SKU: AP.47023
UPC: 038081539355. English.
A Latin cha-cha groove for your young band! Easy to rehearse and perform successfully, with an auxiliary percussion part, no solos, and very easy brass ranges. Optional parts included for two clarinets, two flutes, plus vibraphone. A great value and a great addition to your library. Tempo is around 132 BPM.
SKU: CL.023-4800-01
Get ready to Rumble and Roar! This fun and unique piece features your band’s beasts – trombones, baritones, tubas, bass clarinets, tenor, and bari sax - in a fun, easy, and full-sounding original work. Putting the bottom of the band out front, this music builds technique and enthusiasm in the sections that don’t always get a chance to shine. The colorful interplay with the rest of the band allows everyone to be part of the action, while the solid rock groove will captivate students and audience alike.
SKU: CL.023-4800-00
SKU: KN.13606
UPC: 822795136067.
In this fun collection of 6 solos for the multiple percussionist, only common instruments are required. A perfect collection for students, as it contains a nice variety of grade levels (2-4) that the students can use for multiple years.Contents:Up In The Air; Triplicity; Roundabout; Rumble City; Romans; Cyms.
SKU: XC.RCB1911FS
UPC: 812598031584. 9 x 12 inches.
Distant Thunder depicts the ever-changing world of a rainforest, with sparkling textures glistening like rainwater on leaves giving way to the fierce rumble of a storm. This highly dramatic work is written to showcase the percussion section, using energetic, syncopated rhythms and simple mixed meter patterns. Students will love playing Distant Thunder!
SKU: HL.4002362
UPC: 073999376876. 9.0x12.0x0.076 inches.
Hymns by Giovanni de Palestrina pre-date those of Bach by over a century and incorporate the great polyphonic tradition of Renaissance writing. The compositions used in this suite are from a collection published in 1589 titled Hymns of the Entire Year, and incorporate antiphonal choral effects that lend themselves particularly well to instrumental settings. John Moss uses richly contrasting tone colors and textures as well as characteristic modal tonalities in this wonderful setting for band. (3:30).
SKU: HL.1753724
UPC: 850035900178. 7.25x9.5x3.5 inches.
Every Royer R-10 delivers the sonic excellence, flexibility and durability that recording and FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning. The R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise! The R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats. The R-10 is truly an excellent tool for recording almost any sound source you can think of!
SKU: HL.366187
UPC: 810100410513. 5.0x5.5x6.0 inches.
The PRSM Shock Mount is a flexible support system that helps suppress low-frequency rumble on the microphone line by absorbing and damping vibrations picked up from the studio desk or console. The PRSM is designed for use with the large-diameter professional-grade Heil Sound microphones, including the PR 30 and PR 40. Its 5/8″ threads mount onto the PL-2T “Topless†and other mounts, for easy installation. The shock mount weighs 16.2 oz.