Sanctus (SSAA)

La 'Messe en si bémol' a été réalisée en Novembre 1915 par le choeur de Tous les Saints, Margaret Street, Londres. Le directeur de la musique à l'époque, le Dr Walter Vale, adapté mouvements de la 'Liturgie de saint Jean Chrysostome' de Rachmaninov aux termes de l'ordinaire de la messe du 'Book of Common Prayer', en anglais, à l'exception du 'Kyrie 'qui utilise des mots grecs traditionnels. L'adaptation a été sanctionné par Rachmaninoff, qui a assisté à une représentation de la 'masse' à la Toussaint en 1924. / Choeur Mixte (SSAATTBB) A Cappella

Missa Sancti Martini. Par MISKINIS VYTAUTAS. The Latvian composer Vytautas Miškinis (*1954) has become one of the internationally most prominent composers of the middle generation from the Baltic States. Initially, 'Missa brevis', which is subtitled 'Missa Sancti Martini' in honour of the patron saint of the Mainz Cathedral, was originally commissioned by the girls' choir of the Cathedral and of St. Quintin's Church in Mainz. The world premiere, however, did not take place until this year as part of the international choral festival 'Europa Cantat' in Mainz. With regard to form and duration, the composition follows the traditional form of the Latin missa brevis without credo. A tonally extremely charming and touching, and technically quite undemanding work for church service and concert./ Répertoire / Chœur à 4 parties de Voix Egales [SSAA] et Orgue

Par JOHANNSEN KAY. Gattungen: Messen-Sätze - Langue : Latin / Messe / Répertoire / Choeur SSAATTBB

Es-Dur. Par HASSE JOHANN ADOLF. Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. / Requiem / Répertoire / Solistes SSAATTB, Choeur SATB, 2 Cors, 2 Flûtes Tr

Es-Dur. Par HASSE JOHANN ADOLF. Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. / Requiem / Répertoire / Solistes SSAATTB, Choeur SATB, 2 Cors, 2 Flûtes Tr

Es-Dur. Par HASSE JOHANN ADOLF. Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. / Requiem / Répertoire / Solistes SSAATTB, Choeur SATB, 2 Cors, 2 Flûtes Tr

Es-Dur. Par HASSE JOHANN ADOLF. Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. / Requiem / Répertoire / Solistes SSAATTB, Choeur SATB, 2 Cors, 2 Flûtes Tr

Symphonic Mass for SSAATTBB Chorus and String Orchestra-Sunrise Mass is a spiritual extended work by Ola Gjeilo which uses the liturgical Latin text. For SSAATTBB choir with String Orchestra. String orchestra score and parts are also available catalogue # HL08501828The four movements bring us on a metaphysical journey from the heavens to earth from the echo of The Spheres (Kyrie) to Identity & The Ground (Sanctus) with its earthly themes. Neither expressly sacred nor secular this is an exquisite work for advanced high school level and beyond. Duration: ca. 32:00.

Création du 7 septembre 2007, à Sarlat, dans le cadre du Festival du Périgord Noir, par l'ensemble vocal Sequenza 9.3, sous la direction de Catherine Simonpietri. / Choeur Mixte (SSSAAATTTBBB) A Cappella

Orchestral Accompaniment Score-This spiritual extended work uses the liturgical Latin text. The four movements bring us on a metaphysical journey from the heavens to earth from the echo of ?The Spheres? (Kyrie) to ?Identity & The Ground? (Sanctus) with its earthly themes. Neither expressly sacred nor secular this is an exquisite work for advanced high school level and beyond. Available separately: SSAATTBB String Orchestra (Full Score and Parts) String Orchestra (Full Score only). Duration: ca. 32:00.