in Bayreuth.In 1899 the prominent Bavarian printer Franz Hanfstaengl made copper plates from the original pictures. In a highly complicated procedure Franz Hanfstaengl produced the printing plates to transform Leeke's images into photogravures.These photogravures printed from the original plates are assorted in an exclusive folder that is produced only in a limited edition of 970 pieces worldwide.Every handpulled picture an originalThe art of etching and handcopper prints is regarded as one of the oldest and finestprinting techniques.In case of etching the motif is etched by the artist directly into the copperplate, with heliogravure the image has been engraved by using a complicated and extremly difficult photographic and handicraft procedure.Printing is done on heavy handmade-paper. Today, as 500 years ago, the copperplate is still carefully re-inked by hand and then cleaned with wide-meshed gauze balls, for only when the ink lies deep in the impressions the print will possess the velvety tones and fragile lines so characteristic of old, valuable engravings.The print is produced by pressing the plate under the pressroller with a pressure of around 16 tons. For every single print the entire procedure has to be repeated.To a greater extent than with wooden engravings, the artistic quality of etchings and copper engravings / heliogravures is dependent on the handicraft skills and the aesthetic sensitivity of the printer.This special way of printing has been done by Hanfstaengl publishers since 1833. Through the precise application and remova! of ink, the carefully-considered choice of paper and the use of the hand press, the printing specialists create a precious original with every page.
SKU: TM.14580SET
Scene 3: Chi e la? Otello (pg 492-509), Calma come la tomba (pg 510-514); Scene 4 (1st half): Quai grida! (pg 515-524). See #03850 for Act IV Scene 4 2nd half. For Complete Act IV = #02794 + #03850 + #11603 + #14580.
SKU: TM.14580SC
SKU: HL.288108
Three Scenes for Percussion and Six Instruments (2009) by Per Norgard. Preface / Program Note: The perpetrator soloist is the continuous figure and protagonist in the three scenes of the music. The term scene can be understood as ambiguous, both as the physical place, the platform where you perform and play music and drama - and as the term of narrative course and section in a dramatic performance. My musical scenes unfold in three different stage performances and ensembles. The first stage is characterized by discrete and melodic instruments, vibraphone and marimba, with counterplay from the three riders. In the second stage, the spotlight is on the butcher soloist alone; we meet the protagonist / soloist in a monologue, performed mainly on singing saw, which is intended to treat the utmost microton precision. We also hear the soloist playing at Kalimba, also a popular instrument, but now with African background - unlike the domestic courthouse's musical saw - an often-heard soundtrack from the childhood comrade at Norrebro. In the third stage there is a fan trio, which initially plays up to the impactor's various powerful drums. After a drum cadence, all seven music ends together for the first time. The work ends with a short sleigh solo.
SKU: TM.14714SC
Scene 2: C'est ici? (Faust, Mephisto, Siebel). Scene 3: Attendez-moi la, cher Docteur (Faust, Mephisto). Sc pg 161-165.
SKU: HL.49019306
ISBN 9790001181723. 9.0x12.0x0.082 inches.
Ligeti's two-act opera in four scenes, 'Le Grand Macabre', is intense, brilliant music theatre between parody and grave seriousness, between folly and wisdom. His one and only opera, which is exceptional in the entire 20th century, is full of absurdities. Therefore, it is no wonder that the 'Overture' is a prelude for 12 car horns. Three players operate four horns each by using their hands and feet according to the precise notation. As endless as the possibilities to perform this curiosity with the help of our separate edition may seem, as great is its entertainment value.
SKU: TM.14714SET
SKU: CY.CC2351
Scenes From Childhood (Kinderscenen), Opus 15 is a set of 13 pieces of music that Schumann wrote for Piano in 1838. They are his reminiscences of childhood and have been beautifully scored for Brass Quintet by Keith Terrett. The most well known of the movements is Traumerei (Dreaming) and has been used in movies to portray love scenes because of its tenderness and beauty. The music is for advanced performers and the collection contains close to 20 minutes of some very sublime & poetic music. Any of these pieces can be inserted into a recital program. Trumpet parts are in B-flat.
SKU: CY.CC2658
Scenes From Childhood (Kinderscenen), Opus 15 is a set of 13 pieces of music that Schumann wrote for Piano in 1838. They are his reminiscences of childhood and have been beautifully scored for Euphonium & Piano by Ralph Sauer. The most well known of the movements is Tråumerei (Dreaming) and has been used in movies to portray love scenes because of its tenderness and beauty.The music is appropriate for advanced performers and the collection contains close to 20 minutes of some very sublime and poetic music. Any of these pieces can be inserted into a recital program.
SKU: CF.FE189S
ISBN 9780825877520. UPC: 798408077525. 9.5 x 13 inches.
Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth Testimonium, a festival to preserve Jewish heritage. The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist. It is dedicated to Recha Freier, the originator and prime mover of the festival. Nuptial Scene is based on a simple medieval poem of prenuptial instruction. Part of it is in Catalan and part in Hebrew. The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492. A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a new song for a new bride. When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty. This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction. When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills -- the dress, the party, the dancing. In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent. Therefore, during the mother's ardent pleas, instructions, admonitions, and even innuendos, the daughter's mind wanders and dreams of dancing. Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance. At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit -- with the use of improvised melodic lines for which only the gestural outlines are given -- she goes into a kind of rapturous trance. The daughter, however, seems unmoved, and she falls asleep. The mother calms down, puts her head on the daughter's shoulder, and quietly muses, then also closes her eyes. --Samuel Adler  .Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth “Testimoniumâ€, a festival to preserve Jewish heritage. The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist.  It is dedicated to Recha Freier, the originator and prime mover of the festival.Nuptial Scene is based on a simple medieval poem of prenuptial instruction. Part of it is in Catalan and part in Hebrew. The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492. A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a “new song†for a “new brideâ€.When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty. This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction. When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills — the dress, the party, the dancing. In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent. Therefore, during the mother’s ardent pleas, instructions, admonitions, and even innuendos, the daughter’s mind wanders and dreams of dancing. Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance. At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit — with the use of improvised melodic lines for which only the gestural outlines are given — she goes into a kind of rapturous trance. The daughter, however, seems unmoved, and she falls asleep. The mother calms down, puts her head on the daughter’s shoulder, and quietly muses, then also closes her eyes.—Samuel Adler .
SKU: CF.FE189
ISBN 9780825877513. UPC: 798408077518. 9.5 x 13 inches.